In the 1950s, Pittsburgh was the American poster child for a progressive city. Forward-thinking gentrification projects such as the Gateway Center, a five-building office complex, and Allegheny Center, the former hub of downtown Allegheny City, were part of a transformative frenzy of high-rise constructions during the postwar period.
The Good, The Bad & The Ugly: Architect builds a shocking pavilion to explore society’s domination of nature
World heritage sites in the ancient city of Palmyra in Syria are being bombed by the militant group ISIS. The 2,000-year-old Temple of Baalshamin and Temple of Bel in Palmyra, designated UNESCO World Heritage Sites, have allegedly been destroyed by the terrorist group. Images featuring the explosion posted through social-media accounts in affiliation with ISIS depict the bombings.
Philippe Starck, the famed architect and designer, has let the world know that he incorporates the architectural adage of “less is more” into his everyday sartorial decisions. In a video interview with Nowness, Starck said, “I don’t wear underwear because I don’t need it.”
Los Angeles lost an important figure in the architecture and preservation community last week. News reached AN of the passing of Karol Lautner Peterson, president of The John Lautner Foundation, which plans to host a memorial celebration in the Los Angeles area. The organization shared the following remembrance:
Karol Lautner Peterson died early in the morning of August 25, 2015, in her home. She was surrounded by close, loving family members.
The Pittsburgh Penguins, via their residential developer are set for, in the words of Bjarke Ingels, a “promiscuous hybrid” form of residential housing aimed at bridging the Uptown and Downtown areas of Hill District. The development will occupy a 28-acre plot of land around the former home of the Penguins the Civic Arena.
Last year artists Petra Bachmaier and Sean Gallero led a collaborative effort to take over Mies van der Rohe’s Farnsworth House with kaleidoscopic light and video loops. That project, INsite, followed similar work at Frank Lloyd Wright’s Fallingwater and Robie House, and imbued Mies’ modernist touchstone with a vivacity often lacking in the contemporary experience of midcentury interiors. (Read AN‘s review of Luftwerk’s INsite installation here.)