It happened suddenly, as if out of nowhere: NYU’s Gallatin opened Global Design/Elsewhere Envisioned, an exhibition that comes with two symposia, is described as an initiative, and some hope might just morph into a new school of architecture.
Two dirty coal powered electric plants in central Chicago are coming under increasing scrutiny from neighbors, environmental activists, and architects and designers. Earlier this week Greenpeace activists scaled the stacks of the Pilsen plant operated by Midwest Generation, and painted a large sign calling for their closure. The plants were also the subject of a recent design competition, the results of which will be on display on June 10 at the Pilsen/Chicago Arts District and on June 13-15 at the Merchandise Mart during NeoCon.
Sustained resistance from their Village neighbors has not thwarted NYU’s 2031 expansion plans; they’ve just looked to other neighborhoods. The university has leased 120,000 square feet at Brooklyn’s MetroTech Center and also retained Kohn Pederson Fox to design a 170,000-square-foot campus on their hospital grounds along First Avenue. This is not to say that they’ve abandoned expansion plans in the Village or wooing the neighbors. A storefront gallery space called NYU Open House designed by James Sanders & Associates invites the public in to view new 3-D models of revamped plans for the Silver Towers and Washington Square Village.
If you’re in Cambridge this weekend and you’re looking for a good time, head to MIT. That’s probably not what people usually say about a place where sleep is a treasured commodity, but the school is celebrating its 150th anniversary in a big way with a weekend of playful installations that light up the Charles River.
Finally. After 39 years of wandering around Los Angeles and trying to convince its landlord to sell, SCI-Arc today announced that it has bought its building in LA’s Downtown Arts District. The 1,250 foot-long Santa Fe Freight Yard Depot building, a reinforced concrete structure designed by architect Harrison Albright, stretches seemingly forever along Santa Fe Avenue. Students like to bike or skateboard inside it to get to class.
The school moved to the former rail depot 10 years ago after a 2001 renovation by architect Gary Paige. The school’s opening came when building owner Meruelo Maddux Properties filed for bankruptcy—meaning it really needed the money. The school bought the property for $23.1 million. Other homes for the school have included Marina Del Rey and Santa Monica. But now it finally has a real home.
And their edgy, coarse and lively corner of downtown, as SCI-Arc Director Eric Owen Moss has pointed out, is where it’s always wanted to be. “SCI-Arc is absolutely committed to Downtown,” he told AN in a recent interview, adding that the area is a laboratory for architectural and urban development. “We are staying Downtown. Period.”
With architectural discourse today so focused on the impact of digital design, it is hard to remember that 20 years ago all architects talked about was postmodernism. The discussion began with the publication of Robert Venturi’s Complexity and Contradiction in Architecture and Aldo Rossi’s The Architecture of the City but became more focused and intense with the opening of an exhibition devoted to the theme.
Toronto’s Ryerson University announced plans this week for a bold Student Learning Center designed by Oslo-based Snøhetta and Zeidler Partnership Architects of Toronto. The 8-story structure will mix passive and active academic uses with street-level retail and will serve as the university’s front door on busy Yonge Street.
The first panel of this week’s conference at Columbia’s GSAPP, “Permanent Change: Plastics in Architecture and Engineering,” got down to business a few minutes late on Thursday morning. After a brief welcome, Dean Mark Wigley ceded the floor to Michael Bell, the first speaker in the line-up for “The Emergence of Polymers: Natural Material–Industrial Material.” But the pace picked up as Bell and subsequent presenters took listeners on an intense romp through the role of plastics in architectural history, providing background for the nine panels to follow through Friday evening.