Yesterday, Houston voters killed a $200 million ballot initiative to renovate the unused Astrodome. Fifty-three percent opposed the measure and 47 percent supported it. The plan would have turned the stadium—the first domed and air-conditioned professional stadium—into a multi-use event and convention space. Houston’s professional sports teams now play in Reliant Stadium next door and Minute Made Park in downtown Houston. Without funding for renovation, the dome appears destined for demolition.
Tomorrow, AN will release the results of the “Re-imagine the Astrodome” competition, which includes both pragmatic and visionary ideas for re-using the Space Age structure. To celebrate, join us for coffee and refreshments at the Texas Society of Architects in the Grand Lobby of Fort Worth Convention Center from 10:00-11:00 a.m. We’ll also be launching the inaugural issue of the Southwest edition. Stop by meet AN‘s new Southwest Aaron Seward.
Calling all landscape architects and urban designers. Are you heading to Boston for the 2013 American Society of Landscape Architects Conference? I am. On Saturday, November 16, I’ll be reviewing projects and portfolios during a “Meet the Editors” event, alongside colleagues from a variety of shelter, design, and garden publications. There are still a few open spots, so sign-up or just drop by and introduce yourself. I hope to see you there. Also, check out this year’s ASLA award winners designed by students and professionals. Great work!
Another day, another Kickstarter campaign. On the heels of several successful museum and gallery exhibition campaigns, Woodbury University Hollywood Gallery (WUHO) has decided to start a campaign for an upcoming exhibition celebrating the groundbreaking visual communication work of Los Angeles–based designer Deborah Sussman. Entitled Deborah Sussman Loves Los Angeles!, the exhibition, which is set to open in December, will be the first retrospective of her early environmental graphic design work, honing in on projects from her days at the Eames Office up to the 1984 Olympics.
Thanks to a new student-led effort, green is no longer just the color of the year, it’s also the new orange. When the Iowa Correctional Institution for Women in Mitchellville embarked on a $68 million expansion three years ago, the plan set aside no money for landscape design. But a collaboration between five landscape architecture students from Iowa State University and eight offenders is bringing a touch of green behind bars.
Architecture and Engineering giant AECOM has taken a big step to bolster its architecture offerings with the appointment of Ross Wimer, former partner and design director at SOM Chicago, as the leader of its architecture practice in the Americas. Wimer was known for fighting for design at SOM, and he plans to do the same thing at AECOM, where architecture can be overshadowed by much larger, and more profitable work.
The current Milan Triennale exhibition, running through December 2013, is on view in the city’s Palace of Art building, part of Parco Sempione, the park grounds adjacent to Castello Sforzesco. Nancy Goldring visited the exhibit for AN and reports back on the highlights of the exhibit.
When you enter the Milan Triennale, there is a line-up of fanciful chairs—rather a small version of Lucas Samaras’ great show at the Whitney. But the exhibition itself promises a much more serious consideration of the world of design. The Association for Industrial Design (ADI) added a new category to its 2010 Trienniale Design: Service Design. This year in Design for Living, Luisa Bocchietto and the Triennale committee have added yet another new section—Social Design—those who have offered examples of responsible design, an attempt to get away from simply the design of beautiful objects and to focus on the activities of designers who are trying to make a contribution to the way we live and change the systems themselves.
Chipakata is small rural Zambian community with no local school so its children have to walk five miles to an overcrowded facility. But Joseph Mizzi, president of Sciame Construction, visited the village last year with New York City–based stylist and native-Zambian, Nchimunya Wulf. They both were inspired to start a non-profit to build a new school for the community. The duo launched the 14+ Foundation last June and after a fundraiser that garnered $350,000 for the organization to pit together a group of New York–based design professionals who are building a brand new facility in the heart of Chipakata.
Austin, Texas–based architects Dan Cheetham and Michelle Tarsney have given a new face to some of the city’s underutilized spaces: alleyways. Their one-of-a-kind community art installation, 20ft WIDE, seeks to resolve conflict between architecture, art, and humanism in order to create places of lasting value. The once forgotten alley between Ninth and Tenth streets, which connects Congress Avenue and Brazos Street in Downtown Austin, has been transformed into a collaborative space to bring attention to public urban places and foster discussion about the new possibilities for their uses
National Geographic’s “Greatest Photographs of the American West”
Jordan Schnitzer Museum of Art
1430 Johnson Lane, Eugene, Oregon
Through December 31
Throughout its 125-year history, National Geographic has been home to some of the highest quality photojournalism in the world, captivating its audiences with powerful and spectacular imagery. This fall, the Jordan Schnitzer Museum of the University of Oregon is displaying the magazine’s greatest photographs of the American West; a region that has long captivated photographers. The exhibition will run through to December 31.
Included are photographs by Sam Abell, Ansel Adams, William Albert, and many other renowned photographers. The exhibition is organized into four sections, each focusing on various aspects of the American West and its significance to the country’s national identity. From spectacular rock formations to cowboys and Native Americans, this exhibition draws from the significant holdings of the National Geographic Archive. The American West was organized with the National Museum of Wildlife Art of the United States and Museums West.