In Construction> Columbia’s Renzo Piano–designed Science Center and Center for the Arts

The Jerome L. Greene Science Center. (Courtesy Field Condition)

The Jerome L. Greene Science Center. (Courtesy Field Condition)

Just six miles north of Renzo Piano’s highly-anticipated, High Line–adjacent, Whitney Museum, two other projects birthed from the same Italian brain are moving forward: Columbia University’s Jerome L. Greene Science Center and the Lenfest Center for the Arts. Speaking of brains, the nine-story, glass-encased Science Center is the future home of the Zuckerman Mind Brain Behavior Initiative.

More photos after the jump.

Eavesdrop> Lifting The Veil On So Many Secrets

Eavesdroplet, West
Friday, November 14, 2014
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If Google Doodle's are any clue, Sergi Brin's new house might look something like this. (Courtesy Google)

If Google Doodle’s are any clue, Sergei Brin’s new house might look something like this. (Courtesy Google)

It’s such a shame that we live in areas so full of secrecy. Why won’t Hollywood stars in Los Angeles or tech moguls in San Francisco let architects spread the word about their million dollar houses? Sure we hear dribs and drabs. For instance that Sergei Brin and a major executive at Yahoo! have both commissioned San Francisco architect Olle Lundberg to design their new abodes. But these tidbits are far too infrequent. So we at Eavesdrop are making a plea for you to share gossip on who is designing for the most famous people you can think of. We promise, we won’t divulge our sources. And we won’t partner with Us Weekly. Probably.

More secrets after the jump.

In London, Renzo Piano’s so-called “Shardette” to rise next to so-called “Shard”

Fielden House street level. (Courtesy Renzo Piano Building Workshop)

Fielden House at street level. (Courtesy Renzo Piano Building Workshop)

With his 1,016-foot-tall glassy skyscraper, aptly dubbed “The Shard“, towering above London, and his 17-story office tower, nicknamed the “baby Shard” open nearby, it’s only fitting that Renzo Piano wants to complete the Shardian Trilogy. This week, he came one step closer to accomplishing that with unanimous approval for a 26-story residential tower called “The Shardette.” No, that is not at all the real name. For the record, it is called the Fielden House project.

Continue reading after the jump.

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Eavesdrop> Tettamant Booted: Could Dallas’ Nasher Sculpture Center Get a Sunlight Reprieve?

(Courtesy Nasher Sculpture Center)

(Courtesy Nasher Sculpture Center)

Thirty-four months have gone by since the Scott Johnson–designed Museum Tower hove into view and the Nasher Sculpture Center is still, er, gnashing its teeth. Every afternoon at around three o’clock glaring sunlight reflects off of the condo’s mirror like glass curtain wall, invading the Renzo Piano–designed skylit galleries, burning holes in the lawn, defoliating the trees, and no doubt increasing the air conditioning bill. Thirty-four months and nothing has been done to make it right, until June.

Read More

And Now A Gehry Tower For LACMA? What’s Next?

Model of Zumthor's newest scheme for LACMA, along with massing study of new tower. (Courtesy LACMA)

Model of Zumthor’s newest scheme for LACMA, along with massing study of new tower. (Courtesy LACMA)

The surprises keep coming at the Los Angeles County Museum of Art (LACMA). After learning that the museum plans to shift its proposed Peter Zumthor–designed building southward (partially bridging Wilshire Boulevard) to avoid damaging the La Brea Tar Pits, now comes news that the museum is hoping to partner with LA’s transit agency, METRO, to build a tower across the street.

Read More

Eavesdrop> Your Work is Worth the Price of Admission (and so Much More)

Architecture, Art, East, Eavesdroplet
Tuesday, June 10, 2014
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Construction of the new Whitney Museum in February 2014. (Timothy Schenck)

Construction of the new Whitney Museum in February 2014. (Timothy Schenck)

Major museums are really expensive these days, and boy do we like to complain about it (actually we get into most museums for free with a press pass, but we still love to complain about it)! Well gather ‘round dear readers, because we’ve got a bit of nice news for once. The new Renzo Piano–designed Whitney Museum is offering free admission for a year to all the men and women who are building their new Meatpacking location. It’s a nice counter to all the bad news about labor conditions at major cultural and educational institutions in the Middle East (we’re looking at you, NYU).

Eavesdrop> “Tourism” Now Pronounced “Voyeurism” in London

01-shard-reflection

Peeping into a neighbor’s room through a glass reflection. (Courtesy Financial Times)

Peeping Toms, bust out the kazoos. Your field day has arrived—and it comes equipped with party favors. The Shard, designed by Italian architect Renzo Piano, is London’s tallest skyscraper and, as of last week, home to a new luxury hotel. The rooms include breathtaking views of the city—and, thanks to a design flaw, unscrupulous views of unsuspecting neighbors.

Glass panels on the Shard’s exterior bestow the building with a crystalline front and its namesake. But at night, the city’s lights turn the glass into mirrors that fully reflect guest bedrooms into each other. Complementary binoculars (“for the view,” ahem) don’t help matters. Nor do puns about the naked eye. Masking a blush? Rest easy—susceptible rooms include shades for extra privacy.

Eavesdrop> Is Zoltan Pali Out at the Academy Museum?

Eavesdroplet, West
Thursday, May 8, 2014
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02b-academy-museum-losangeles-renzo-piano-archpaper02a-academy-museum-losangeles-renzo-piano-archpaper

 

In sad but spectacular gossip news, we’ve been informed that Culver City firm SPF:a has been removed from the Academy of Motion Pictures Arts and Sciences’ new museum project in Los Angeles. SPF:a principal Zoltan Pali had been working with Renzo Piano on the project since 2012.

Continue reading after the jump.

REX + Front Studio Create Sun-Responsive Shade to Protect Dallas Museum

City Terrain, Southwest
Monday, November 18, 2013
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(Courtesy Lexigon)

(Courtesy Lexigon)

Renzo Piano’s Nasher Sculpture Center was designed with natural sunlight in mind. A roof covered by pierced aluminum screens allows dappled light to enter its art galleries in subtle warmth. The outdoor sculpture garden is open to the elements and a specifically-planted landscape by Peter Walker reaps the benefits of the Texan sun.

Since its construction in 2005, the museum has become an icon of the Dallas Arts District. In 2011, a 42-story condominium building went up across the street, banking on the popularity of Piano’s art haven. While the glazed curved glass facade of “Museum Tower” offers million dollar views of the museum below, it burns the artworks and plants with a directed glare.

Now, a pair of New York–based architects might have a solution.

Continue Reading After the Jump.

Testing Begins on Renzo Piano’s Dragonfly Wind Turbine Blade

International, Sustainability
Monday, October 28, 2013
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‘Dragonfly’ Wind Turbine (Photo: Renzo Piano Building Workshop)

‘Dragonfly’ Wind Turbine (Photo: Renzo Piano Building Workshop)

You might know Renzo Piano as the architect behind many of the world’s leading museums, but get ready to meet Renzo Piano, wind-turbine expert. Testing has commenced on Renzo Piano’s small-scale wind-turbine blade at the Molinetto Test Field near Pisa, Italy. Piano’s turbine blade resembles a dragonfly’s wing and incorporates elements from the insect that promote stability in flight in order to allow the turbine to tolerate gale-force winds.

Continue reading after the jump.

Unveiled> Renzo Piano’s Stacked Masses Create an Efficient Paris Judicial Complex

International, Newsletter
Wednesday, October 23, 2013
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Paris Courthouse (Renzo Piano Building Workshop)

Paris Courthouse (Renzo Piano Building Workshop)

Renzo Piano has unveiled renderings for the new Palais de Justice, positioned on the northern edge of central Paris in the urban expansion area of Clichy-Batignolles, which will provide space for and unite numerous judicial services presently scattered throughout the city. The law courts complex appears as a slender, translucent, 525-foot-tall tower comprised of four stacked rectangular masses diminishing in size as they ascend. The structure includes extensive fenestration to blend the division of the interior and exterior, in addition to two exterior glass elevators offering expansive views of the city.

Continue reading after the jump.

Video> Get a Sneak Peek of Renzo Piano’s Addition to Kahn’s Kimbell Art Museum

Newsletter, Southwest
Wednesday, September 18, 2013
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Renzo Piano is again in architectural relationship with Louis Kahn. Early in his career, Piano worked briefly with the Louis I. Kahn office. This time, his architecture is separate but complementary.

Set to open on November 27th, the Renzo Piano Pavilion at the Kimbell Art Museum in Fort Worth, TX will expand the exhibition space of the historic 1972 Louis Kahn-designed museum, creating an art complex on the site. A new video preview of the building has been released, in which Kimbell Director Eric Lee explores the exterior features and promotes excitement for its opening.

See the Proposed Interior Rendering After the Jump.

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