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A high-performance building prototype which shares energy with a natural-gas-powered hybrid electric vehicle.
A cross-disciplinary team at Oak Ridge National Laboratory (ORNL) have designed an innovative single-room building module to demonstrate new manufacturing and building technology pathways. The research project, named Additive Manufacturing Integrated Energy (AMIE), leverages rapid innovation through additive manufacturing, commonly known as ‘3d printing,’ to connect a natural-gas-powered hybrid electric vehicle to a high-performance building designed to produce, consume, and store renewable energy.
Are there any architects out there who long to be media personalities? Here is your chance and all you need to do is respond to a casting call for young designers who may be interested in applying to be co-hosts. The subject will be “mobile architecture” and you can reach out to them at email@example.com to learn more!
On September 23—and in a the heart of downtown San Diego across Jon Jerde’s famous Horton Plaza—Bosa Development, headed by Nat Bosa, opened for a limited run exhibition entitled Rethink Downtown: Behind San Diego’s Skyline. The show celebrates San Diego’s urban history and asks visitors to ponder downtown’s future: Where it’s going and how architecture, design, amenities, and quality of life enable San Diego to matter on a national scale from millennials to boomers?
A juicy tidbit from the Chicago Architecture Biennial. The number of projects in the Chicago Cultural Center right now is a bit dizzying, but we can only imagine what the place was like during the installation. It is a small miracle that it all fit, let alone got assembled correctly. The process was not without snafus.
550 West 54th Street, Manhattan
Archtober-ites probably expected to enviously gawk at the views and wander through the wedge-shaped, amenity-filled, courtyards of Mercedes House, one of the recent luxury rental additions to Midtown West. What they probably didn’t expect was TEN Arquitectos partner Andrea Steele’s eloquent and educational lesson on the challenges and opportunities of zoning in New York.
For much of its early history, architecture was more than a pragmatic response to the problem of shelter. It was infused by craft. “Craft has existed in all kinds of industry, especially architecture, for a long time,” said Simpson Gumpertz & Heger (SGH) principal Matthew Johnson. “But I feel it it lost its way in the twentieth century as we chased efficiency over quality.”
Wednesday, October 7, 2015
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Gotham Metalworks by Extech received the 2015 North American Copper in Architecture Award for its work on the Henry Bristow Landmark School in Park Slope, Brooklyn (NYC Public School 39). Presented by the Copper Development Association, the award is judged by industry experts and presented to outstanding copper building projects based on design integration, craftsmanship and overall excellence in renovation.
The project involved the historic restoration and roof cornice replacement for one of the nation’s oldest schools in continuous use (built in 1877). Working with Ivan Brice Architecture, Gotham’s was to fabricate the new copper gutters and cornice and stay true to the design intent of the original construction. All elements were subject to approval by the N.Y. State Historic Preservation Office.
The copper work included manufacture of the 44 decorative replica brackets, 308 large modillions and extensive cornices with hundreds of dentils. Castings and dies were made from the original wood decorative brackets, and fluted bracket faces were stamped in copper to match. The decorative Fleur de Lis detail, which was cut into the face of the decorative brackets, was utilized to create matching snow guards on sloping copper roof areas where needed. Visit GothamMetals.com.
On October 13, 1965, the New York Times ran a piece of architecture criticism on its front page, above the fold, spanning five out of seven columns. The writer was Ada Louise Huxtable, and the topic was the looming decimation of downtown Salem, Massachusetts—near Huxtable’s summer home in Marblehead. “Urban Renewal Threatens Historic Buildings in Salem, Mass.,” read the headline. “Foes Fear Plans Will Mar Old New England Heritage.” Those were the dark years between the demolition of New York’s Penn Station in 1963 and passage of the National Historic Preservation Act in 1966.
Brooklyn Botanic Garden Entry Building, Arch, and Steinberg Visitor Center
990 Washington Avenue, Brooklyn
WEISS/MANFREDI, Architecture Research Office
With blue skies overhead and abundant sunshine, it was the perfect day to funnel from Brooklyn‘s clamorous urban streetscape into the transportative, protected landscapes of the Brooklyn Botanic Garden. On this double-header Building of Day tour, Archtober-ites explored the threshold from the city grid into the meandering, arboreal pathways at the garden, as experienced in two new entrance pavilions designed by WEISS/MANFREDI and ARO.