With SHoP’s skyscraper in the balance, Howard Hughes stacks a Seaport hearing

SHoP's Seaport-adjacent tower. (Courtesy SHoP)

SHoP’s proposed Seaport-adjacent tower. (Courtesy SHoP)

Last night, at 6:00p.m. sharp, Community Board 1’s Landmarks Committee kicked off a public hearing on the Howard Hughes Corporation’s controversial plans to remake New York City’s South Street Seaport. The event was held at St. Paul’s Chapel in Lower Manhattan and it was standing room only before anybody got up to the mic. By five after, people waiting on the chapel steps were being turned away.

Continue reading after the jump.

In Construction> Columbia’s Renzo Piano–designed Science Center and Center for the Arts

The Jerome L. Greene Science Center. (Courtesy Field Condition)

The Jerome L. Greene Science Center. (Courtesy Field Condition)

Just six miles north of Renzo Piano’s highly-anticipated, High Line–adjacent, Whitney Museum, two other projects birthed from the same Italian brain are moving forward: Columbia University’s Jerome L. Greene Science Center and the Lenfest Center for the Arts. Speaking of brains, the nine-story, glass-encased Science Center is the future home of the Zuckerman Mind Brain Behavior Initiative.

More photos after the jump.

This beautiful photo of Lower Manhattan won SOM’s World Trade Center photo contest

Architecture, Awards, East, Skyscrapers
Thursday, December 11, 2014
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(Gerry Padden / Courtesy SOM)

(Gerry Padden / Courtesy SOM)

While the critics sure don’t like it, many other casual observers are big fans of Lower Manhattan‘s World Trade Center. This morning, SOM announced the winner its #WelcomeOneWTC photography contest it held to mark the grand opening of New York City’s latest controversy-laden skyscraper.

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In Construction> New York City’s East Side Access tunnel dons a yellow raincoat deep underground

(Courtesy MTA Capital Construction / Rehema Trimiew)

(Courtesy MTA Capital Construction / Rehema Trimiew)

Every so often, New York City’s MTA shares a batch of construction photos to remind New Yorkers that one of its long-delayed projects is still chugging along beneath their feet. The latest photo set takes us underneath Manhattan where the MTA is busy borrowing tunnels that will one day connect the Long Island Rail Road to Grand Central. The whole project is expected to cost nearly $11 billion and won’t be wrapped up until 2023, so no need to rush through the gallery.

Check out a gallery after the jump.

Van Alen and National Park Service select finalists to re-imagine visitor experience at national parks

The Falls Gorge and bridge, Paterson Great Falls National Historical Park, Paterson, NJ. (Courtesy Van Alen Institute)

The Falls Gorge and bridge, Paterson Great Falls National Historical Park. (Courtesy Van Alen Institute)

The Van Alen Institute and the National Park Service (NPS) have announced four finalists in their competition to modernize visitor experience at four national parks. While the National Parks Now competition aims to “[design] the 21st Century National Park experience,” it’s about more than launching an app or two and boosting WiFi signals.

Continue reading after the jump.

SLO Architecture helps preserve New York City’s disappearing graffiti walls

Architecture, Art, East, Preservation
Monday, December 8, 2014
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The new canopy. (Courtesy SLO Architecture)

The new canopy. (Courtesy SLO Architecture)

Demolition of the graffiti mecca known as “5Pointz” in Long Island City, Queens has become a flashpoint in New York City development. The iconic arts institution was literally whitewashed by the developer last spring and has since been turned to rubble to make way for two rental towers. As the controversial project continues in Queens, the destruction of another world-renowned graffiti forum, just a few miles away in the South Bronx, has gone largely unnoticed.

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NYC Landmarks Preservation Commission changes course, won’t remove sites from historic consideration

Union Square in New York City which would would have been part of the "de- calendaring." (Flickr /  massmatt)

Union Square in New York City which would would have been part of the “de- calendaring.” (Flickr /
massmatt)

As AN wrote earlier this week, the New York City Landmarks Preservation Commission (LPC) was prepared to “de-calendar” about 100 historic buildings and sites at a meeting next Tuesday. The Commission’s planned action expectedly drew a loud and spirited backlash from preservation groups. Now, just a few days before the action was scheduled, it appears the response has had the desired effect. The New York Times is reporting that the Commission has withdrawn its proposal. “In withdrawing the proposal, [LPC Chair Meenakshi Srinivasan] said she wanted to provide more time for people to speak up for certain properties while making clear all would be dealt with sooner rather than later,” explained the Times.

New York City to remove 96 sites from landmark consideration

The Pepsi-Cola sign in Long Island City would be "de-calendared by the Landmarks Preservation Commission.

This Pepsi-Cola sign in Queens would be “de-calendared” by the Landmarks Preservation Commission. (Flickr / Whiskeygonebad).

In an effort to supposedly streamline New York City’s landmarking process, the Landmarks Preservation Commission (LPC) will drop 96 buildings and sites from consideration for historic preservation. These sites span all five boroughs and include Union Square, Greenwood Cemetery in Brooklyn, and the Pepsi-Cola sign in Long Island City (above).

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Collective-LOK’s stunning Van Alen storefront to open next week in New York City

Architecture, East, Interiors, News, Newsletter
Thursday, December 4, 2014
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The Van Alen Institute's new street-level space. (Courtesy Cameron Blaylock)

The Van Alen Institute’s new street-level space. (Courtesy Cameron Blaylock)

To commemorate its 120th anniversary, the Van Alen Institute is opening a new street-level space in New York City next Tuesday. The space, designed by Collective–LOK and located at 30 West 22nd Street, functions as a programming hub, event space, and gallery. Collective–LOK is a collaboration between Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (over,under). The team’s proposal, called “Screen Play,” won the Institute’s  2013 Ground/Work competition, which received over 120 design submissions.

Continue reading after the jump.

On View> Parsons explores “How Things Don’t Work” through December 15

Design, East, On View
Wednesday, December 3, 2014
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howthingsdontwork2

The Parson’s exhibit How Things Don’t Work: The Dreamspace of Victor Papanek should have the tagline, “There are few professions more harmful than industrial design.” Every designer should see the show before it closes on December 15. There are many designers today who believe that design—what we might think of as the planning or intention behind the creation of a material object—can solve almost any physical problem. But the Austrian-born and American-educated designer Papanek, the subject of this exhibition, had a different and more expansive view of the field.

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Here’s how Santiago Calatrava’s New York City transit hub got its enormous $4 billion price tag

Architecture, Development, East
Wednesday, December 3, 2014
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Final rafter being installed on the Hub's Oculus. (Courtesy Port Authority)

Final rafter being installed on the Hub’s Oculus. (Courtesy Port Authority)

With the final rafter installed on Santiago Calatrava’s World Trade Center Transit Hub the New York Times has done a deep-dive on how, exactly, the long-delayed structure ended up costing close to $4 billion. While the hub ultimately looks more like a stegosaurus than a dove taking flight, as Calatrava originally envisioned, it is undeniably a head-turning piece of dramatic architecture. But one that will be forever grounded by the reality of its staggering price tag.

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In Construction> Herzog & de Meuron’s 56 Leonard

56 Leonard. (Courtesy Field Condition)

56 Leonard. (Courtesy Field Condition)

It’s impossible to look at renderings of Herzog & de Meuron’s 56 Leonard and not immediately think of Jenga, the game guaranteed to shame one unlucky partygoer for pulling the wrong piece and ruining everyone’s fun. Good times! Anyway, back to 56 Leonard in New York City—the 60-story, glassy version of that nerve-wracking game.

Continue reading after the jump.

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