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Custom sliding wood shades maximize privacy and views in Adirondack Mountains retreat.
Architect-led design build firm GLUCK+ designed the Lakeside Retreat in the Adirondack Mountains on an historic blueprint: the Great Camps, sprawling summer compounds built by vacationing families during the second half of the nineteenth century. “The clients wanted to hold events there, and to make a place where their kids—who were in college at the time—would want to spend time,” said project manager Kathy Chang. “They wanted to create different ways of occupying the space.” GLUCK+ carved the hilly wooded site into a series of semi-subterranean buildings, of which the two principal structures are the family house and the recreation building. These buildings are, in turn, distinguished by massive lake-facing glass facades, camouflaged by wooden screens designed to maximize both privacy and views. Read More
The world of design trade shows seems to be ever expanding, with established and new shows sending out satellites coast-to-coast. A mini version of Dwell on Design is coming to New York, opening on October 9. Meanwhile, New York’s biggest design show, ICFF, is heading west, during the Kitchen and Bath Industry Show in Las Vegas. And New York Design Week is expanding still further with yet another show, tentatively titled Disruptive Design. We can already feel the hangover coming on!
Earlier this week, AN went up to the 67th floor of the recently-opened 4 World Trade Center to get a progress report on the 16-acre redevelopment taking shape below. Inside the wide-open and raw space, Larry Silverstein, the site’s developer, told reporters that his vision for a new World Trade Center had finally become a reality. “I’ve gotten a bit of a reputation as a wild-eyed optimist,” he said in front of a wall of windows. “But even I have to admit that I didn’t see all this coming.” Noting that it had been 13 years since the attacks, he went on to refer to the anniversary as the site’s “bar mitzvah.”
Beyond the Supersquare: Art and Architecture in Latin America After Modernism at the Bronx Museum is the most exciting and challenging architecture and urbanism exhibit in New York at the moment. The focus of the exhibit is the influence modern architecture and architectural thought has had on contemporary art in the Caribbean and Latin America. But while it features the work of artists and not primarily architects, all the works selected by Bronx Museum Executive Director Holly Block and Independent Curator María Inés Rodriguez were chosen for their insights into architecture and the immediate challenges of the region’s exploding urbanism.
Times Square 1984: The Postmodern Moment
The Skyscraper Museum
39 Battery Place, New York
Through January 18, 2015
Times Square is one of the most renowned cultural hubs in the entire world. It is commonly heralded as the perfect tourist attraction: full of bright lights at night, giant LED billboard signs, and men in furry costumes of Elmo and the Cookie Monster. Times Square 1984: The Postmodern Moment, currently on view at The Skyscraper Museum, enlightens visitors with the recent history of Times Square and how it became what it is today.
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Owner-built interior explores the transition from two dimensions to three.
For his latest venture, The Montrose in Park Slope, Brooklyn, whisky bar proprietor and former contractor Steve Owen (with partners Michael Ferrie and Alex Wade) wanted a rough, industrial look evocative of an Old World distillery. “He was coming at it sort of from an antique perspective, as a pastiche,” said B. Alex Miller, partner at Taylor and Miller Architecture and Design. “We were thinking of it in a different way.” Taylor and Miller, who had worked with Owen on several projects when he was a practicing contractor, noticed the prevalence of wood herringbone patterning on the walls and floors of the spaces Owen was inspired by. “We’d done some other herringbone studies,” said Miller. “We said, ‘This is something that’s often done in a high-end scenario. Let’s pare it down to the barest of essentials, just do it out of 2-by-4 pine, do it in grain on the walls.'” Read More
[ Editor’s Note: The following letter was left in the comments section of archpaper.com in response to Alan G. Brake’s editorial “The Seaport Adrift” (AN 09_07.23.2014), which argued for more programming at Manhattan’s South Street Seaport, such as housing. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ]
How would adding housing help connect the building to its surroundings? The seaport is inherently a destination for most of the people who use it. The pop-up food market was perhaps the best-suited program for the site.
The New York City Department of Transportation recently broke ground on the second phase of Fordham Plaza’s reconstruction in the Bronx. The revamped space will have all the standard-issue pieces of a New York City pedestrian plaza—the planters, benches, seating, trees, lights, and kiosks—but, ultimately, the plaza represents a significant investment in existing transportation infrastructure.
The vision42design competition to rethink and redesign the entire length of New York City’s 42nd Street was launched last April by AN and The Institute for Rational Urban Mobility. Entrants in the competition have the opportunity to not only rethink this important street but transform Manhattan at its core and become a model for major urban thoroughfares worldwide.