The Willis Tower (formerly known as, and still referred to by locals as, the Sears Tower) has been bumped from the Council on Tall Buildings & Urban Habitat’s (CTBUH) top ten tallest buildings in the world list with the completion of the Gensler-designed Shanghai Tower in Shanghai, China.
New details have emerged on New York’s latest, tallest, super-tall skyscraper—the Adrian Smith + Gordon Gill–designed tower rising on, where else, 57th Street. Real estate blog NY YIMBY has uncovered new drawings for 225 West 57th Street, which will rise to a height within one foot of One World Trade Center.
At first glance, the glass-observation boxes that jut out of the Willis Tower’s 103rd floor don’t look all that safe—and that is exactly the point. The SOM-designed attraction, known as the Ledge, opened in 2009 and offers “thrill seekers,” “death defiers,” and “people who can wait in a really long line” the chance to step outside of the iconic skyscraper and look straight down at the streets of Chicago, 1,353-feet below. The floor of the suspended structure is comprised of 1.5-inch laminated glass panels, which can hold 10,000 pounds and withstand four tons of pressure. So, the danger is all imagined, right? Well, it certainly didn’t feel that way for a California family who visited last night.
High up. The New York Times‘ Edward Rothstein went out on a ledge for the paper today. The critic took on the glass boxes that protrude from the Willis Tower in Chicago known appropriately as the Ledge. The critic waxes poetic about the vulnerability of the city and the fully human sensations that occur when floating some 1,353 feet above the street. He also takes the opportunity to point out the redundancy of the Ledge’s cousin, the Grand Canyon Skywalk.
Tear Down. Christopher Hawthorne balked at SFMOMA‘s public relations campaign to portray the museum’s new Snøhetta-designed wing as a wallflower respecting its Mario Botta-designed neighbor. But as Hawthorne points out in the LA Times, the new building is anything but quiet. Rather it’s more a “chiseled behemoth.” Hawthorne finds the museum’s affront to its Botta as part of a larger trend in the American museum world where the tendency is to drop good, but alas, old architecture in lieu of ever newer names and trends. Read: Whitney, MoMA, Barnes, to name but a few.
Put a Lid on It. In a totally biased and unabashedly opinionated piece for City Watch, Jack Humphreville writes that a back room deal may have LA ratepayers of the Department of Water and Power footing the bill for a new twelve-acre park designed to cap the underground reservoir replacing the Elysian Reservoir. Humprhies argues that the $85 million park should fall under the auspices of the City and the Department of Recreation and Parks.
Manhattanhenge. Gothamist reminds us that tonight at 8:17PM the full sun will set in perfect alignment with east west axis of Manhattan’s street grid. Remember not to stare, mesmerized, for too long.
In our pilot Midwest issue, I wrote about The Ledge, a new viewing platform at the Sears Tower (now Willis Tower) in Chicago. At the time, only renderings were available of the SOM-designed all-glass cubes that protrude off of the tower’s west face, and the project was expected to open in mid June. Well, it appears that the dizzying new viewing experience is now accepting visitors, as a whole rash of pictures have popped up on flickr. Among them is the above image, which reminds us that sometimes the highest achievement that architecture can aspire to is to fuel the dreams of a child.