Minneapolis hosted the Major League Baseball All Star Game this year, and many of the 41,000 people in attendance used some new public transit to get there. In May the city opened Target Field Station—a multimodal transit hub and public space at the foot of the Twins’ Target Field that designers Perkins Eastman hope will catalyze development.
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Installation investigates the future of facade design and fabrication.
Unlike some student projects, AAC Textile-Block v2.0 was shaped by both practical and speculative concerns. In back-to-back courses at Pratt, undergraduates designed and fabricated a prototype section of a screen wall system made from autoclaved aerated concrete (AAC). Co-taught by Lawrence Blough and Ezra Ardolino, the design studio and prototyping seminar encouraged students to look beyond their computer screens to real-world constraints including block size and light and air circulation. “The idea was that we wanted to make something that has an application later on,” said Blough. “It was more than a run-of-the-mill digital fabrication project,” added Ardolino. “It was really a comprehensive fabrication project.” Read More
Over the weekend, AN joined an Open House New York on a tour of the under-construction Empire Stores warehouse in Dumbo, Brooklyn. The old coffee bean warehouse was built in the 1870s, but has been sitting empty along the East River for decades. By next fall, though, the Empire Stores will have been transformed with all the Brooklyn-type fixings you’d expect. Yes, there is an artisanal Brooklyn market featuring local purveyors. And office space for tech and creative companies. And cafes, restaurants, and beer gardens. Included in the mix is also a rooftop public park and a museum focused on New York City‘s waterfront.
What’s a cross between a green roof and a living wall? IAC, the company that brought you Frank Gehry’s billowing building by the High Line in New York, is commissioning Rios Clementi Hale to “drape” its white brick building on Sunset Boulevard in West Hollywood with a six-story sculptural steel lattice—like a living roof turned 45 degrees— containing native plantings irrigated by recaptured underground water.
While architecture and design firms across the country and around the world gear up to register (the deadline is November 3) for The Architect’s Newspaper‘s 2015 Best Of Design Awards, we’d like to take the opportunity to introduce this year’s jury. As with last year, we invited a group of prominent design professionals whose expertise covers the nine categories in which we are giving awards. Collectively, they will lend their broad experience and individual perspectives to what is certain to be the very difficult task of choosing the best of many sterling projects.
Building of the Day #10
The Barbarian Group
112 West 20th Street
Clive Wilkinson Architects
It seems like something out of an interiors sci-fi novel: a barbaric desk comes to life, invading a helpless office floor. Nothing can stop it. It grows around structural columns. Monsters represent our cultural fears, and this could be a story expressing our anxieties about Corporate America, if it wasn’t for the fact that Clive Wilkinson Architects’ superdesk for The Barbarian Group is so functional and so cool. A 1,100-foot-long uninterrupted white surface snakes about the office, arching to create nooks for informal meetings and casual encounters.
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Louisville installation elicits fabric-like behavior from wood.
PART Studio designed and built their plywood Peek-a-boo Curtain in just four days, after a last-minute invitation from Louisville arts and business networking organization I.D.E.A.S. 40203. “We went to a meeting, talked about it, then drove to the plywood store,” recalled principal Nathan Smith. Luckily, the architects were not starting from scratch. Rather, Smith and partner Mark Foxworth seized the opportunity to build a full-scale mock-up of an idea they had been tossing around for some time: a curtain that, though built of wood, would behave like fabric. Staged at FirstBuild, a design and fabrication studio run through a partnership between GE Appliances and Local Motors, the exhibition also gave the designers a chance to explore the space between art and commerce. “With our piece we were looking not only to span the specific interests of the groups involved, but also to consider the relationships between product design, art, and architectural design,” said Smith. Read More