In a recent interview, Diller Scofidio + Renfro Senior Associate Kevin Rice told AN that the “veil” at Los Angeles’ Broad Museum—a facade made of hundreds of molded Glass Fiber Reinforced Concrete (GFRC) panels, had been delayed by over a year. “Some of the things took longer to make than they thought, but there aren’t really problems with it,” Rice said.
But now it looks like the issues with the museum’s facade are more severe than initially thought.
Earlier this year, AN assembled a list of the most prominent projects rising in Miami. One of the developments, the Herzog & de Meuron–designed Pérez Art Museum (PAMM, formerly the Miami Art Museum), is nearing completion and is scheduled to open to the public by the end of the year. At The Architects Forum Glass+Performance on September 11th in Atlanta, key participants, including Peter Arbour of seele, Vinu Abraham of Architectural Testing, and Emil Hoogendoorn of John Moriarty & Associates will present on the ambitious design and construction process of the Miami Art Museum facade, calling the endeavor The Biggest Glass in Miami Dade County.
The West Coast edition of AN’s 2012 Facades Conference, “The Art and Science of Building Facades,” held at the UCSF Mission Bay Conference Center on July 26 examined the state of the art in building envelope design. The common thread: collaboration. The first speaker, Phil Williams, VP of Webcor Builders, set the tone by emphasizing early team integration in developing innovative design. Dennis Sheldon, CTO of Gehry Technologies, spoke on how their software facilitates a deeper and more integrated collaborative process between architects, contractors, and fabricating teams.