This year’s Texas Society of Architects Design Conference focused on the topic of craft and was framed by a discussion of noted regional modernist O’Neil Ford. It was held in the north Texas town of Denton where Ford began his professional career and executed several important early projects.
While few items should garner as much respect as those of which hold the memories of our loved ones, high-design has long had an aversion to memorialization. Seattle-based architect Tom Kundig of Olson Kundig Architects and artist Greg Lundgren hope to change that with their new funerary urn, “The Final Turn,” for Lundgren Monuments. With this object, Kundig brings the rough materiality and crisp design that he has become known for with his acclaimed houses to create a timeless vessel.
“The Final Turn” is composed of two halves of an eight-inch sphere, handcrafted from blackened steel or bronze. The two halves are threaded together, but are noticeably offset when they meet. “While the sphere implies perfection and eternity, the offset nature of the urn is inspired by the people left behind—the people whose lives are thrown off-kilter by the passing of their loved one,” Kundig said in a statement. “The perfect world is no longer perfect for those who remain—something is amiss.” The top half contains a compartment to house mementos, while the bottom half provides a receptacle for remains.