It’s not science fiction. One day, buildings may build themselves. Enter the world of Senior TED Fellow Skylar Tibbits, where “matter programmers” design the characteristics of materials that self-assemble when exposed to air, water, or temperature changes. Join Tibbits on May 21 at a DesignX ICFF workshop for a hands-on lab that will introduce designers to the future of additive manufacturing and programmable matter.
|Brought to you with support from:|
Goetz Composites fabricated the Granoff Collection of modular furniture for a new Diller, Scofidio + Renfro-designed building at Brown University.
Brown University’s Granoff Center for the Creative Arts, completed by Diller, Scofidio + Renfro in 2010, was a direct result of the institution’s studies on how students and faculty interact today. Since most interdisciplinary exchanges were taking place in stairwells over classrooms, the architects designed a central escalier with five landings where the school’s population could meet among rotating student installations. One year after the building opened, the users realized that something was missing on the escalier: a place to sit. To rectify the situation, graduate students from the Rhode Island School of Design (RISD) collaborated with Brown alumni to design a unique collection of furniture named for the building’s patrons, Perry and Marty Granoff.
The alumni designers—Taylor McKenzie-Veal, Scot Bailey, Ian Stell, and Yumi Yoshida—crafted a line of modular furniture that includes a sofa, a chair, and a table that doubles as a stool. The line caters to local industry in materiality; namely the state’s maritime history. “The boating and composite expertise in Rhode Island has a long-standing history of excellence and [we] consulted and collaborated with a local composites and engineering firm while developing and prototyping the design,” said McKenzie-Veal.
New York’s Design Week 2012 might be over, but the abundance of furniture displayed in private lofts, showrooms, and on the vast floor of the Javits Center at the International Contemporary Furniture Fair (ICFF) is still fresh in our minds. Between handing out hundreds of copies of the newspaper at our booth, AN‘s editors combed the floor at ICFF and selected an array of products that caught our eyes from chairs, to rugs, to lighting and more.
Italian lighting design firm Foscarini filled their Greene Street showroom with a dynamic, winding installation called Foscarini Evolution during ICFF week in New York. Artist Marc Sadler composed the installation of individual Tress lamps–made of resin-coated fabric strips–connected end to end. The pulsing red strands created a distinctly interactive experience.
“The installation shows how light can convey emotion and form space,” said Veronica Carniello of Foscarini. The showroom will now undergo a renovation and open again at the end of the year. Carniello said the company plans to feature rotating installations featuring Foscarini lighting products so the showroom will take on the qualities of an art gallery.
The scene at Ingo Maurer was a tad more subdued than the rest of Green Street last Monday night. Could it be because Maurer’s work has a such tactile quality that the space feels more like an art gallery? Showroom hoppers didn’t make an immediate bee line to the bar. How could you when the first thing you see on entering is the arresting vision of “Spirits Flying High”. The undulating sheet of light looks a flying carpet about to blow out the door. On closer inspection the 87 inch by 50 inch hanging light fixture is composed of more than 100 LED strips wrapped in a warm milky colored silicon. Don’t ask, the special commission piece is not for sale.
One item that caught our eye at ICFF wasn’t furniture at all.
Every city has certain geographic quirks that people come to identify with a place–Manhattan’s rigid grid, the radial boulevards of Paris–even when viewing a two-dimensional version of it. You Are Here, a collection from Israeli jewelry designer Talia Wiener, was inspired by just such a concept.
Each pendant or brooch incorporates part of the urban fabric of Rome, Paris, Tel Aviv, Jerusalem, New York City, San Francisco, Barcelona, or London. According to Wiener, her designs play with the notion that there is a certain location-oriented secret shared by a city’s residents while also proclaiming their membership in “a broader, ever-growing urban tribe.”
ICFF wraps up today and, as usual, reviews of the fair seem mixed. Professional but boring! Too safe! Appropriately sober! Practical and market-friendly! Reheated Eames! Now in its sixth year, the ICFF Studio, sponsored by Bernhardt, offers a snap shot of where young designers are looking. Most skewed toward the market-ready, while one designer went in a conceptual direction. The young Dutch designer Andreas Kowalewski’s Clamp Chairs certainly look showroom bound (above).
We know you love the gossip. AN aims to satisfy that itch in print, online, East Coast, West Coast, whatever, wherever, whenever. So here comes Eavesdrop to our blog so you can get it faster, feistier, anywhere you are. Plus, we will be posting Sara Hart’s online-only EAVESDROP ALERTs. But the real fun begins in the comments section, where you can lay on your own gossipy tidbits. And Sara will be sure to respond.
For Whom the Buell Tolls
There are some whispers coming from the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University’s GSAPP. Our ears immediately perked up, because we never hear anything much from that stone corner of the academic groves. Founded in 1982, the center’s first director was Robert A.M. Stern, who was followed by Gwendolyn Wright, Richard Buford, Joan Ockman (who stepped down about a year ago), and Reinhold Martin, who currently holds the post. The whispers have it that Professor Martin is changing the center’s mild mission to a more politically left-leaning agenda. Some female members of the 12-person board of advisers are also miffed that he’s held boys-only dinners, like a recent bash with board members Peter Eisenman, Stern, and GSAPP Dean Mark Wigley. Could another Penguin Club be in the making?
Wrapping up a design-filled weekend of parties, openings, lectures, and events, this year’s ICFF did not disappoint. In fact, it left us up to our necks in piles of work that we have been neglecting from all that party hopping! Thankfully for us, a panel of U.S. and international editors sorted through all the furniture, lighting, and accessories at the Javits Center and selected their picks for the best-of-show at ICFF. Comprised of editors from Abitare, Architectural Record, Azure, Domus, Dwell, Interior Design, Interni, Intramuros, Metropolis, and Metropolitan Home, the prestigious ICFF Editors Award was bestowed on16 designers and manufactures, some of which you might remember from our very own ICFF Preview. The winners are: Read More