On May 30, Schmidt Hammer Lassen Architects, the East China Architecture and Design Institute (ECADI), and the Shanghai Expo Construction Development Company announced the start of construction for a new 164,000-square-foot mixed-use development on the 2010 Shanghai Expo site. The project, known as Green Valley, will transform the former industrial dockyard into a commercial district of shops, restaurants, and offices. The design features two main buildings positioned on either side of a central courtyard. Each incorporates hanging gardens in glass-enclosed atria that will be visible from the street.
Now that the pavilions have begun arriving at the Grand Canal, that other great architectural exhibition of the summer has faded into memory. No, we’re not talking about the one in Pasadena. Or at P.S.1. Not the Serpentine. This would be the Shanghai World Expo, which did have some pretty great pavilions upon its opening in June. Not among them, sadly, was the U.S. Pavilion, in large part because we refused to front the money for the structure, and so it got farmed out. Now, Marketplace has a report from the pavilion that pretty perfectly encapsulates the problems and perseverance of the little pavilion that couldn’t, even how it has won over many Chinese, what with their love with propaganda and irony.
How to make the Danish Pavilion at the Shanghai Expo truly a national symbol? Add some bike lanes, of course. Bjorke Ingles, head of BIG Bjorke Ingles Group and designer of the pavilion, takes us on a tour, via Archinect. (Be warned, though. Instead of soundtracking this with the Raveonettes or Kashmir, whoever put this together went with arguably the worst song ever, “I Got a Feeling” by the Black Eyed Peas. You may want to mute your sound before hitting play.)
Terrible music aside, why is Scandinavian architecture so much fun?