Flint, Michigan Flat Lot Winners Announced, Floating House Arrives in June

Midwest
Thursday, March 21, 2013
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"Mark's House," by Two Islands, won the inaugural Flat Lot design-build competition in Flint, Mich. (Courtesy Flint Public Art Project and Two Islands)

“Mark’s House,” by Two Islands, won the inaugural Flat Lot design-build competition in Flint, Mich. (Courtesy Flint Public Art Project and Two Islands)

In June a full-block surface parking lot in downtown Flint, Mich. will house a ghostly, floating home — a monument to the ravages of the foreclosure crisis and a nod to the revitalization public art projects like this one hope to further in the one-time home of General Motors.

London-based Two Islands took first place in the inaugural Flat Lot Competition, which comes with a $25,000 prize, for their design, Mark’s House. The story of an imagined Flint resident named Mark Hamilton, whose family loses their home to foreclosure, Mark’s House takes the form of a Tudor-style house clad in reflective panels and set atop a mirrored pedestal. The structure can hold 1,500 gallons of water to be used for cooling mists for visitors to the structure’s canopy and event stage on hot summer days.

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Top of the Glass: Students Design Shimmering Pavilion At USC

Dean's List, Newsletter, West
Friday, March 15, 2013
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(Roland Wahlroos-Ritter)

(Roland Wahlroos-Ritter)

Once again the courtyards at the USC School of Architecture are bubbling with installations as part of the second-year 2b studio, in which several teams of undergraduate students design and build structures in a very short period of time. Perhaps the most striking is the shimmering pavilion created by the 14-student class of professor Roland Wahlroos-Ritter. The studio focused  on glass’ structural, reflective, and refractive qualities.

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Norman Foster Turns the World on Its Head With Mirrored Pavilion in France

International
Wednesday, March 6, 2013
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(Nigel Young / Courtesy Foster+Partners)

(Nigel Young / Courtesy Foster+Partners)

Norman Foster has hoisted a slender sheet of mirror-polished stainless steel above a plaza on the edge of Marseille’s historic harbor, creating a new pavilion that reflects the activity of the bustling public space overhead. Foster + Partners’ “Vieux Port” pavilion officially opened over the weekend in the French city. The pavilion roof measures 150 feet by 72 feet, tapering at its perimeter to create the illusion of impossible thinness and is is supported by eight thin stainless steel columns inset from the pavilion’s edge.

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Utile Makes a Splash With Digitally Fabricated Pavilion in Boston

Fabrikator
Friday, January 18, 2013
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Boston Harbor Islands Pavilion. (Chuck Choi)

Boston Harbor Islands Pavilion. (Chuck Choi)

The Boston Harbor Islands Pavilion roof channels rainwater for irrigation on the Rose Kennedy Greenway.

Jump on a ferry in Downtown Boston and in twenty minutes, you’ll arrive at the Boston Harbor Islands, an archipelago of 34 islands dotting Boston Harbor managed by the National Park Service. To entice city-dwellers to make the trip, Boston-based Utile Architecture + Planning has designed a composite steel and concrete pavilion with a digitally fabricated roof for the National Park Service and the Boston Harbor Island Alliance to provide travel information and history about the Islands and a shady respite atop the highway-capping Rose Kennedy Greenway.

Two thin overlapping concrete canopy slabs supported by delicate steel beams provide a sculptural shelter. Utile digitally designed the $4.2 million Boston Harbor Islands Pavilion using Rhino to respond to the surrounding cityscape and serve as a playful rainwater-harvesting system to irrigate the Greenway’s landscape.

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An Instagrammers-Eye-View of Art Basel Miami Beach 2012

East
Monday, December 10, 2012
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Absolut Art Bureau's egg-shaped Guiro pavilion. (Karen Bookatz)

Absolut Art Bureau’s egg-shaped Guiro pavilion. (Karen Bookatz)

(Editor’s Note: FXFOWLE Architect’s PR head, Karen Bookatz, offers a brief, Instagrammed account of architecture and design highlights at Art Basel Miami Beach 2012.)

Don’t get me wrong: I love art and I love attending art fairs. They provide one a unique opportunity to see what’s fresh and new in the art and design industries—or whatever trade is being rep’d—every few months. For me, however, a booth is a booth is a booth. Art fairs must continue to find new ways of further distinguishing themselves or otherwise run the risk of conventionality.

What Frieze did last May with SO-IL’s tent design (and to a lesser extent, Bade Stageberg and Cox’s environmental design effort for The Armory Show 2012) was a major step in the right direction. Likewise, custom installations and collaborative efforts, while public relations/marketing ventures more than anything else, have proven to be undeniably effective in creating buzz and increasing visibility for the respective firm, artist, or collaborative. (This is why I was personally so adamant about my own firm’s presence—with an architectural installation/lounge project at the Miami Project art fair—at this year’s Basel.)

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Landmarks Okays NYC AIDS Memorial Design.  Landmarks Okays NYC AIDS Memorial Design It’s been a while since AN checked in with the New York City AIDS Memorial designed by Brookyn-based Studio a+i and slated for St. Vincent Hospital Park in Manhattan. Architects and memorial organizers have been making their way through a series of approvals, checking one more off their list this week as the city’s Landmarks Commission unanimously gave a thumbs up to the design. [Curbed.]

 

Figment 2013 Brings a Cloud of 50,000 Plastic Bottles to Governors Island

East
Monday, November 19, 2012
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Head in the Clouds pavilion by Studio Klimoski Chang Architects. (Courtesy Figment)

Head in the Clouds pavilion by Studio Klimoski Chang Architects. (Courtesy Figment)

Each year, the AIANY’s Emerging New York Architect (ENYA) committee and the Structural Engineers Association of New York bring a whimsical, wondrous, and often absurd pavilion to New York’s Governors Island as part of the FIGMENT Festival. This year, FIGMENT held a design competition and 200 designers submitted proposals. The newly announced City of Dreams Competition winner for 2013 is Brooklyn-based Studio Klimoski Chang Architects and their sustainably-minded Head in the Clouds pavilion, comprised of metal rods, and thousands of plastic milk jugs and water bottles.

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LEAD’s “Golden Moon” Shines Over Hong Kong

Fabrikator
Friday, November 16, 2012
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LEAD's "Golden Moon"

LEAD’s “Golden Moon”

Digital design meets traditional Chinese craftsmanship in a pavilion constructed like a paper lantern

Hong Kong-based architects Kristof Crolla (LEAD) and Adam Fingrut (Zaha Hadid) married traditional Chinese craftsmanship and digital design technology in their temporary pavilion, Golden Moon, which won the Gold Award in the Mid-Autumn Festival Lantern Wonderland last month. The 60-foot-tall structure was built in just 11 days atop a reflection pool in Hong Kong’s Victoria Park, proof that “complex geometry can be built at high speed and low cost with the simplest of means,” said Crolla and Fingrut, who sought to rethink digital design by “anchoring the paradigm in a strong materiality.”

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Architects Build A Times Square Pavilion to Promote Dialogue for Veterans Day

East, Newsletter
Monday, November 12, 2012
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Matter's "Peace & Quiet" installation in Times Square. (Courtesy Times Square Alliance)

Matter’s “Peace & Quiet” installation in Times Square. (Ka-Man Tse / Courtesy Times Square Alliance)

Opening today for Veterans Day, a new pavilion designed by Brooklyn-based Matter Architecture Practice aims to bring a little Peace and Quiet to the hectic liveliness of Times Square. The new temporary pavilion, built yesterday and set to remain standing through November 16 is described as a “dialogue station” by its architects. “It is a tranquil place to meet, share stories, leave a note, shake hands, or meet a veteran in person,” Matter continues on its website. Times Square “seemed the ideal circumstance (or mad challenge) to initiate and inform a poignant exchange of ideas, to will intimacy in an instance of its opposite.”

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Datagrove weaves a tangled electronic web at ZERO1’s Art + Technology Biennial

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Friday, October 19, 2012
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Datagrove installation at ZERO1's Art + Technology Biennial in San Jose, CA. (Future Cities Lab)

Datagrove installation at ZERO1’s Art + Technology Biennial in San Jose, CA. (Future Cities Lab)

Use of cell phones is strongly encouraged for tech devotees flocking to Silicon Valley’s ‘social media whispering wall’

As its name implies, Datagrove is literally a grove of data or a “social media ‘whispering wall,'” if you will, that aggregates locally trending Twitter feeds and parrots them out of speakers and LCD displays woven into the digital branches of the installation. Nonprofit art/technology network ZERO1 commissioned the installation from San Francisco–based experimental design company Future Cities Lab for its Art + Technology Biennial in San Jose, CA, now on view through December 8, 2012. The theme of this year’s Biennial is “Seeking Silicon Valley,” which seems like a particularly appropriate place to plunder data normally hidden away in smartphones and amplify it for all to hear using custom sensors, text-to-speech modules, LEDs, and LCDs capable of responding directly to people in the immediate vicinity.

Continue reading after the jump.

League of Shadows Will Invade SCI-Arc

West
Thursday, October 11, 2012
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(Courtesy P-A-T-T-E-R-N-S)

(Courtesy P-A-T-T-E-R-N-S)

We just got our first look at next year’s SCI-Arc graduation pavilion, League of Shadows, by Los Angeles-firm P-A-T-T-E-R-N-S. Whoah. The pavilion, which will seat 1,200 people, will be built in the SCI-Arc parking lot for graduation events in spring 2013. The three-fingered structure will be made up of multi-story, angled frames (ahem) patterned with dark, vaulted, and layered multi-colored fabric strips, with seams like sails. The pavilion’s significant height will provide long shadows (hence the project’s name) and its location on the south end of the SCI-Arc parking lot will make it a sign for the school. Entries from the four competing architects will be on display in the SCI-Arc Library Gallery from October 19 to December 2.

More photos after the jump.

E/B Office Transforms 300 IKEA Chairs Into Soaring Pavilion

Fabrikator
Friday, September 14, 2012
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Reimagining the chair as an architectural material

With their focus on “environmental acuity and a critical digital ethic,” Brian Bush and Yong Ju Lee of E/B Office describe themselves as “digital architects” who design “real projects that are virtually indistinguishable from their digital visions.” Their most recent vision included 300 of IKEA’s pine wood Ivar chairs arching through the air across the wide lawn at Freedom Park in Atlanta, where SEAT was installed earlier this summer for Flux Projects, a public art organization. Bush and Lee hope that SEAT will encourage people to reconsider the chair as more than just a passive, everyday object, but as an architectural structure in and of itself. Indeed, sitting amongst a swooping pavilion built entirely out of chairs, it would be difficult not to.

No doubt you’ve seen the Ivar chair before, or something like it. Popular for its low price ($24.99) and ability to be painted any color, Ivar is so basic it’s the kind of chair that should pop right up when you do a Google Image search for “chair” (it doesn’t, though IKEA’s Poang does). Because they came from IKEA, all 300 were assembled by hand by Bush, Lee and a team of 15. The chairs were unaltered except for the seat, which was removed from most to make them easier to connect. After Bush and Lee made a 3D model in Rhino with the help of a structural engineer, they launched right into building the full-scale version onsite.  Read More

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