There’s been a lot of sunny news revolving around the incoming Expo Line in Santa Monica, which is scheduled to open sometime in 2016. But with all the feverish construction, it appears some unwelcome guests are coming out of the shadows (or actually, the ground). Several businesses around the construction—including those of architects—are reporting increased numbers of cockroaches making their way into their offices. Some have even called it an infestation. Who knew mass transit would attract such a wide ridership?
Last year LAX opened its soaring new Tom Bradley International Terminal addition. But that was just the beginning of changes at Los Angeles’ woefully-out-of-date airport. The biggest news: Last week the LA Board of Airport Commissioners awarded Turner|PCL (a joint Venture with Corgan/Gensler) a contract to design and build a $1.25 billion Midfield Satellite Concourse (MSC) North Project.
It’s good to see some good old-fashioned roasting, and that’s what the Westside Urban Forum’s WUFFIES awards are all about. This year’s event, held earlier this month at the Los Angeles Times of all places, was full of the usual snipes on botched RFPs and difficult County Supervisors. But it also got in some good jibes at architecture’s expense. Our favorite: the Darth Vader Award, which went both to Peter Zumthor’s foreboding, jet black LACMA expansion and to Renzo Piano’s Academy of Motion Picture Arts and Sciences Museum with its helmet-looking theater bulging out of the old May Company Building.
A team made up of HNTB (which is also leading the 6th Street Viaduct in Los Angeles), 64North, Bionic Landscape Architecture, and Ned Kahn have won a competition to design a new pedestrian and bicycle bridge spanning the 101 Freeway in Palo Alto at Adobe Creek. The winning proposal for the Adobe Creek Overcrossing, called Confluence, is highlighted by a multi-story, leaning steel arch integrated with an intricate web of cables and floating steel disks.
After weeks of rumors, Time Inc. earlier this week announced that it had sold Sunset‘s Cliff May–designed, seven-acre campus in Menlo Park, CA to real estate investment firm Embarcadero Capital Partners. Sunset, which has been published in some form or another since 1898, moved into the classic midcentury campus in the 1950s. They will stay through the end of next year.
Forget “home is where the heart is.” Home is where the art is—or so argues the latest show from the El Segundo Museum of Art (ESMoA). HOME isn’t your typical art exhibition, just as ESMoA isn’t your typical art museum. (In fact, ESMoA prefers the terms “experience” and “laboratory,” respectively. ) The experience, which runs through February 1, 2015, invites visitors to re-evaluate their personal definitions of art, the home, and—most especially—art in the home.
Groundswell: Guerilla Architecture in Response to the Great East Japan Earthquake
835 North Kings Road
West Hollywood, California
Through January 4, 2015
The Great East Japan Earthquake of 2011 devastated the island nation, setting off a tsunami that destroyed over 300 miles of coastline, causing the failure of the Fukushima Daiichi Nuclear Power Plant, and leaving more than 20,000 people dead and 470,000 without homes. The severe damage from the catastrophe propelled architects to take action, swiftly and creatively, as illustrated in a new exhibit, Groundswell: Guerilla Architecture in Response to the Great East Japan Earthquake.