23 East 20th Street, Manhattan
This is the project that every architect dreams of (or should, at least). With designers as clients, visually striking product, and close involvement from the start, Tom Shea and Farnaz Mansuri of De-Spec were able to develop a concept for Chilewich from the ground up.
The Musket Room
265 Elizabeth Street, Manhattan
If we visit Michelin star restaurants next Archtober, we’ve got to make a deal for the meal. The meal’s the thing here. The Musket Room moved into Manhattan’s old Rialto space, a long-gone hangout for architects working in the nearby Puck Building. It’s got a gun over the bar.
National September 11 Memorial Museum Pavilion
180 Greenwich Street, Manhattan
The Survivor Tree lived on the site of the original World Trade Center. After the attacks on September 11, 2001, the burnt and ailing pear tree was removed from its home and nursed back to health. It has since returned and continued to flourish, and has become a symbol for recovery and resiliency. From a spot beside the tree, the glowing National September 11 Memorial Museum Pavilion appears to grow straight out of the ground, itself representing the past and promise of the future.
El Barrio’s Artspace PS109
215 East 99th Street, Manhattan
Jazz musician Ellen O’Brien still gets teary-eyed when she recounts the tale of how she ended up in a spacious one-bedroom apartment at El Barrio’s Arstpace PS109. Like many artists in New York City, life has been a struggle. When an already precarious financial situation coincided with her apartment burning down, she lost everything except the clothes on her back. Luckily, Ellen was one of 89 applicants selected from a pool of 53,000 to reside in Artspace’s community-driven live/work artists’ housing project.
St. Mark’s Bookshop
136 East 3rd Street, Manhattan
Clouds Architecture Office
Clouds Architecture Office is two wonderful architects of international origin and distinction: Ostap Rudakevych and Masayuki Sono. It’s easy to see why the intense and inward duo selected such a multi-valent word to identify their firm. Curiously enough though, their project for the St. Mark’s Bookshop did not in any way darken the nature of retail bookselling—quite substantially just the opposite. The bookstore won an honor award from the AIA New York Chapter Design awards program in 2015.
The Educational Alliance
197 East Broadway, Manhattan
As the population of Manhattan‘s Lower East Side (LES) has shifted over the past 126 years, the Educational Alliance’s programs have evolved to meet the needs of a changing community. Still close to its roots as a settlement house that helped Jewish immigrants acclimate to the United States (and with mezuzahs on the doors to show for the continued ties with Judaism), the alliance serves the entire community, across age, race, ethnicity, and income level.
Performa, an organization that is committed to live performance in a wide variety of fields, has announced Christoph A. Kumpusch and his office, Forward Slash ( / ) Architektur, as the winner of its first global competition for the design and realization of the Performa Hub.
Whitney Museum of American Art
99 Gansevoort Street, Manhattan
Renzo Piano Building Workshop in collaboration with Cooper Robertson
When the Whitney Museum made the move from its iconic Breuer Building to a new location in Manhattan‘s Meatpacking District, the institution was “returning to our downtown roots,” Larissa Gentile, New Building Project Director for the Whitney, told today’s Archtober Building of the Day Tour attendees.
On October 7, the New York Landmarks Preservation Foundation hosted its annual “Lunch at a Landmark” at the top of the Hearst Tower. Guests, New York’s elite architectural, design, and preservation cognoscenti, were offered a rare insight into the building—one from Norman Foster himself.
175 Fifth Avenue, Manhattan
D. H. Burnham & Co. (1902)
A fantastic crowd of Archtober enthusiasts joined us for the outdoor history lesson from Alice Sparberg Alexiou—not only the author of The Flatiron: The New York Landmark and the Incomparable City that Arose With It—but also a descendant of a post-war Transylvanian real estate developer who owned, along with Harry Helmsley and another investor, the Flatiron Building for fifty years.