Total Reset: Institute for Public Architecture Symposium Tackles Affordable Housing in New York City
The history of affordable housing in the United States has always centered on efforts—research, architectural prototypes, and creative financing—undertaken in New York City. From early philanthropic models like the late 19th century Cobble Hill Tower Homes, the 1911 Vanderbilt-sponsored Cherokee Model Apartments, and the 1930s Amalgamated Dwellings on the Lower East Side, virtually all early advancement in housing reform in this country began in New York City.
We heard this morning that Fred Schwartz—one of the most independent, passionate, and even fearless voices in the New York architecture world—passed away last night. Frederic Schwartz Architects was well known for its waterfront park planning and various 9/11 memorials (Fred died at 9:11p.m. last night).
Allan Wexler: Breaking Ground
Ronald Feldman Fine Arts
31 Mercer Street, New York
Through May 3, 2014
The current Allan Wexler exhibit, Breaking Ground, at Ronald Feldman Fine Arts proves again how important is the work of architects who confine their production to the gallery. In the new exhibit, Wexler explores mankind’s first interventions into landscape with a series of photo-based images and sculpture. Wexler first builds models of his imagined landscapes out of plaster and museum board before photographing them and digitally manipulating and printing them. The Architect’s Newspaper will celebrate Wexler’s extraordinary forty five year career with a special reception at the Feldman gallery Tuesday, April, 29th from 6:00–8:00p.m.
What was the most popular architecture or design exhibition in 2013? If you guessed MoMA’s Le Corbusier spectacular or SFMOMA’s landmark Lebbeus Woods: Architect (coming to New York’s Drawing Center April 15) you’re close but off the mark. In fact the most popular architecture exhibition in the world, according to The Art Newspaper‘s 2013 Visitors Figures was MoMA’s Henri Labrouste exhibition that drew 438,680 viewers (4,100 a day) compared to the Le Corbusier show that had 405,000 visitors (4,010 a day).
The American Academy of Arts & Letters was formed in 1904 on the model of the French Academy. It operates today as a 250 member honor society, and, since 1955, has had an active yearly architecture awards program.
The Academy has just announced its awards for 2014 with its top award The Arnold W. Brunner Memorial Prize (of $20,000) going to the Italian artist and architect Massimo Scolari for his contribution to architect as art. Scolari had a retrospective of his drawings and models last year at Cooper Union and a pair of his iconic sculptural wings are still visible on Coopers second floor balcony.
The Academy also announced that two Arts & Letters Awards of $7,500 each would go to New York firms Christoff:Finio and Selldorf Architects under the leadership of Annabelle Selldorf for creating work which shows “strong personal direction.”
Finally the Academy gave well deserved awards to Michael Blackwood and Cynthia Davidson for their “exploration of ideas in architecture.”
The upcoming 2014 Venice architecture biennale, Absorbing Modernity: 1914-2014, will question the notion of national identity in architecture and investigate the degree to which national styles have been “sacrificed to modernity.” To the credit of the Venice curators, they asked national pavilions to investigate ways in which this “seemingly universal architectural language… in significant encounters between cultures… can find hidden ways of remaining ‘national?'” Clearly the internationalization—and some would say flattening—of culture is one of the more complicated forces in contemporary culture.
The architecture social calendar in New York includes a bewildering array of benefits, parties, fundraisers, and charity auctions. But the yearly event that brings out the most party loving architects is the Storefront for Art and Architecture‘s benefit and art auction. The Storefront always gets the most fabulous venues for its events and this year’s was beyond spectacular: the 1893 Bowery Savings Bank.
Lebbeus Woods was a powerful presence in New York City and in the world of architectural thinking and expression. It’s still unsettling to think he is no longer here to push and provoke the world of architecture towards a more thoughtful and challenging practice. Though his ethical voice (his projects and writing can still be explored at lebbeuswoods.wordpress.com) and the demanding worlds he created inside his drawings will no longer confront the major issues of the day we still have his drawings to remind us of his thinking and vision. The first major retrospective of Woods career will open at the Drawing Center in New York on April 16, 2014 and was organized by the San Francisco Museum of Modern Art and is currently in view at the Eli and Edythe Broad Art Museum at Michigan State University (through March 2, 2014).
Mario Botta: Architecture and Memory
Bechtler Museum of Modern Art
Through July 25, 2014
The architect Mario Botta is known for his postmodern or idiosyncratic country houses, churches, and institutional buildings in the Ticino region of Switzerland and Europe. He actually worked in the studio of Le Corbusier as a young man and his work is clearly indebted to Carlo Scarpa and, like many Italian architects of his generation, Louis Kahn. He has workedthroughout his career in a small regional outpost of Lugano and has stood against the mainstream of modern, commercial and avant-garde ideas and trends and produced buildings that can only be called “Bottan.”
With important, large planning projects—like the Domino Sugar redevelopment in Brooklyn—still awaiting approvals from the agency, and with heads of the Department of Design and Construction and Landmarks Preservation gone or on the way out, New York City desperately needs leadership from these city departments. But, when will New York’s new Mayor Bill de Blasio finally appoint a director of city planning?
The California College of the Arts (CCA) was founded in 1907 by Frederick Meyer, a German arts and crafts cabinetmaker and did not have an architecture program until the 1980s. However it has been making great strides in the past 10 years to become more of a presence on the international art and design stage. But like all schools it struggles with rising fees and costs to educate young people so it has come up with Blueprints, Blue Jeans & Bluegrass, a fundraiser that will take place in its fantastic San Francisco campus.
The party will honor Art Gensler the founder of the San Francisco firm that bares his name. All net proceeds from the gala will go to scholarships for talented and deserving students at CCA. The event takes place on March 26 and features a complete dinner, fancy cocktails and Bluegrass music. I want to fly out to San Francisco just to attend the Blueprints.
While architects are often accused of wanting to be artists (albeit ones with wealthy clients) artists are also sometimes guilty of wanting to be architects. There are, of course, artists whose work crosses into architectural themes like James Casebere and Ernesto Neto to name only two but there are artists who want to actually build. Think of Donald Judd in Marfa, Ai Weiwei, Olafur Eliasson, and now Damien Hirst.