Heather Hart: The Eastern Oracle
200 Eastern Parkway, Brooklyn, NY
Through June 24
For the fourth exhibition in its Raw/Cooked series displaying the work of budding Brooklyn artists, the Brooklyn Museum presents an installation by Heather Hart. Occupying the museum’s fifth-floor rotunda, the installation will consist of a single rooftop that lies flat on the ground, without walls and outside its original context. As Hart describes it: “A rooftop can refer to home, stability, or shelter, but in this context, it is also an action of reclaiming power.” The roof makes specific reference to the oldest architecture in the museum’s period room collection—the Jan Martense Schenck House, built in 1676, the second-oldest Dutch-American building in Brooklyn. Visitors are encouraged to physically interact with the structure, fulfilling Hart’s intention to create a place of self-reflection and self-empowerment.
Coca-Cola has big plans for an Olympic Park pavilion for London’s 2012 sporting extravaganza. London-based architects Pernilla & Asif have created the “Coca-Cola Beatbox,” a spiraling structure clad in red and white panels that appear to be suspended in frozen animation. It’s not only an intriguing structure but an interactive musical instrument. The experimental architecture works with cutting edge sound technology, encouraging people to interact and “play the pavilion.”
Inspired by sounds of the Olympic games—the plunge of an archer’s arrow into a target, athlete’s quickened heartbeats, squeaking sneakers—the Beatbox will be imbedded with sound-bites created by Grammy Award-winning producer Mark Ronson that allow visitors to remix their own mashed-up productions.
In the interest of getting students to build physical things, three years ago, USC introduced Top Fuel, a week-long design-build workshop accompanied by lectures, exhibitions, and panels. This year’s workshop, “Filters Funnels Flows,” wrapped up earlier this week. It focused on pneumatic (aka inflatable) structures, teaching students about the “inseparable relation between form and performance of pneumatic systems.” Indeed, produce the wrong form here (or material, or structure) and the piece doesn’t inflate. Students also explored lighting, temperature, and other environmental issues.
So you want to win the MoMA PS1 Young Architects Program? This year’s champs Matthias Hollwich and Marc Kushner of HollwichKushner (HWKN) shared some insight about their strategy with AN. The competition started with an invited portfolio submission from about 20 young architects. After being selected by the MoMA PS1 panel as one of three finalists, HWKN started in with rigorous research into past winners and the selection process. “We made a book about every entry,” Hollwich said. This study provided in-depth knowledge of the different approaches and forms which have won, and also those that have not been successful.
The 12th annual IESNYC Student Lighting Competition, “Fraction/Refraction”, was held Wednesday night at the appropriately well-lit Helen Mills Event Space in Chelsea. The competition was open to all interested students in New York City and included entries from designers at Pratt Institute, Parsons/New School, Fashion Institute of Technology, Fordham, and New York School of Interior Design. Over 100 entries created a luminous one-night exhibition of over 100 light-sourced objects, each with a different take on this year’s theme of “how light plays with textures, flows through materials and creates layers of contrast.”
The New Museum has been transformed into a real-life game of chutes and ladders, or perhaps a Fun Palace a la Cedric Price, for its new exhibition Carsten Höller: Experience that opened this week and is running through January 15, 2012. The centerpiece of the show is a spiraling stainless steel slide traversing the fourth through second floors and providing what certainly must be the most rapid vertical circulation in the entire city short of a plummeting elevator . We stopped by to check out the slide and, after signing our lives away on a waiver, took a couple rides ourselves.
If you didn’t catch the giant inflatable pop-up chapel/igloo at Silver Lake’s Materials & Applications gallery last year, now’s your chance to experience it in person. Well, it’s cousin anyway. The 25-foot-tall second rendition, Density Frames was designed by USC’s architecture director Gail Peter Borden for the school’s Religious Center courtyard. The irregularly-shaped balloon-like structure will be on display through December 15.
A High Line education. A $75 million for-profit school called Avenues will open next year at the High Line, reported the NY Times. Funded by private equity firms, the school is slated to move into a converted ten-story, 215,000-square-foot historic Chelsea warehouse in September of 2012.
Cyclopedia. Finally, we have a well-curated, refreshing book celebrating vintage bicycle design. Publishers Thames & Hudson recently released Cyclopedia: A Tour of Iconic Bicycle Designs that explores 90 years of classic and racing bicycle history through bright, crisp photographs and an uncluttered layout. More info at Cyclodelic.
Plaza politics. Beginning September 7th, Cheonggyecheon Plaza in Seoul, South Korea will host an installation titled Itjanayo (You Know…) featuring the work of Soo-in Yang. The project is comprised of a mirrored cube on the outside and a recording studio and viewing room on the inside allowing visitors to record their opinions to be replayed for others.
“Throughout history, a plaza has been a place for airing statements of opinion, historical statements are limited by time and forgetfulness, but the statements inside Itjanayo are recorded and replayed for others to hear. Others who subsequently enter the box can add responses to the earlier statements as though they were adding online comments”, wrote e-flux.
Saving the ranch. Ranch houses, those one-story dwellings once popular in the suburbs following World War II, are now turning fifty years old, making them eligible for preservation. While some deride the houses for their plain style, preservationist Richard Cloues argues that they must be saved as an important markers of U.S. housing development in the mid-twentieth century. More at the WS Journal.