The clock is ticking yet again for East London’s Robin Hood Gardens, the 1972 Brutalist public housing complex designed by Alison and Peter Smithson. In a call to arms, Lord Richard Rogers and Simon Smithson, the son of the architects, have written a letter to over 300 members of the architecture and construction industries in support of the 20th Century Society’s campaign to protect the iconic “streets in the sky” buildings from being demolished.
In mid-May, AN wrote about Zaha Hadid‘s first project in Mexico—a sprawling, 981-unit housing complex in Monterrey. The Esfera City Center development appears as a series of interconnected, almost pixelated, mid-rise residential buildings that are centered around a communal green space. And now it has a slick video rendering that sheds new light on the project’s design.
Zaha Hadid, the starchitect behind this sand-dune inspired headquarters in the United Arab Emirates, a high-design billboard in London, a parametric casino in China, and these uncomfortable-looking high heels, has introduced a new line of lighting fixtures for the Italian lighting company SLAMP.
Zaha Hadid Architects (ZHA) has unveiled the design for its first building in Mexico, a 981 unit, mid-rise housing project in Monterrey. The original brief called for 12 towers, but ZHA proposed the alternative plan that includes a large open green space surrounded by three buildings in a rectangle.
What happens when you enlist four architects and a designer to create a shoe? That’s the task handed to Zaha Hadid, Ben van Berkel, and others. The result is an ethereal-looking sculpture wrought by selective laser sintering that vaguely recalls the giant dusters at a carwash.
One of the biggest architectural head-to-head matches of 2014 has come to an amicable end. As AN reported last fall, Zaha Hadid sued New York Review of Books critic Martin Filler for defamation for comments he made about her in a review of Rowan Moore’s Why We Build: Power and Desire in Architecture.
When a huge piece of a starchitect-designed building comes crashing to the ground, the architectural world tends to notice. We are of course talking about the recent reaction to the 176-pound piece of concrete that fell off Zaha Hadid’s Library and Learning Centre at Vienna University of Economics and Business. Making matters worse for Hadid, this is the second time the building has shed a piece of its skin. But Zaha is not alone; shed(-ding) happens.
If you haven’t been up on the High Line recently, or perhaps ever–looking at you Mayor de Blasio–then you’ve been missing out on some big new projects from architecture’s biggest names–we’re talking about your Hadid’s, your Foster’s, your Piano’s, and your Kohn Pedersen Fox’s.