The New York Landmarks Conservancy is honoring Apple with its 2016 Chairman’s Award. The award, to be given at a fundraising luncheon where individual tickets start at $500, honors the company for “their contribution to preserving, restoring, and repurposing notable historic structures in New York City.”
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“We’re always interested in the intersection between old-fashioned hand craft, and modern machined factory production.”
Located in the Soho Cast Iron Historic district, XOCO325 (pronounced sho/co) is a 9-story, 24-unit condo development. Named after the Catalan word for chocolate, the project involves the renovation of a former Tootsie chocolate factory, and a new structure cloaked in a custom cast aluminum screen. The condos range in size from just over 1,000 sq. ft. to nearly 5,000 sq. ft. and are connected by a central courtyard.
Design worth its salt: Dattner and WXY team up for municipal infrastructure on Manhattan’s West Side
The New York City Department of Sanitation’s (DSNY) Soho facilities prove that design for trash need not be rubbish. On a grey December day, five architects gave a tour of two buildings—the Spring Street Salt Shed and Manhattan Districts 1/2/5 Garage—that comprise DSNY’s new facilities on Spring Street at the West Side Highway.
The Musket Room
265 Elizabeth Street, Manhattan
If we visit Michelin star restaurants next Archtober, we’ve got to make a deal for the meal. The meal’s the thing here. The Musket Room moved into Manhattan’s old Rialto space, a long-gone hangout for architects working in the nearby Puck Building. It’s got a gun over the bar.
Gaetano Pesce is a designer who works between art and architecture and wants his designs to attack or argue against the results of standardized commercial design. He uses poetry, sometimes humor, color, and texture (in foam, resin, and urethane ) to create whimsical chairs, couches, and domestic art for gallery spaces.
One doesn’t expect to be in danger when noshing on a croissant and sipping some coffee at a swanky Soho Brasserie—maybe a spilt Bloody Mary at worst. But, one morning in February, at Keith McNally’s Balthazar, the preeminent power breakfast spot in Soho, customers got quite the fright when an enormous mirror, mounted to a wall, came crashing down on them.
The utilitarian Manhattan loft formerly owned by rap mogul Kanye West bespeaks deep pockets and a distaste for cluttering decor. The 1,585 square foot bachelor pad, which West sold in 2013 for $4.5 million, is an ultra-minimalist expanse of French limestone and pear wood—and not much else.
Archtober Building of the Day #20
Donald Judd Home and Studio
101 Spring Street
Architecture Research Office; Walter B. Melvin Architects
The Soho of the 1970s has come and gone, grungy artists’ studios replaced by glitzy storefronts and luxury condos. However, two decades after artist Donald Judd passed away in 1994, his presence still permeates 101 Spring Street. It’s in the nooks he carved out for his children and his books, his kitchenware and furniture, and, most of all, his art.
Rem Koolhaas and OMA may have grander commissions and more famous clients (Miuccia Prada?), but probably not a more devoted and long lasting partnership than with David Maupin of the Lehmann Maupin Gallery. The gallerist first commissioned Koolhaas to design a new exhibition space on Manhattan’s Greene Street in 1995 and again when they moved to 26th Street in Chelsea ten years later (there is non-OMA-designed Lehmann Maupin on the Lower East Side). Now the Lehmann Maupin Gallery has asked OMA to design a third gallery, this time in Hong Kong.
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Brooklyn-based Associated Fabrication realized all the merchandise displays, benching, shelving, and cash wraps for Melissa Shoes in Pearl Gray Corian.
Before Kinky Boots came to Broadway, Melissa Shoes opened shop in SoHo. The Brazilian shoe brand, known for its use of brightly colored, recycled PVC material and collaborations with designers like Jason Wu, Vivienne Westwood, and Gareth Pugh, opened its first U.S. boutique in the states last year. With the help of local architecture firm Eight Inc. and Brooklyn-based Associated Fabrication, a distinguished aesthetic was achieved that supports the original Sao Paulo shop’s rotating art theme, but with a much cleaner slate of epoxy floors and Pearl Gray Corian bollard-like merchandise displays.
Working from two-dimensional drawings provided by the architects, Jeffrey Taras of Associated Fabrication used Rhino to model the 34 display platforms. Taras grouped the displays, which resemble blunted stalagmites, into categories of varying heights and configurations—single columns in four different heights, double columns in two groupings, and one cluster of three columns. Read More