Archtober Building of the Day #20B> Donald Judd Home and Studio

Architecture, East, Interiors, Preservation
Tuesday, October 21, 2014

(Joshua White / Judd Foundation Archives)

Archtober Building of the Day #20
Donald Judd Home and Studio
101 Spring Street
Architecture Research Office; Walter B. Melvin Architects

The Soho of the 1970s has come and gone, grungy artists’ studios replaced by glitzy storefronts and luxury condos. However, two decades after artist Donald Judd passed away in 1994, his presence still permeates 101 Spring Street. It’s in the nooks he carved out for his children and his books, his kitchenware and furniture, and, most of all, his art.

Continue reading after the jump.

Cadillac to leave Detroit for New York City

Midwest, News
Tuesday, September 23, 2014
Detroit's Renaissance Center, home to General Motors, will say goodbye to Cadillac. (Loren Sztajer via Flickr)

Detroit’s Renaissance Center, home to General Motors, will say goodbye to Cadillac. (Loren Sztajer via Flickr)

While its product development teams and manufacturing facilities will remain in Michigan, Cadillac will move its headquarters to downtown New York City from Detroit, parent company General Motors announced Tuesday. Read More

SOFTlab creates a flowery vortex for a New York City couture shoe shop

Melissa We Are Flowers (Courtesy SOFTlab)

Melissa We Are Flowers (Alan Tansey Photographer / Courtesy SOFTlab)

Forget about the Sharknado, New York–based designers at SOFTlab have created a vortex of flowers that has taken over one Manhattan shoe store, bringing SOFTlab’s signature parametric forms to the modern shoe brand, Melissa. The Soho store already grabbed design headlines when it opened its flagship location decked out in a custom-fabricated Corian interior by architecture firm Eight and Associated Fabrication. This latest design intervention is part of Melissa’s “We Are Flowers” campaign that used organic shapes and colors to inform its shoe line.

Continue reading after the jump.

Rem Again: OMA Designs a Third Gallery for Lehmann Maupin

Friday, April 5, 2013
Do Ho Suh's Fallen Star 1/5 at the Lehmann Maupin 26th Street Gallery, 2008-11. (Courtesy Lehmann Maupin)

Do Ho Suh’s Fallen Star 1/5 at the Lehmann Maupin 26th Street Gallery, 2008-11. (Courtesy Lehmann Maupin)

Rem Koolhaas and OMA may have grander commissions and more famous clients (Miuccia Prada?), but probably not a more devoted and long lasting partnership than with David Maupin of the Lehmann Maupin Gallery. The gallerist first commissioned Koolhaas to design a new exhibition space on Manhattan’s Greene Street in 1995 and again when they moved to 26th Street in Chelsea ten years later (there is non-OMA-designed Lehmann Maupin on the Lower East Side). Now the Lehmann Maupin Gallery has asked OMA to design a third gallery, this time in Hong Kong.

Continue reading after the jump.

A Corian Carnival in SoHo

Friday, April 5, 2013
Brought to you with support from:
Associated Fabrication produced 34 bollard-shaped merchandise displays for Melissa Shoes in SoHo. (Melissa Hom)

Associated Fabrication produced 34 bollard-shaped merchandise displays. (Melissa Hom)

Brooklyn-based Associated Fabrication realized all the merchandise displays, benching, shelving, and cash wraps for Melissa Shoes in Pearl Gray Corian.

Before Kinky Boots came to Broadway, Melissa Shoes opened shop in SoHo. The Brazilian shoe brand, known for its use of brightly colored, recycled PVC material and collaborations with designers like Jason Wu, Vivienne Westwood, and Gareth Pugh, opened its first U.S. boutique in the states last year. With the help of local architecture firm Eight Inc. and Brooklyn-based Associated Fabrication, a distinguished aesthetic was achieved that supports the original Sao Paulo shop’s rotating art theme, but with a much cleaner slate of epoxy floors and Pearl Gray Corian bollard-like merchandise displays.

Working from two-dimensional drawings provided by the architects, Jeffrey Taras of Associated Fabrication used Rhino to model the 34 display platforms. Taras grouped the displays, which resemble blunted stalagmites, into categories of varying heights and configurations—single columns in four different heights, double columns in two groupings, and one cluster of three columns. Read More

Quick Clicks> Cooper, Dharavi, Evolution, Charts

Daily Clicks
Wednesday, February 23, 2011
35 Cooper Square in 1917 (Courtesy Bowery Alliance)

35 Cooper Square in 1917 (Courtesy Bowery Alliance)

Keeping Cooper. There’s a fight brewing over the demolition of the 186-year-old 35 Cooper Square. A demolition permit had been issued and subsequent stop work orders and candlelight vigils. The small federal style structure was once home to descendants of Peter Stuyvesant and beatnik Diane DiPrima. Keep tabs on the little building at EV Grieve and the Bowery Alliance (And in other Cooper Square preservation news, what’s going to happen to the Astor Place mosaics under the planned pedestrian plaza upgrades?)

Read More

Marino-designed Soho Store Inspires Chanel Makeup

Tuesday, September 14, 2010

The fabulous Peter Marino has designed a fabulous new store for Chanel in Soho, which opened Friday for Fashion Night Out. It’s so fabulous that Chanel Global Creative Director Peter Phillips created a new makeup line paying homage to Marino’s sleek lines and the sleeker girls who hobble about the cobblestone streets surrounding the store. As for the renovation itself, it was inspired by the artsy spirit of the neighborhood and features an acrylic Chanel No. 5 bottle that stands over 10 feet high and will display video art as well as video of runway shows from Paris. The newly outfitted boutique has a gallery feel to it, complete with commissioned artworks by Peter Belyi, Alan Rath, and Robert Greene. More makeup and makeover after the jump. Read More

Crocs Treads Lightly with Soho Flagship

Friday, July 9, 2010

The 1818 structure has been meticulously restored, along with a storefront dating from around the 1920s. (Kristine Larsen)

When shoe retailer Crocs set its sights on Soho, the blogosphere didn’t hesitate grouching about the rubber clog emporium’s arrival at the corner of Spring and Wooster streets. What was feared as an assault of global branding, however, has become an unlikely symbol of a sea change for New York City’s Landmarks Preservation Commission, which pushed for a modern, glassy volume in the heart of the historic cast-iron district. Read More

Soho Salvage

East, East Coast
Thursday, March 25, 2010

How long before 74 Grand Street is put back in place? (Courtesy Curbed)

Another piece of New York City’s historic fabric is disappearing. But only for a short time! We hope… Curbed swung by 74 Grand Street today and discovered that deconstruction of the five story cast-iron building was just getting under way. The building has been leaning for years after being undermined by construction a neighboring lot. Because it had gotten so bad recently—some 30 inches out of alignment in spots—the Department of Buildings declared the building would come down before it brought the entire blog along with it. Afraid a unique piece of the city would be lost, the LPC demanded the facade be replaced whenever a new building gets built on the site, and it would be locked up in a city warehouse until then. The LPC signed on reluctantly, as the oldest cast-iron facade in the city was once stolen from such a warehouse and sold for scrap. We’ve got our fingers crossed this time around.

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