Al Jazeera has launched Rebel Architecture, a six-part documentary that profiles lesser-known architects who are using their design skills “as a form of activism resistance to tackle the world’s urban, environmental and social crises.” These designers aren’t building glass towers for the global elite, but schools, cultural spaces, and homes for everyone else. And they’re often doing it in legal gray area. Read More
Although the U.S. Army Corps of Engineers has yet to secure funding for its planned $1 billion restoration of the Los Angeles River, projects along the waterway’s banks are sprouting up regularly, including parks, cafes, trails, and even new buildings. The latest, reported KCET, is the Elysian Valley Marsh Park, a three-acre landscape expansion on what was once an auto body complex in LA’s Elysian Valley neighborhood.
In a few short years, the term placemaking has migrated from wonky urban planning circles to neighborhoods across the country—that communities come together around public space is no groundbreaking observation, but when successful the idea can be revolutionary on a local scale.
So hopes Chicago’s Metropolitan Planning Council, who this weekend will sponsor “Old Place New Tricks,” a bid to “activate” neighborhoods from Englewood to Ravenswood with public space interventions that range from a “healthy eating happy hour” to “Selfie Sunday.”
Word has it that Art Center, which seems to already own all of Downtown Pasadena, has just bought the area’s massive Jacobs Engineering Building. Also on the move, USC Dean Qingyun Ma has relocated his firm’s offices to none other than Downtown LA’s Bradbury Building. How’s that for pressure? And we’ve learned of the initiation beverage of our favorite architecture-related women’s drinking and discussion group: Denise Scotch Brown. What group would Venturi inspire? We shudder to think… Something about Vermouth?
Another symbol of downtown Los Angeles’ transformation is the ongoing renovation and rebranding of the Spring Arcade Building. Modeled after the great Beaux Arts arcades of Europe, the space has long been a grubby home for non-distinct shops. The Arcade—actually two 12-story towers connected by the skylit, glass roofed, three-level arcade—was built in 1924 by architects Kenneth McDonald and Maurice Couchot. With its Spanish Baroque entryway, it originally contained 61 shops, and later added a Venetian-style bridge across its center. It now contains space for 21 shops and restaurants and still contains the landmark KRKD radio towers on its roof.
One of Morphosis’ earliest projects, the Beverly Hills restaurant Kate Mantilini (1986), is now up for landmarking by the city of Beverly Hills. We hear that Beverly Hills Mayor Lili Bosse is obsessed with getting this done, but ironically the restaurant’s owners are not so happy about it. The rumor mill says they’re afraid of being locked into a design forever. Especially one from the 80s. Imagine if someone told you that you had to keep your 80s hair for the rest of your life?
The dual role glass plays in architectural design—a material integral to both a building’s appearance and its performance—makes selecting a specific product a tricky process. From energy-efficient glazing to decorative dichroic panels, here are a few new items to spur the imagination.
Designed by Ross Lovegrove, these glass panels can be fixed into construction profiles or into building construction-assembly grooves. Specialty colors and finishes are available; panels range in size from 80 by 8 centimeters to 270 by 370 centimeters.
Last week AN plugged an event that aimed to turn downtown Cleveland into a festival of lights. Sure enough, colorful projections flooded the walls of downtown cultural institutions while a massive rainbow arched over the city and iridescent discs of rainbow light saw curious Clevelanders clambering about.