After the fatal MetroNorth crash in New York City last week, former Obama administration Transportation Secretary Ray LaHood claimed that Washington is “afraid” to invest in transportation infrastructure improvement. On MSNBC’s “Morning Joe” program, LaHood said the recent train tragedy was only another example of the problems lurking in America’s infrastructure and that the $48 billion set for transportation use by the economic recovery plan was “not enough money,” something Congressional members later acknowledged. Only in states where the people have voted for infrastructure referendums is progress occurring. He called for nationwide leadership to follow suit.
When Andres Lepik was a curator at the Museum of Modern Art in New York, he organized and curated Small Scale, Big Change: New Architectures of Social Engagement (2011). It was a landmark show for MoMA and identified a developing design trend of socially engaged projects aimed not at “grand manifestos” but to ones committed to “radical pragmatism.” Now back in Germany, Lepik has curated an equally ground breaking exhibition on social design. The exhibit Afritecture: Building Social Change at the TU Munich Architecture Museum rightly focuses on the African content as the most exciting and creative place for todays architecture of social engagement.
The Italian classicist architect Pier Carlo Bontempi has been named the 2014 Driehaus Laureate. A native of Parma, Bontempi’s work in Italy and France re-imagines the traditional city with projects like a master-planned block in Parma and the Quartier du Lac outside Paris.
“His buildings, seamlessly woven into their urban environments, demonstrate principles of the new classicism and urbanism,” said Michael Lykoudis, dean of the school of architecture at the University of Notre Dame, in a statement. “Their durable construction, adaptive interior spaces and sensitive siting make them exemplars of architecture as an art of conservation and investment as opposed to consumption and waste.”
Review> LOT-EK Designs the Exhibition, Erasmus Effect, On the Past and Future of Italian Architecture
The Erasmus Effect: Italian Architect’s Abroad
Through April 6, 2014
The architecture and urbanism of Italy has long been an inspiration to architects from other parts of the world. From the grand tours of Lord Burlington and Thomas Jefferson to the establishment of the American, French, and British Academies, Robert Venturi’s lessons learned from Rome, and the enormous influence of Manfredo Tafuri, Italy has been important to how we view architecture and livable cities. But now an exhibition, The Erasmus Effect: Italian Architect’s Abroad, opening today at Rome’s MAXXI Museum details how the world is enriched when Italian born and educated architects emigrate and find success abroad.
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A social enterprise’s first mobile food entity uses design, mechanics, and hospitality to benefit incarcerated youths.
As the food truck craze continues to gain speed, it was only a matter of time before Brooklyn-based Situ Studio—one of the country’s premier design/build outfits—was tasked with creating a kitchen on wheels. But their opportunity to design and fabricate was not for just another rolling burger joint or mobile ice cream stand. The recently completed Snowday is the first food truck from Drive Change, a social enterprise that trains previously incarcerated youths to operate and manage roving restaurants.
Situ Studio and Fabrication’s co-founder and partner Aleksey Lukyanov-Cherny said client Jordyn Lexton, Drive Change’s founder, had a strong vision for the program. Her business model calls for locally sourced ingredient themed menus. Snowday’s ingredient is Grade A maple syrup harvested in upstate New York. To relay the image of a cabin in the woods where one might refine the tree sap, she envisioned a raw, natural facade that was both organic and industrial. Read More
The Norton Museum of Art in Palm Beach, Florida has unveiled a new master plan including galleries and public spaces designed by architecture firm Foster + Partners, under the direction of Pritzker Prize-winning architect Lord Norman Foster. The new Foster design will upgrade the museums 6.3-acre, art deco–inspired campus and gardens first designed in 1941 by Marion Sims Wyeth.
For Miami Art Basel this year, food artist Caitlin Levin and photographer Henry Hargreaves teamed up to recreate some of the most architecturally masterful art museums of the world using a very sugary medium. In candy, chocolate, gingerbread, and icing, the New York City–based collaborative pair have molded and modeled highly detailed scale versions of six iconic art spaces. Photographed by Hargreaves in black and white, the dynamic chocolate angles of Yasui Hideo’s Karuizawa Museum and the sweeping icing curves of Frank Lloyd Wright’s Guggenheim almost seem real.
From December 5 to 8—the duration of the annual international art show—the pictures will be exhibited at Dylan’s Candy Bar in Miami.
De facto color authority Pantone announced the 2014 Color of the Year is 18-3224 Radiant Orchid, a shade of purple with undertones of pink and fuchsia. The Color of Year is determined through popular culture and socio-economic research. The institute recommends Radiant Orchid for interiors as the anchor color, as well as accents and detailing.
UNESCOitalia: Italy’s World Heritage Sites in the Works of 14 Photographers
Mueso Italo Americano
Fort Mason Center, Building C
December 6 to January 26, 2014
In celebration of 2013: The Year of Italian Culture in the United States, the Museo Italo Americano, in partnership with the Italian Cultural Institute and the Consulate General of Italy in San Francisco, will be showcasing a collection of images of Italy’s UNESCO World Heritage sites as seen through the lenses of 14 prominent Italian photographers.
For some, a portrait of Queen Elizabeth hearkens to days of “Long live the Queen!” but a recent design intervention could edit that phrase to “Long live Warhol!” Brooklyn-based Flavor Paper recently launched a collection of proprietary designs from the Andy Warhol Foundation for the Visual Arts‘ store of works in PVC-free, water-based ink formats that can be customized for a variety of applications.