With all the attention focused on the impossible height of New York‘s new crop of supertalls, it’s easy to forget that even skyscrapers have a tether to earth. Renderings were recently revealed for the base of Adrian Smith + Gordon Gill‘s 1,550-foot-tower, which, when complete, will be the tallest building in the Western Hemisphere. Read More
Besides the overcrowded L and the overabundance of Starbucks/Chase Banks, one of New York‘s favorite things to kvetch about is the rent: it’s too damn high. Now, through Wage Island, an installation created by a New York–based interaction and information designer, it’s possible to see in 3D how much housing really costs in this city. Read More
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The new pavilion features 2750 individual terra cotta modules, weighing in at 60-70 pounds each.
The John and Mable Ringling Museum of Art, part of a historic 66-acre estate in Sarasota, Florida has received a striking new pavilion designed by Machado Silvetti to house new gallery and multi-purpose lecture space. Officially called the Center for Asian Art in the Dr. Helga Wall-Apelt Gallery of Asian Art, the project features a custom glazed sculptural terra cotta clad volume elevated off the ground, and attached to the museum’s West Wing galleries via glass bridge. The new 7500 sq. ft. pavilion establishes a new monumental entrance to the museum, and assists in the reorganization of site circulation and infrastructure systems. Teaming with Boston Valley Terra Cotta, the architects developed a cladding strategy to respond to specific environmental, programmatic, and budgetary criteria. The project is inspired by lush foliage and historic architectural ornamentation found within the Ringling estate.
Dubai, a city famed for its taste in extravagant grandeur has become a playground for architects of late. Already home to many world firsts and record breakers, a new phenomenon in the form of an old idea may be on the horizon in the form of “Dynamic Tower,” an 80-story rotating skyscraper.
AN reported last week on the yearly Cevisama ceramic fair in Valencia, Spain, and the award winning Harvard project, Extruded Tessellation: Ceramic Tectonics, of industrially produced clay extrusions from the university’s Material Processes & Systems Group. But it was not the only award-winning project of architectural interest at the fair.
[Editor’s Note: This Letter to the Editor is in response to an editorial in The Architect’s Newspaper’s December issue, “What Happened to the Municipal Art Society?” Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com.]
The Architect’s Newspaper editorial of December 11 reinforced the crucial role of civic leadership in advocating for land use policies, planning, and design approaches to keep New York City one of the most livable cities in the world—an effort the Municipal Art Society has championed for more than a century.