Amid changing development landscape and high rents, Santa Monica Museum of Art begins search for a new home
Edward Cella Art and Architecture is not the only Los Angeles art institution leaving its longtime location soon. AN has learned from the Los Angeles Times that the Santa Monica Museum of Art (SMMOA) is closing its doors at Santa Monica’s Bergamot Station early next month.
Gregory Ain: Low-Cost Modern Housing and The Construction of a Social Landscape
6518 Hollywood Boulevard, Los Angeles
Through April 26
Gregory Ain was a pioneer in the development of low-cost modern housing, and many of his efforts fused radical, left-wing politics and cooperative living with architecture. And a new exhibit in Los Angeles spotlights five of the architect’s most innovative housing projects.
Donald Olsen, one of Northern California’s purest modern architects, has died. Known for open, light-filled residences with glass and concrete walls, white cladding, and a few quirky details, Olsen—a student of Walter Gropius—brought drama to an area whose architecture often lacked it.
Berkeley designers propose building this pavilion entirely out of books, and you can help kickstart the project
As Westweek wraps up in West Hollywood’s Pacific Design Center, developer floats an unlikely expansion scheme
Tomorrow, Saturday, March 28, is the last day to enjoy Nike’s Air Max Box pop up at 735 East 3rd Street in LA’s Arts District. The installation, inspired by one of the company’s shoe boxes and designed to show off the brand’s Air Max Zero, is covered with an array of LED displays, projecting kinetic Nike-related graphics. Read More
In May, San Francisco will open its intensive renovation of the Strand Theater, one of so many additions to the city’s quickly-changing Mid-Market area. Designed by SOM and Page & Turnbull, the new facility is located inside a 1917 building originally used for Vaudeville and then for second-run movies. Read More
Peter Zumthor’s $ 600 million plan for the Los Angeles County Museum of Art (LACMA) is changing. Again. According to a piece in the Los Angeles Times, the sprawling and curving black form has been angled off, weighted to the south, and outfitted with greyish, double-height galleries poking up above the main mass’ roofline.