Tigerman’s Epiphany: New photomontage update of “Titanic” unveiled at the Chicago Architecture Biennial
On October 22nd, marking the 130th anniversary of the Chicago Architecture Club and as part of the ongoing Chicago Architecture Foundation‘s Currencies of Architecture exhibition, Stanley Tigerman unveiled a follow up to his 1978 “Titanic” photomontage. Entitled “The Epiphany,” the new image, somewhat ironically, is a protest against what Tigerman sees as a contemporary infatuation with icons.
Just like every other major architectural exhibition, the Chicago Architecture Biennial is a massive undertaking filled with large scale models, full size mock- ups and room sized installations. However, the most light-handed approach in the main exhibition can be found sandwiched between two full scale houses. Japanese architect Sou Fujimoto placed about 40 different found objects on five-inch-by-five-inch plywood bases.
The Chicago based Design With Company have been commissioned by Airbnb to design an installation for Design Miami/. Conceived as a large space of familiar building fragments, the so-called belong. here. now. will be an interactive space to be programmed throughout the week-long festival, with performances, events, and exhibitions.
At the Chicago Architecture Biennial, the role of the horizon in architectural display and setting for events was noticeable—both in the biennial’s discussions held at the Illinois Institute of Technology (IIT) Chicago during the opening as well in the main exhibition in the Chicago Cultural Center. Here is what made instant impressions. When the dust settles, various other things will emerge, that I am sure.
Among the Windy City’s most well-known assets are its universities, from DePaul in Lincoln Park and the Loop to the University of Chicago in Hyde Park. Many of these campuses, in turn, are characterized by heavy brick and stone architecture in the Neo-Gothic style. The dominance of a single architectural style—a feature of many institutions of higher learning, not just Chicago‘s—presents a challenge to contemporary architects, who must combine a sensitivity to the existing campus fabric with the imperatives of contemporary college life.
Since 2008, there has been a giant hole where Santiago Calatrava’s Chicago Spire was supposed to rise some 2,000 feet out of the ground. The project lapsed due to financial woes by Irish developer Garrett Kelleher. The foundation is in place, and it looks like a place where a giant swimming pool or music venue would fit nicely, but AN is hearing that developers are working with Bjarke Ingels’ Danish firm BIG on a possible Spire part to.
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The State of the Art of Architecture, delivered by the Chicago Architecture Biennial Exhibition, must leave lay-visitors bewildered by one overwhelming subliminal message: Contemporary architecture has ceased to exist, the discipline’s guilt and bad conscience has sapped its vitality, driven it to self-annihilation, and architects have now en masse dedicated themselves to doing good via basic social work.
ILLINOIS GOVERNOR RAUNER ANNOUNCES STATE’S PLAN TO SELL CHICAGO’S POSTMODERN ICON. (Photo by Rainer Viertlboeck)
Hot on the heels of round table discussions of the preservation of Postmodern monuments at the Chicago Architecture Biennial. One of Chicago’s most iconic and controversial Postmodern landmarks finds itself on unsure footing. The James R. Thompson Center, designed by Helmut Jahn and constructed in 1985, was the site of a press conference held by Illinois Governor Bruce Rauner to announce the proposed sale of the building.
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A high-performance building prototype which shares energy with a natural-gas-powered hybrid electric vehicle.
A cross-disciplinary team at Oak Ridge National Laboratory (ORNL) have designed an innovative single-room building module to demonstrate new manufacturing and building technology pathways. The research project, named Additive Manufacturing Integrated Energy (AMIE), leverages rapid innovation through additive manufacturing, commonly known as ‘3d printing,’ to connect a natural-gas-powered hybrid electric vehicle to a high-performance building designed to produce, consume, and store renewable energy.
A juicy tidbit from the Chicago Architecture Biennial. The number of projects in the Chicago Cultural Center right now is a bit dizzying, but we can only imagine what the place was like during the installation. It is a small miracle that it all fit, let alone got assembled correctly. The process was not without snafus.