Typography & Truth, a conversation with Errol Morris

Design, East, Media
Thursday, May 21, 2015
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(James Way)

(James Way)

Errol Morris took the podium at the Grolier Club, the venerated New York City typography and tome institution, to talk about his 2012 experiment to uncover the influence of a typeface. His experiment ran in the New York Times’ Opinionator column and asked readers whether they were optimists or pessimists, based on the text. However, one small, but key, paragraph was rendered in one of six fonts on different computers (only one of the 45,000 respondents wrote Morris having noticed the difference), and this evaluated whether people believed the passage to be true.

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On View> The Boston Society of Architects digs into the future of typography in new exhibition

Design, East, On View
Friday, January 16, 2015
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(Courtesy BSA)

(Courtesy BSA)

 

Stereotype: New directions in typography
The Boston Society of Architects
290 Congress Street, Suite 200
Boston, MA
Through May 25

The Boston Society of Architects (BSA) is currently exploring the boundaries and possibilities of traditional typography with an exhibition called Stereotype: New directions in typography. To delve into the future of the form—and to raise questions about what is next for it—the BSA is presenting works from 14 up-and-coming and established designers from around the world.

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Hooked on Fonts: Chicago Typographers Party Like They Just Don’t Kern

Eavesdroplet, Midwest
Friday, April 4, 2014
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The typographic bunch. (Courtesy Typeforce 5)

The typographic bunch. (Courtesy Typeforce 5)

Apparently, Chicagoans are bonkers for typography. Jeff Sanchez, Graphic Design Manager for the International Interior Design Association, invited us to Typeforce 5, “the annual showcase of typographic all-stars.” Hosted by the Co-Prosperity Sphere down in Bridgeport, this was the most well attended opening we’ve been to in ages. Eavesdrop bumped into old AN pals, like local designer Michael Savona and Gravity Tank power players Robert Zolna and Moritsugu Kariya. Robert, Eavesdrop wouldn’t mind a new day job, so, if you hire us, rest-assured we’d never use Comic Sans or Chiller in communications with clients. Call us!

Quick Clicks> Liquid Letters, Grad Cities, Future Weaving, Shoe Dice

Daily Clicks
Thursday, September 8, 2011
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Liquid type by Ruslan Khasanov: the letter "A" (via Co.Design)

Living letters. Typeface designer Ruslan Khasanov created a liquid typeface by inking letters onto a porcelain sink and photographing their movement as they slid down the drain. The white on black animated GIFs reveal letters that strangely resemble those amoebas we studied under the microscope back in high school bio. More at Co.Design.

Great cities for 20 somethings. Recently graduated? Looking for a creative, liberal-minded, inexpensive city with low unemployment? GOOD magazine has published a tally of top cities for young adults. Austin, Philadelphia, Detroit, and Washington D.C. garnered top spots.

Weaving futures. The future of weaving: Austrian designer collaboration “mischer’traxler” has fused art and technology in their latest invention, a machine that weaves depending on how many people are watching. Sensors located on the basket weaving frame detect how many people are standing nearby, adding different colors per person. Co.Design called it “passive interaction.”

Show me the shoes. For shoe company Shoesme, Dutch designer Teon Fleskens has designed a flexible, interchangeable shoe display system, according to Contemporist. The main element, large white dice, can be stacked and rearranged to various table and counter-level heights and can also be used for seating.

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