Synthesis 3D prints a rocking chair

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Synthesis Design + Architecture's Durotaxis Chair showcases the unique capabilities of the Stratasys Objet500 Connex3 printer. (IMSTEPF Films)

Synthesis Design + Architecture’s Durotaxis Chair showcases the unique capabilities of the Stratasys Objet500 Connex3 printer. (IMSTEPF Films)

Durotaxis rocker features gradient mesh informed by function, ergonomics, and aesthetics.

For Synthesis Design + Architecture founding principal Alvin Huang, there is a lot to love about 3D printing. But he does not always like how the technology is applied. “I see it all the time—a lot of students just 3D print everything,” said Huang, who also teaches at the USC School of Architecture. “You see things that could have been done better, faster, or cleaner by hand. I find it a very troublesome predicament we’re in, we’re letting the tool dictate.” When Stratasys contacted Synthesis about designing a piece for their Objet500 Connex3 printer, the architects decided to turn the relationship between human and machine on its head. Instead of asking how they could implement a preconceived design using the Objet printer, they challenged themselves to create something that could only be manufactured using this particular tool. Durotaxis Chair, a prototype of which debuted at the ACADIA 2014 conference, showcases Objet’s multi-material 3D printing capabilities with a gradient mesh that visually communicates the rocker’s function and ergonomics.

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Reinventing the Facade: SKIN Competition Names Four First Stage Finalists

International, Newsletter
Tuesday, July 16, 2013
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Robotic Assisted Sheet Metal Fabrication, Finalist. (Courtesy Tex-Fab)

Robotic Assisted Sheet Metal Fabrication, Finalist. (Courtesy Tex-Fab)

Tex-Fab has concluded the initial stage of its international competition called SKIN. The two-stage competition invited architects, designers, and researchers to rethink the traditional building envelope by exploring the performative qualities of a facade. Participants selected any context, real or virtual, at any scale and on any building type. Phase one jurors narrowed down 68 entries from across the world to four finalists and four honorable mentions.

Continue reading after the jump.

ACADIA Design and Fabrication Competition Winners Announced

Fabrikator
Friday, July 22, 2011
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The RECIP modular furniture system designed by students of the University of Calgary’s Faculty of Environmental Design

Three winning designs to be fabricated by Brooklyn-based Flatcut.

This October, winners of the ACADIA (Association for Computer Aided Design in Architecture) design and fabrication competition will show off their parametric chops as part of the organization’s annual conference, now in its 30th year. Announced last week, winners were chosen from 15 finalists by a jury that included Tod Williams of TWBTA, Chris Sharples of SHoP Architects, Tom Wiscombe of Emergent, Dror Benshetrit of Studio Dror, and Thomas Christoffersen of BIG. The competition sought designs in three categories—furniture, partitions, and lighting—and entrants were encouraged to propose hybrid material assemblies that minimized waste and maximized material performance. Tomer Ben-Gal, founder of Brooklyn-based fabrication studio and competition co-sponsor Flatcut, served as technical advisor. Flatcut will fabricate the winning designs in its 100,000-square-foot Passaic, New Jersey, machine shop before they are sent to the conference, held at the University of Calgary, where they will be displayed from October 11-16.

Click here to see the winning entries.

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