Italian designer Mario Bellini is a master of many mediums: architecture, furniture, photography, and language. He was the editor of Domus in the 1980s and designed buildings all over the world, including the Department of Islamic Art at the Louvre in Paris. At 80, he’s intensely productive as ever. Recently, Humboldt Books published U.S.A. 1972, a book photographs he shot with his Hasselblad in the early seventies.
Bellini’s collaborative relationship with Cassina goes back decades and he’s created some of the furniture company’s most iconic designs. Cassina released several new pieces—a bed, a lounge—in the Cab family, the now-classic line he first began with a chair in 1977. To celebrate, Bellini embarked on a multi-city speaking tour. AN caught up with him at the Cassina showroom in Los Angeles.
Foreground: The Landscape of Golf in America
Center for Land Use Interpretation
9331 Venice Boulevard, Culver City, CA
Through September 21
As one of few sports determined entirely by terrain, golf’s field of play is an irregular form defined by outdoor features: grass, trees, sands, mounds, and water. Most sports are played on rectangles of constant dimension, but not golf.
Rumor has it that Michael Maltzan Architecture (MMA) is hard at work on a triangle-shaped Malibu home for one of Hollywood’s biggest names. The MMA crew is keeping mum on the client, but we’ve heard it’s not an actor. Geometric coastal living for a director or producer, perhaps?
As Los Angeles braces for the likelihood of one or more new football stadium projects, the National Basketball Association’s Los Angeles Lakers have unveiled plans for a sports facility of its own. Rossetti, a design firm specializing in the sports and entertainment industries, teamed up with the L.A. office of Perkins+Will on a 120,000-square-foot training center and administrative headquarters. Read More
It seems that almost every major West Coast city has a public market. Seattle has Pike Place Market (construction is underway on an upcoming expansion now set to open in 2016), San Francisco has the Ferry Building Marketplace, Los Angeles has Grand Central Market, and Vancouver has Granville Island. And San Diego may get a public market in Point Loma this summer.
But the city of Portland—the small but mighty West coast food hub chock full of inventive restaurants, abundant farmers’ markets, and food trucks—has gone without a public market since the Portland Public Market closed in 1942. Until now.
In 2010, at 91, architect and Arcosanti founder Paolo Soleri saw the opening of the Soleri Bridge in Scottsdale, Arizona. The cable-stay pedestrian crossing was the culmination of 60 years of bridge sketches and drawings. Peruvian artist Grimanesa Amorós continues Soleri’s dedication to experimentation with Golden Waters, an art installation extending from the bridge into the Arizona canal. Read More
If constructing a museum were this effortless, there might be one on nearly every street corner. Norway-based firm Snøhetta recently posted a time-lapse video of the ongoing expansion of SF MoMA, compressing a two-year effort into a roughly 7-second breeze-through akin to folding origami: “2 years of construction over in the blink of an eye—time flies when you’re having fun and we can’t wait for Spring 2016!” The caption on the Instagram video reads.
And… action. In a unanimous vote the LA City Council approved Renzo Piano’s plans for the Academy Museum of Motion Pictures. The design, which includes a renovation of the AC Martin’s May Company Building on Wilshire and Fairfax avenues and the eye-popping addition of a 140-foot-diameter glass and steel globe sited behind the existing 1939 building, comes with at $300 million estimated construction cost and hopes to open in 2017. Read More
“We decided to make a community. Instead of making typical blocks we proposed a vertical village,” said architect Ma Yansong, principle of MAD Architects, when he sat down with AN’s Sam Lubell last month. The firm just unveiled its first project in the United States: 8600 Wilshire, an 18-unit residential complex on Wilshire Boulevard.
The hillside village scheme is a typological mash-up: a courtyard apartment building on top of a mountain-like commercial box. Or, in a West Coast vernacular: Melrose Place meets Fred Segal, the eclectic retailer known for its ivy-covered storefront. The 48,000-square foot design for Palisades Capital Partners includes three townhouses, five villas, two studios, and eight condominiums.
On Friday, the LA Times’ architecture critic Christopher Hawthorne reported that Craig Ellwood and Jerrold Lomax’s Hunt House in Malibu faces a demolition threat. AN reached out to several experts on Ellwood, preservation, and modern architecture for comments on what this means for Los Angeles.
Playful op-art beats out fifty shades of gray in competition to design new Los Angeles Convention Center
Call it a win for color. A bright-hued design for the renovation and expansion of the Los Angeles Convention Center by Populous and HMC Architects beat out the gray proposals by the other two finalists—Gensler and Lehrer Architects and AC Martin and LMN Architects—in a city-led competition.