Apple shows love to New York’s historic neighborhoods and the Landmarks Conservancy takes notice

Awards, East, News, Preservation
Wednesday, February 10, 2016
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Apple store on Fifth Avenue. (Rick González / Flickr)

Apple store on Fifth Avenue. (Rick González / Flickr)

The New York Landmarks Conservancy is honoring Apple with its 2016 Chairman’s Award. The award, to be given at a fundraising luncheon where individual tickets start at $500, honors the company for “their contribution to preserving, restoring, and repurposing notable historic structures in New York City.”

Continue reading after the jump.

DDG reinterprets cast iron facades of Soho

Architecture, East, Envelope
Friday, January 29, 2016
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Brought to you with support from:
facadeplus_logo1
courtesy DDG Partners

courtesy DDG Partners

“We’re always interested in the intersection between old-fashioned hand craft, and modern machined factory production.”

Located in the Soho Cast Iron Historic district, XOCO325 (pronounced sho/co) is a 9-story, 24-unit condo development. Named after the Catalan word for chocolate, the project involves the renovation of a former Tootsie chocolate factory, and a new structure cloaked in a custom cast aluminum screen. The condos range in size from just over 1,000 sq. ft. to nearly 5,000 sq. ft. and are connected by a central courtyard.
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Design worth its salt: Dattner and WXY team up for municipal infrastructure on Manhattan’s West Side

Architecture, East, Pictorial
Friday, December 18, 2015
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Spring Street Salt Shed (Courtesy Dattner)

Spring Street Salt Shed (Courtesy Dattner Architects)

The New York City Department of Sanitation’s (DSNY) Soho facilities prove that design for trash need not be rubbish. On a grey December day, five architects gave a tour of two buildings—the Spring Street Salt Shed and Manhattan Districts 1/2/5 Garage—that comprise DSNY’s new facilities on Spring Street at the West Side Highway.

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Archtober Building of the Day 29> The Musket Room by Shadow Architects

Architecture, East, Interiors
Thursday, October 29, 2015
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(Suzanne Mecs)

(Suzanne Mecs)

The Musket Room
265 Elizabeth Street, 
Manhattan
Shadow Architects

If we visit Michelin star restaurants next Archtober, we’ve got to make a deal for the meal. The meal’s the thing here. The Musket Room moved into Manhattan’s old Rialto space, a long-gone hangout for architects working in the nearby Puck Building. It’s got a gun over the bar.

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Gaetano Pesce walks the line between art and architecture with new exhibit in Soho

Architecture, Art
Thursday, March 26, 2015
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pesce

(Allouche Gallery)

 

Gaetano Pesce is a designer who works between art and architecture and wants his designs to attack or argue against the results of standardized commercial design. He uses poetry, sometimes humor, color, and texture (in foam, resin, and urethane ) to create whimsical chairs, couches, and domestic art for gallery spaces.

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Eavesdrop> Breakfast in Peril: This enormous mirror comes crashing down on the Soho brunch set

East, Eavesdroplet, Interiors
Thursday, March 5, 2015
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The collapsed mirror at Balthazar restaurant. (@lizeswein / Twitter)

The collapsed mirror at Balthazar restaurant. (@lizeswein / Twitter)

 

One doesn’t expect to be in danger when noshing on a croissant and sipping some coffee at a swanky Soho Brasserie—maybe a spilt Bloody Mary at worst. But, one morning in February, at Keith McNally’s Balthazar, the preeminent power breakfast spot in Soho, customers got quite the fright when an enormous mirror, mounted to a wall, came crashing down on them.

Continue reading after the jump.

Imma let you finish, but Kanye West had the best minimalist Manhattan bachelor pad of all time

(Courtesy Claudio Silvestrin Architects)

(Courtesy Claudio Silvestrin Architects)

The utilitarian Manhattan loft formerly owned by rap mogul Kanye West bespeaks deep pockets and a distaste for cluttering decor. The 1,585 square foot bachelor pad, which West sold in 2013 for $4.5 million, is an ultra-minimalist expanse of French limestone and pear wood—and not much else.

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Archtober Building of the Day #20B> Donald Judd Home and Studio

Architecture, East, Interiors, Preservation
Tuesday, October 21, 2014
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(Joshua White / Judd Foundation Archives)

Archtober Building of the Day #20
Donald Judd Home and Studio
101 Spring Street
Architecture Research Office; Walter B. Melvin Architects

The Soho of the 1970s has come and gone, grungy artists’ studios replaced by glitzy storefronts and luxury condos. However, two decades after artist Donald Judd passed away in 1994, his presence still permeates 101 Spring Street. It’s in the nooks he carved out for his children and his books, his kitchenware and furniture, and, most of all, his art.

Continue reading after the jump.

Cadillac to leave Detroit for New York City

Midwest, News
Tuesday, September 23, 2014
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Detroit's Renaissance Center, home to General Motors, will say goodbye to Cadillac. (Loren Sztajer via Flickr)

Detroit’s Renaissance Center, home to General Motors, will say goodbye to Cadillac. (Loren Sztajer via Flickr)

While its product development teams and manufacturing facilities will remain in Michigan, Cadillac will move its headquarters to downtown New York City from Detroit, parent company General Motors announced Tuesday. Read More

SOFTlab creates a flowery vortex for a New York City couture shoe shop

Melissa We Are Flowers (Courtesy SOFTlab)

Melissa We Are Flowers (Alan Tansey Photographer / Courtesy SOFTlab)

Forget about the Sharknado, New York–based designers at SOFTlab have created a vortex of flowers that has taken over one Manhattan shoe store, bringing SOFTlab’s signature parametric forms to the modern shoe brand, Melissa. The Soho store already grabbed design headlines when it opened its flagship location decked out in a custom-fabricated Corian interior by architecture firm Eight and Associated Fabrication. This latest design intervention is part of Melissa’s “We Are Flowers” campaign that used organic shapes and colors to inform its shoe line.

Continue reading after the jump.

Rem Again: OMA Designs a Third Gallery for Lehmann Maupin

International
Friday, April 5, 2013
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Do Ho Suh's Fallen Star 1/5 at the Lehmann Maupin 26th Street Gallery, 2008-11. (Courtesy Lehmann Maupin)

Do Ho Suh’s Fallen Star 1/5 at the Lehmann Maupin 26th Street Gallery, 2008-11. (Courtesy Lehmann Maupin)

Rem Koolhaas and OMA may have grander commissions and more famous clients (Miuccia Prada?), but probably not a more devoted and long lasting partnership than with David Maupin of the Lehmann Maupin Gallery. The gallerist first commissioned Koolhaas to design a new exhibition space on Manhattan’s Greene Street in 1995 and again when they moved to 26th Street in Chelsea ten years later (there is non-OMA-designed Lehmann Maupin on the Lower East Side). Now the Lehmann Maupin Gallery has asked OMA to design a third gallery, this time in Hong Kong.

Continue reading after the jump.

A Corian Carnival in SoHo

Fabrikator
Friday, April 5, 2013
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Brought to you with support from:
Fabrikator
Fabrikator
Associated Fabrication produced 34 bollard-shaped merchandise displays for Melissa Shoes in SoHo. (Melissa Hom)

Associated Fabrication produced 34 bollard-shaped merchandise displays. (Melissa Hom)

Brooklyn-based Associated Fabrication realized all the merchandise displays, benching, shelving, and cash wraps for Melissa Shoes in Pearl Gray Corian.

Before Kinky Boots came to Broadway, Melissa Shoes opened shop in SoHo. The Brazilian shoe brand, known for its use of brightly colored, recycled PVC material and collaborations with designers like Jason Wu, Vivienne Westwood, and Gareth Pugh, opened its first U.S. boutique in the states last year. With the help of local architecture firm Eight Inc. and Brooklyn-based Associated Fabrication, a distinguished aesthetic was achieved that supports the original Sao Paulo shop’s rotating art theme, but with a much cleaner slate of epoxy floors and Pearl Gray Corian bollard-like merchandise displays.

Working from two-dimensional drawings provided by the architects, Jeffrey Taras of Associated Fabrication used Rhino to model the 34 display platforms. Taras grouped the displays, which resemble blunted stalagmites, into categories of varying heights and configurations—single columns in four different heights, double columns in two groupings, and one cluster of three columns. Read More

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