If there was ever a perfect curatorial pairing, Alain de Botton made it when he selected artist Grayson Perry to work with English architects Fashion Architecture Taste (FAT). Architecturally speaking, their so-called House for Essex is a “built story”—a shrine to an Essex woman named Julie who led a life as a rock chick and later a social worker, along the way marrying twice and finding happiness before being tragically killed by a curry delivery moped.
Here are three bold designs from winning teams that completely reimagine the Los Angeles Convention Center
The Los Angeles Convention Center is desperately in need of an overhaul. Architect Charles Luckman designed the original boxy structure in 1971 and James Ingo Freed added the glassy Annex in 1997. Today, both buildings lack the square footage and amenities to add up to a competitive venue. Centers in Las Vegas or Chicago eclipse LA’s meager 870,000 square feet by double or triple square footage. Indeed, in the decades since the venue was constructed the whole approach to convention center design has changed.
Just days after the Harvard Graduate School of Design announced that Anita Berrizbeitia would be the new chair of its Department of Landscape Architecture, the school has announced another big appointment: Professor Diane Davis will be head its Department of Urban Planning.
“Davis teaches courses and options studios that examine the role of politics in planning and design, relations between urbanization and development, and socio-spatial practice at the scale of the city,” the school said in a statement. “Her research focuses on urban transformations in the global south, particularly the urban social, spatial, and political conflicts that have emerged in response to globalization, informality, and political and economic violence. In her capacity as co-director of the Risk and Resilience track in the Master in Design Studies (MDes) program, Davis explores overlapping vulnerabilities in the built and natural environment and assesses their significance for planning theory and design practice.”
Both Davis and Berrizbeitia will assume their new roles on July 1.
Mayor Bill de Blasio and First Lady Chirlane McCray have appointed Paul Gunther the executive director of the Gracie Mansion Conservancy. Gunther will ensure that “not only are the historic fabric and contents of the great 1799 landmark well preserved, but that it thrives in today’s modern society,” according to a statement from the mayor’s office.
In addition to his role as a frequent contributor to AN, Mr. Gunther has served as Vice President of Institutional Advancement and Director of Development at The New York Historical Society, Director of Development and American Liaison at The American Center in Paris, and the Director of Development and Public Affairs at The Municipal Art Society, and President of the Institute for Classical Art and Architecture.
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Curved curtain wall and textured composite rain screen create a new focal point on the Hamilton College campus.
When a team of architects from Boston-based Machado and Silvetti Associates first visited Hamilton College several years ago, they thought they were interviewing for a single project—an art museum. But they soon found themselves talking campus officials into a second commission, for the Kennedy Center for Theatre and Studio Arts (KCTSA). Read More
When hackers broke into Sony Pictures Entertainment’s email server in November 2014 and released stolen messages, the first stories to come out were Hollywood fodder. But buried inside the glut of toxic gossip, star salaries, and Emma Stone’s junior high school pictures are emails that tie together Sony CEO Michael Lynton, Los Angeles County Museum of Art (LACMA) director Michael Govan, LA County Supervisor Mark Ridley-Thomas, and Peter Zumthor’s proposed design for the LACMA campus.
The Architecture Billings Index (ABI) doesn’t want to hear it right now–it knows it’s not in a great place, okay? After the economic index started looking up last month—we’re talking 51.7!—the ABI dropped down to 48.8 in April. And, as we all know, any score below 50 means a decrease in billings. Here’s a silver lining, though: the New Projects Inquiry did scoot up from 58.2 to 60.1.
Errol Morris took the podium at the Grolier Club, the venerated New York City typography and tome institution, to talk about his 2012 experiment to uncover the influence of a typeface. His experiment ran in the New York Times’ Opinionator column and asked readers whether they were optimists or pessimists, based on the text. However, one small, but key, paragraph was rendered in one of six fonts on different computers (only one of the 45,000 respondents wrote Morris having noticed the difference), and this evaluated whether people believed the passage to be true.