Love Nicolai Ouroussoff or hate him, Alexandra Lange’s takedown, “Why Nicolai Ouroussoff Is Not Good Enough” on Design Observer, is a highly engaging read. The design community seems to tire of its most visible critic after a few years, and Lange begins her piece by revisiting Michael Sorkin’s takedown of then Times critic Paul Goldberger from the mid 1980s. Many of us recall a similar fatigue that set in during Herbert Muschamp’s time on the job. Lange, a frequent contributor to AN‘s “Crit” column, hits Oroussoff with a three pronged attack, with sections subtitled, “He Doesn’t Seem To Live in New York City” (a jab at his globetrotting), “He’s Slippery” (on vagueness of his writing), and “He Doesn’t Care” (an accusation that he’s passionless). She is anything but passionless: “When I see a terrible building, or even just one with large, windy, unmanageable public spaces, I get mad,” she writes. The popular press could always use more voices with such informed conviction.
Design Observer started in 2003 as an online destination for commentary and discussion on design, primarily graphic design. Its founders, Michael Bierut, William Drenttel, Jessica Helfand, and Rick Poyner are all well-known voices in that field, and the site quickly grew to be one of the most widely read design forums, claiming 175,000 visitors a month, and attracting contributions from other notable writers and designers. Though it has touched on architecture, industrial design, photography, art, and pop culture, its primary focus has remained graphic design. That’s changing, however, as the site, now known as the Design Observer Group, has expanded to include four distinct pages, Observatory, Observermedia, Change Observer, and Places. Read More
Over the weekend, the NYT’s Week in Review ran a scattershot call–“Design Loves a Depression” by Michael Cannell, former editor of the paper’s House & Home section–for design to “come down a notch or two.” Enter the Grand Poobah of contemporary design, Murray Moss, who savagely rebutted Cannell’s claims in a guest column for Design Observer cleverly titled “Design Hates a Depression.”