Drive-By Design: A billboard by Zaha Hadid proposed for London

Architecture, Design, National, Newsletter
Wednesday, December 3, 2014
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International outdoor advertising and street furnishings firm JCDecaux and Zaha Hadid Architects have proposed a new billboard design for a busy London intersection. The Paris-based JCDecaux has quite the history of collaborating with high-profile architects and designers—Peter Eisenman, Robert Stern, Gae Aulenti, Philippe Starck, and Lord Norman Foster among them.

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In London, Renzo Piano’s so-called “Shardette” to rise next to so-called “Shard”

Fielden House street level. (Courtesy Renzo Piano Building Workshop)

Fielden House at street level. (Courtesy Renzo Piano Building Workshop)

With his 1,016-foot-tall glassy skyscraper, aptly dubbed “The Shard“, towering above London, and his 17-story office tower, nicknamed the “baby Shard” open nearby, it’s only fitting that Renzo Piano wants to complete the Shardian Trilogy. This week, he came one step closer to accomplishing that with unanimous approval for a 26-story residential tower called “The Shardette.” No, that is not at all the real name. For the record, it is called the Fielden House project.

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Video> Knight Architects create folding fan-like bridge in London

The Merchant Square Footbridge. (Edmund Sumner via Knight Architects)

The Merchant Square Footbridge. (Edmund Sumner via Knight Architects)

The UK-based firm Knight Architects has created a pedestrian bridge in London that opens and closes like a Japanese folding fan. The Merchant Square Footbridge is comprised of five steel beams that sequentially open with the help of hydraulic jacks. The structure spans about 65 feet across the Grand Union Canal in the new mixed-use Merchant Square development in Paddington.

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Zaha Hadid to design mathematics wing at London’s Science Museum

The Mathematics gallery. (Courtesy Zaha Hadid Architects)

The Mathematics gallery. (Courtesy Zaha Hadid Architects)

In an effort to make math appear exciting, London‘s Science Museum has tapped Zaha Hadid to design its new mathematics gallery. According to the museum, the new multi-million dollar, Hadid-ian space will “tell stories that place mathematics at the heart of our lives, exploring how mathematicians, their tools and ideas have helped to shape the world from the turn of the 17th century to the present.” If that doesn’t sound absolutely riveting to you, well maybe some math-themed architecture can help.

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Zaha Hadid designs an elegant wave at the V&A Museum for the London Design Festival

Architecture, International, Newsletter
Wednesday, September 3, 2014
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Zaha Hadid Crest Installation (Courtesy Zaha Hadid Architects)

Zaha Hadid Crest Installation (Courtesy Zaha Hadid Architects)

London’s Victoria & Albert Museum is preparing to construct an art installation by Zaha Hadid. Called Crest, the oval form takes its name from ocean waves and will appear in the museum’s John Madejski garden as part of the London Design Festival, which takes place later this month.

COntinue reading after the jump.

Look inside London’s subterranean funhouse, The House of Vans

Architecture, International
Thursday, August 28, 2014
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The skate park. (Courtesy House of Vans.)

The skate park. (Courtesy House of Vans.)

The house that Vans built is 30,000 square feet, cavernous, and deep underneath London. The iconic shoe and clothes retailer recently transformed the Old Vic Tunnels beneath Waterloo Station into “The House of Vans”—a multi-level, subterranean cultural venue complete with galleries, artist studios, a café, two bars, an 85-person music venue, a 160-person cinema, and, of course, a skate park.

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14th Annual Serpentine Pavilion Opens in Kensington Gardens, Designed by Smiljan Radic

Perched atop several large boulders, this year's pavilion is an organically shaped fiberglass shell that houses a cafe. (Courtesy Serpentine Gallery)

Perched atop several large boulders, this year’s pavilion is an organically shaped fiberglass shell that houses a cafe. (Courtesy Serpentine Gallery)

On June 26, London’s Serpentine Gallery opened its 14th annual Serpentine Pavilion in Kensington Gardens. Designed by Chilean architect Smiljan Radic, the pavilion is made up of an organically formed semi-transparent fiberglass shell structure perched atop giant boulders sourced from a local quarry. Over the next four months, visitors will be encouraged to interact with the 1,700-square-foot installation, which is occupied by a cafe and multi-purpose event space.

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Eavesdrop> “Tourism” Now Pronounced “Voyeurism” in London

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Peeping into a neighbor’s room through a glass reflection. (Courtesy Financial Times)

Peeping Toms, bust out the kazoos. Your field day has arrived—and it comes equipped with party favors. The Shard, designed by Italian architect Renzo Piano, is London’s tallest skyscraper and, as of last week, home to a new luxury hotel. The rooms include breathtaking views of the city—and, thanks to a design flaw, unscrupulous views of unsuspecting neighbors.

Glass panels on the Shard’s exterior bestow the building with a crystalline front and its namesake. But at night, the city’s lights turn the glass into mirrors that fully reflect guest bedrooms into each other. Complementary binoculars (“for the view,” ahem) don’t help matters. Nor do puns about the naked eye. Masking a blush? Rest easy—susceptible rooms include shades for extra privacy.

Blue Plate Special: Bjarke Ingles Reinterprets Walter Gropius With “Big Cities” Dinnerware

(Courtesy BIG + KILO / Rosenthal)

(Courtesy BIG + KILO / Rosenthal)

In 1969, Walter Gropius designed a collection of china for Rosenthal. Named after his atelier in Cambridge, The Architects Collaborative, TAC’s elegant and curious forms are pristine in white porcelain. Embellishing Gropius’ design would naturally be heresy to some purists. To others, it would reflect his belief in the collaborative process. In their update of the tableware, called TAC Big Cities, architect Bjarke Ingels of BIG and Danish industrial design studio Kilo teamed up to create an urban motif for the collection.

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World’s largest solar bridge completed in London

Image Courtesy of Network Rail

Image Courtesy of Network Rail

Work was just finished on the Blackfriars Bridge in London, which is now the largest solar bridge in the world. The renovation of the Victorian-era bridge was part of the larger modernization project for the adjoining Blackfriar’s railway station. The station has been fitted with 4,400 photovoltaic panels, which are expected to reduce the station’s CO2 emissions by an estimated 511 tons (563 tons) per year. Work began in spring 2009 and the station was operationally complete in time for the 2012 Olympics, with the solar array installation complete in March 2013. The full refurbishment of the station is now also complete.

The nearly 20,000-square-feet of new panels are intended to offset about 50% of the station’s energy costs.

More after the jump.

On View> Building the Picture: Architecture in Italian Renaissance Painting

Carlo Crivelli (1430/5–1494), The Annunciation with Saint Emidius,1486. (Courtesy National Gallery, London)

Carlo Crivelli (1430/5–1494), The Annunciation with Saint Emidius,1486. (Courtesy National Gallery, London)

Building the Picture
National Gallery
London
April 30 through September 2014

At the end of April, the National Gallery will present a new exhibit spotlighting the handling of architecture in various paintings by prominent Italian renaissance artists. Building The Picture will feature works by Duccio, Botticelli, Crivelli and others chosen from the museum’s permanent collection along with paintings gathered from other institutions in the U.K. These 14th, 15th, and 16th century images will be complemented by a series of five films that offer contemporary ideas on the theme of real and imagined architecture from Peter Zumthor, filmmaker Martha Fiennes, art historian T. J. Clark, film historian John David Rhodes, and computer game cinematic director Peter Gornstein.

Learn more after the jump.

Gehry & Foster’s Battersea Redesign Seeks to Humanize Viñoly’s Original Masterplan

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(Courtesy Battersea Power Station)

Despite having first dibs on the project, Rafael Viñoly is being forced to hedge his vision for London’s Battersea Power Station redevelopment under pressure from fellow power players Norman Foster and Frank Gehry. Responsible for guiding “Phase III” of the project, the latter pair have rejected the two large structures Mr. Viñoly had initially envisioned lining a raised pedestrian thoroughfare in favor of five smaller structures in an attempt to “humanize the scale.”

More after the jump.

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