Terence Riley has been selected to head the Shenzhen & Hong Kong Biennale of Urbanism\Architecture.Â After leaving his post as chief curator of architecture and design at MoMA, RileyÂ set out to revamp the Miami Art Museum. Key to his tenure in Miami was a drive to move the museum into aÂ newÂ $100 million building designed byÂ Herzog & de Meuron. But with economic downturn, the project stalled and Riley resigned in October of 2009.
The new appointment makes him the first non-Chinese curator to head the five-year-old event. The program, which will be announced next year, focuses on the unique character of Hong Kong, Shenzhen and on young cities in particular. As Shenzhen’s extraordinary growth has taken it from a fishing village to a major metropolis in only the past 50 years, it’s a natural fit for the event.
“The full program is still being developed, but our idea is to create a paradigm that considers the cyclical growth pattern of urban cities such as Shenzhen, where cities create architecture, architecture creates cities, and how the process continues without end,” Riley said in a statment. “At a time when sustainability is imperative, the idea of describing an open process that takes into account its own renewal and constant evolution is essential.”
In a series of articles over the past week, The Art Newspaper takes an extensive look at the recently concluded art extravaganza in Miami. It reports that the scene was not as grim as last year, offering this roundup of celebrity-studded Art Basel Miami Beach: â€œThe fair attracted its usual tribes of pop stars, fashionistas, museum directors, actresses in sky-high stilettos and dressed-down buyers, including a denim-clad Roman Abramovich, the Russian billionaire. Lily Allen was sashaying around White Cube, while John Taylor of Duran Duran showed interest in a Richard Prince collage at Gagosian.â€ But while on the subject of Miami and its art world, the paper reported on Terry Rileyâ€™s exit from the Miami Art Museum (MAM), and added a few interesting tidbits to the story. Read More