Are you eager to put your architectural design skills to the test? Here are some exciting upcoming competitions that will be sure to present you with the type of challenge you’ve been waiting for. AN‘s editors have combed through our online listing of architecture and design competitions to bring you five of the most interesting competitions happening right now. If you’d like your competition to be included in the listing, please submit it here.
Reimagine the Astrodome. To launch The Architect’s Newspaper’s Southwest edition and to kick-off YKK AP’s expansion in the region, AN and YKK AP are hosting an Astrodome Reuse Design Ideas Competition. Architects, artists, designers, and students from the city of Houston, the state of Texas, and across America are invited to submit their concepts on how the Astrodome might be reimagined, repurposed, and reused. First place will receive $2,500, second and third place will receive $1,000 each, and two honorable mentions will each receive $250. The top three and two honorable mentions will be published in print in AN’s inaugural Southwest edition. The registration deadline has been extended to Monday, September 23.
Registration Deadline (Extended): Monday, September 23, 2013.
Submission Deadline: Tuesday, October 1, 2013.
Recent economic figures from the Architecture Billings Index (ABI) revealed that summer finished on a high note with a significant rise in the demand for design services. The ABI score for the month of August jumped more than a full point from July climbing up to 53.8 from 52.7 (any score above 50 indicates positive growth). AIA Chief Economist, Kermit Baker, sees positive growth for the industry, but remains cautious about the future. “As business conditions at architecture firms have improved eleven out of the past twelve months, it is fair to say that the design professions are in a recovery mode,” Baker said. “This upturn signals an impending turnaround in nonresidential construction activity, but a key component to maintaining this momentum is the ability of businesses to obtain financing for real estate projects, and for a resolution to the federal government budget and debt ceiling impasse.”
Are you afraid of taking Rover with you on your next flight because he might have to go potty in the airport? Well, pet-packing passengers flying through San Diego’s Lindbergh Field can rest easy. The airport’s recent $1 billion “Green Build” Terminal 2 expansion includes the nation’s first and only “pet relief” comfort station. Located between gates 46 and 47, the 75-square-foot rest room is decked out with features to get your four-legged friend in the mood to go, including ersatz grass and a fire hydrant. This may be the first, but it won’t be the last. Tom Rossbach, director of aviation architecture at HNTB, told the San Diego Union-Tribune that the firm is offering the amenity to its other airport clients.
Anticipation is growing for AN and Enclos’ eagerly awaited Facades + PERFORMANCE conference, touching down in Chicago from October 24th to 25th. Leading innovators from the architecture, engineering, and construction industries will share their insights on the latest in cutting-edge facade technologies that are redefining what performance means for 21st Century architecture. Don’t miss your chance to join Cory Brugger, Director of Technology for Morphosis Architects, as he is joined by a group of industry specialists to lead an in-depth dialog workshop on expanding the idea of performance in the design, engineering, and fabrication of innovative building systems.
“Traditionally, performance has been defined in singular terms,” Brugger told AN, “but when it comes to delivering architecture, it can encompass everything from energy usage to fabrication technique. For us, performance is multifaceted and interdisciplinary. We have found that technology provides a platform for incorporating a variety of performance criteria in our design process, allowing us to create innovative architecture, like the Cornell NYC Tech project on Roosevelt Island.”
[ Editor's Note: The following story, "Il Duomo," first appeared in Texas Architect's May/June 1990 issue. It was written by the late Douglas Pegues Harvey, an architect who graduated from Rice University and worked for Marmon Mok Architecture in San Antonio. It was written on the occasion of the Houston Astrodome's 25th anniversary as a sort of homage as well as a protest for the fact that the building was not chosen for the AIA Twenty-Five Year Award. Eero Saarinen's Gateway Arch was. (Incidentally, another Houston project was chosen for the 2013 25-Year Award.) We are rerunning this story, with permission, because today, September 17, is the registration deadline for Reimagine the Astrodome, AN and YKK AP's Astrodome Reuse Design Ideas Competition. Due to the overwhelming enthusiasm surrounding the competition, we've decided to extend the registration dealing to Monday, September 23. So if you were sleeping, wake up! Sign up today! (Also, if you have the chops to write articles like "Il Duomo" and want to contribute to AN Southwest, please contact Aaron Seward, email@example.com.) ]
It’s not every building that gets to be known as The Eighth Wonder Of The World. Texas’ nominee, the Astrodome, opened 25 years ago as the world’s finest interior landscape. On Apr. 9,1965, a time when the hegemony of television and the standing of the Sunbelt in American life were not yet secure, the Astrodome opening struck a telling blow on their behalf. The occasion was a Houston Astro’s exhibition baseball game against the New York Yankees. With President Lyndon Johnson watching, Mickey Mantle (naturally) hit the first home run, but the Astro’s (necessarily) won.
Waiting for the bus was getting just a bit too pleasant, so it’s a good thing the 46th Ward removed benches from at least three locations in Uptown—an anonymous tipster told StreetsBlog that Alderman James Cappelman’s office apparently relieved several bus stops of their benches to prevent loitering. That’s the same Cappelman accused earlier this year of waging a “war on the poor” for pressuring the Salvation Army to stop feeding the poor in his ward.
But look at who’s tugging at his ear. A married couple of lawyers just tried to sue Cappelman and the Chicago Department of Transportation for besmirching the sidewalk in front of their condo with a Divvy bikeshare station. A judge dismissed their request to yank the station immediately, but they’re up for a hearing at the end of September. Another month of these blue beacons for bikers? Just think of the loiterers!
The rise of 3D printing, the design and creation of objects using a material printer, is currently hindered by accessibility. Few own personal printers or know where to go to use one. However, according to Lara Piras of PSFK, commercially viable 3D printing is now a possibility with Netherlands-based 3D Hubs. The online company allows at-home designers to connect with locals who own 3D printers, arrange for payment for the printing of their creations, and then receive their material products, ideally without leaving their community.
Located on the paradisiacal island of Hawaii, the Mauna Kea Beach Hotel designed by Skidmore, Owings and Merrill (SOM) has been critically acclaimed by architectural experts and luxury aficionados for its modest yet stunning elegance. In celebration of its classic design and architectural beauty, the hotel has launched a microsite where tourists can read about the resort’s history, virtually explore its modernist look, and take a sneak peak at hotel founder Laurance S. Rockefeller’s private 1,600-piece art collection.
The Lisbon Triennale, Close, Closer, is the first architecture exhibition that does not need, nor even want outside visitors. In recent years, the relevance of the international exposition in a defined physical boundary has been questioned, given the energy and expense (particularly in Venice) involved in putting the event together and the ubiquity of digital display and information dissemination. Why not, many people argue, just do the whole thing on line and open it up to the whole world rather than forcing visitors to trek to expensive cities and countries? Lisbon’s Close, Closer will have a tremendous online presence, but, more to the point, the curators of the exhibition, under the overall guidance of British curator Beatrice Galilee, have downplayed expensive formal installations in favor of workshop, networking, and research projects.