A new tower designed by FXFowle will bring a touch of design to Long Island City’s ever-growing skyline of glassy and generic residential buildings. For starters, the 35-story luxury rental tower is differentiated by a rust-colored steel that encases the podium and runs up its sides, framing three glassy expanse.
The Harvard Graduate School of Design has named Erik L’Heureux as the winner of the 2015 Wheelwright Prize. L’Heureux is an American architect and current professor at the National University of Singapore; he also heads up his own firm called Pencil Office. Along with the prestigious accolade comes a $100,000 traveling fellowship for L’Heureux to study new approaches to contemporary design for two years.
Bearing a not-coincidental resemblance to his Vancouver House project, the Taper collection of fittings and bathroom accessories is Bjarke Ingels‘ first foray into the home interiors market. For plumbing manufacturer Kallista, it’s also the initial design collaboration with an architect on a suite of products.
A few weeks ago AN noted that the Norman Foster–designed 2 World Trade Center might finally rise after all these years. The New York Times was reporting that Rupert Murdoch’s News Corporation and 21st Century Fox were in talks to lease half the building for a joint headquarters. If it were to happen, wrote the Times, Murdoch’s team might bring in a new architect to update Foster’s design. Now it’s looking like that is exactly what’s going to happen—and it’s going to happen in an, ahem, BIG way.
A few blocks south of City Hall in Manhattan is 5 Beekman—one of New York City’s most intriguing historic landmarks. Behind the building’s brick facade is an ornate, nine-story, glass-pyramid-topped atrium that has been off limits for more than a decade. The Architect’s Newspaper took a behind-the-scenes tour of the building with the architect who is bringing it back to life as a boutique hotel.
The life of an independent architecture curator is always tenuous at best. They develop a concept for an exhibit then pitch it to multiple venues in academia and museums and spend three to four years realizing the project. The financial rewards for such projects are minimal, but usually cover the curator’s costs and allow them a modicum of profit.
Even in a city like Miami, this twisting, LED-emblazoned tower seems a bit over the top. The curious 633-foot structure, called the Miami Innovation Tower, is the work of SHoP Architects, a firm known for adventurous designs, from the Barclays Center in Brooklyn to skinny supertall skyscrapers in Manhattan. But even with that reputation, this one takes us by surprise.
Monday, April 27, 2015
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U.S. Aluminum’s big unveil is finally here. After years of R + D and testing, our engineers are proud to debut the Entice™ Series, an innovative new entrance system with features and components that have classified it as the first premium storefront of its kind.
If you’re designing a premium exterior retail space, the Entice™ Series Entrance System is the only solution that retains the elegant appearance of a monolithic frameless glass entrance with minimal vertical lines and the unique ability to support door handle hardware on 1” insulating glass panels. This system is designed for use with all high solar and thermal efficient glass options including low-E coatings and tints.
Entice™ delivers contemporary heavy glass storefront aesthetics while satisfying new energy code requirements and ASHRAE 90.1 air infiltration criteria. For added performance, patent pending vertical stiles with ultra narrow sightlines and door rails feature heavy-duty thermally broken cladding that provides U-Factors as low as 0.33. Patent pending SEAL-LOC Mechanically Clamping Seals also provide easy fabrication and glass replacement.
This innovative system has an impressive pedigree, endowed with trusted CRL-U.S. Aluminum technologies, an AAMA 101 Performance Class LC-PG25-SHD, and a design that protects buildings from air/water infiltration, extreme temperatures, and mediocrity. The Entice™ Series will debut at AIA Expo 2015 in Atlanta, booth #1959.