If you start at Studio Gang’s acclaimed Aqua Tower and follow the Chicago River about six miles north you will find yourself at another eye-catching building by the increasingly in-demand firm. The WMS Boathouse at Clark Park, completed in 2013, sits along the very polluted north branch of the river and has a dramatic profile inspired by the rhythm of rowers’ oars. (The building is named for the gaming technology company that contributed to the project and has offices directly across the river.)
On Friday, the gates opened at a long-awaited, $10 million park in Greenwich Village. The 16,000-square-foot, triangular-shaped space was designed by Rick Parisi of M. Paul Friedberg & Partners and features hexagonal pavers, benches, colorful water jets, an array of tree and flower species, and an amorphous lawn at its center.
Five finalists have been named in the competition to design a new World War I Memorial in Washington, D.C. The U.S. World War One Centennial Commission received more than 350 proposals for the memorial, which will rise on Pershing Park near the White House. The park is named for John J. Pershing who led the American Expeditionary Force during the war.
DDG, the architecture and development shop in New York City, is known for using natural materials and dressing its buildings with greenery. This has been the case at a slew of its high-end residential projects around the city, such as 41 Bond or 345 Meatpacking. The firm’s latest residential building at 12 Warren Street in Tribeca continues in that tradition—and then some.
[Update: While Snøhetta is drawing up the master plan for the area around Penn Station, Brooklyn-based W Architecture and Landscape Architecture, working with Production Glue, designed the new Plaza33.]
Turning the truly miserable blocks around New York City’s Penn Station into a pleasant and calming retreat would appear to be an impossible undertaking. But Vornado Realty Trust—the primary property owner around the station—believes it can do it with the help of some experienced, Norwegian architects. Enter: Snøhetta.
By now you’ve surely seen a friend or relative’s selfie from the massive ball pit at the National Building Museum in Washington, D.C. The installation, dubbed The BEACH, was designed by Snarkitecture and includes nearly one-million all-white, translucent, recyclable plastic balls. It’s like a McDonald’s ball pit, but artsier and probably a little bit cleaner.
A new bus stop in Montreal will include a 64-foot-tall, Ferris Wheel–shaped art installation that cost the city a cool $840,000. For blatantly obvious reasons, many Quebecois aren’t thrilled about that—in no small part because the expensive art project is in a part of Montreal that is struggling to combat poverty.
Students at RISD imagine how a climate change museum in New York City could reclaim a vulnerable site
James Hansen, one of the world’s preeminent climate scientists, has issued an alarming new paper about the impacts of climate change—and the findings are way worse than what anyone expected. According to Hansen and the team of 16 scientists he worked with, sea levels could rise up to 10 feet over the next 50 years. “Social disruption and economic consequences of such large sea level rise could be devastating,” conclude the scientists. “It is not difficult to imagine that conflicts arising from forced migrations and economic collapse might make the planet ungovernable, threatening the fabric of civilization.”