Hennessey + Ingalls is a rarity in an age when bookstores that survived the rise of Amazon are often indistinctive superstores or exercises in hipster curation. Los Angeles’ long-established mecca for art and architecture is neither. Fans were nervous when the store shuttered its Hollywood annex in Space Fifteen Twenty last spring. While the Santa Monica store on Wilshire and 2nd will close at the end of the year, it will reopen in a new space at One Santa Fe, the mixed-use development complex designed by Michael Maltzan Architecture.
When The Broad opens to the public on September 20, Angelenos will finally get to see how Diller Scofidio + Renfro’s design compliments philanthropists Eli and Edythe Broad’s powerhouse collection of 2,000 pieces of contemporary art in their eponymous museum. Works by Ed Ruscha and Cindy Sherman will hang in the 35,000-square-foot, column-free gallery space lit by some 300 skylights.
A car driving on a section of Interstate 5 just north of Los Angeles struck a mountain lion named P-32 one early morning this past summer. The cat was once of a small population that has been tracked roaming Southern California wilderness areas. The death, while reported as “sad, but unsurprising,” drew attention to the close proximity of these animals. Our transportation and urban infrastructures draw unnatural lines through their natural habitats.
“It was important to do away with the corners,” stressed Rafa Esparza, as we walked through his immersive work entitled i have never been here before, under construction and on view at LACE, Los Angeles Contemporary Exhibitions, on Hollywood Boulevard through September 13.
Esparza, a Los Angeles–based multidisciplinary artist, is busily transforming the gallery by building two curving adobe brick walls. His construction is a tour-de-force meditation on the place of art, the labor of bodies, and the steadfast mobilization of communities—as both witnesses and collaborators.
Researchers at UCLA and the UC-Berkeley are mapping neighborhood change in the Bay Area. The Urban Displacement Project uses government housing, land use, transportation, and Census data from 1990–2013 to find markers that represent turnover in housing, demographic shifts, and new investment.
The bust, the sculptural counterpart of the portrait that dates back to classical antiquity, immortalizes not only the likeness of a person from the chest upwards, but the values of both the sculptor and the era in their concepts of beauty and nobility. An object no bigger than a head and a pair of shoulders, centuries later, is a relic embedded with cultural meaning—the preference towards an aquiline nose, for example, or a fixation with youth. With BUST, a group show on view at Jai & Jai in Los Angeles, curator William O’Brien, Jr. asked designers to apply the titular sculptural form to architecture.
Ricardo Legorreta’s much maligned design for Pershing Square is getting a makeover. The day after the Los Angeles City Council voted to support a public-private partnership to overhaul the five-acre urban park, councilmember José Huizar and Pershing Square Renew announced an international design competition geared to rethink the open space that now sits ingloriously on top of an underground parking garage.
Los Angeles lost an important figure in the architecture and preservation community last week. News reached AN of the passing of Karol Lautner Peterson, president of The John Lautner Foundation, which plans to host a memorial celebration in the Los Angeles area. The organization shared the following remembrance:
Karol Lautner Peterson died early in the morning of August 25, 2015, in her home. She was surrounded by close, loving family members.
This Fall, San Francisco’s Board of Supervisors will consider a proposal made by the city’s Planning Department concerning the possibility of “relaxing” height and density limits for many of San Francisco’s western neighborhoods. If enacted, the program expects to transform some of San Francisco’s uninhabited residences and unused space into affordable housing units for newcomers.
“This is not a master plan,” said Omar Brownson, executive director of the Los Angeles River Revitalization Corporation (LARRC) at an event to introduce members of the press to the work underway by Gehry Partners on the Los Angeles River. The news earlier this month that Frank Gehry was spearheading a new master plan for the river drew surprised and mixed responses from design, development, and landscape communities near and far. Read More