Lighting artist Leo Villareal has been busy lately, opening installations in the New York City subway system and in Madison Square Park, but an even bigger achievement is set to debut tonight in San Francisco. Villareal has attached 25,000 LED lights to the San Francisco Bay Bridge and connected them to a computer in order to create dazzling lighting displays viewable from the city and the water along the suspension bridge.
Called The Bay Lights, the project celebrates the bridge’s 75th anniversary and is set to go live tonight at 8:30 PST. But don’t worry, if you’re not in San Francisco to view the installation from the Embarcadero or Telegraph Hill, the event will be streamed live online at the project’s website here. Until then, check out a couple videos below of the installation being tested. The Bay Lights is believed to be the largest of its type in the world and will be in San Francisco for two years, lit each night from dusk till 2:00a.m.
El Segundo, CA-based developer CenterCal recently revealed plans for a revamped Redondo Beach waterfront near Los Angeles, which includes parts of the Redondo Beach Pier, as well as the nearby boardwalk and Seaside Lagoon. According to The Daily Breeze, CenterCal presented its plans to residents, local business owners, and community groups at a meeting on February 23.
In MoMA’s Applied Design exhibition, which opened over the weekend in The Phillip Johnson Architecture and Design Galleries, celebrity curator Paola Antonelli brings us a diverse sampling of recent and contemporary design, from old school video games like Tetris and Pac-Man to 3D printed furniture and energy efficient medical equipment. As in last year’s Talk to Me exhibition, museum guests get the opportunity to interact with the objects on display, including playing the video games. While the connections between the different pieces may be tenuous and visitors may struggle to identify the relationship between Ido Bruno’s Earthquake Proof Table and The Sims, Applied Design allows viewer to see items that have been churning up quite a bit of hype around the blogosphere, such as Massoud Hassani’s wind-powered mine detonator, pairing them with modern relics from the MoMA archives, including drawings from Lebbeus Woods and Douglas Darden. While disjointed, Applied Design does afford a glimpse of the wide varieties of methods, technologies, and materials utilized by today’s design vanguard. The exhibition is on view through January 14, 2014.
On the other side of the pond, Building Design reports that Will Alsop didn’t hold back in a recent public conversation at the V&A with perennial pot-stirrer Stephen Bayley. “Society has decided in this age of austerity that what we need is more David Chipperfield. We don’t need that. It’s depressing,” bemoaned Alsop, known for his irreverent approach to the mother of the arts. “We need more fun, wit, and humor. It’s part of the human condition, and if you don’t have it, you are left with David Chipperfield and a number of others. He is a very good architect, and there’s plenty of room for him, but not everywhere, and not poor imitations.” Sounds like Alsop could use a long weekend in Vegas.
Against all odds, BIG-founder Bjarke Ingels is actually building a mountain-slash-ski-slope-slash-waste-to-energy-power-plant in his hometown of Copenhagen. Announced in 2011, the project nearly stalled during the approval process, but officials in the Danish capital broke ground on the facility on Monday. Called the Amager Bakke Waste-to-Energy Plant, the structure represents Ingels’ concept of Hedonistic Sustainability, the notion that a sustainable building shouldn’t only be green, but should also be fun.
Once considered downtown LA’s central park, the problematic 4.5-acre Pershing Square may soon be slated for a few welcome changes. Councilman José Huizar of District 14 recently told LA Downtown News that sports and entertainment company Anschutz Entertainment Group (AEG) has committed $700,000 seed funding to re-think the 164-year-old park. The money is part of a community improvement package AEG had agreed to in order to create a football stadium in Los Angeles.
The Storefront for Art and Architecture is bringing Aircraft Carrier, the 2012 Israeli pavilion at the Venice Biennale, to New York. The exhibit—one of the most pointedly political statements at the biennale—confronts the influence of the United States and its foreign policy in the Middle East and how it has affected Israeli architecture. The pavilion points to the year 1973 and the OPEC oil crises as a watershed in global capitalism when American strategic interests helped enable a new level of corporate architecture in Israel. The resulting reflected glass skyscrapers set against the optimism of Tel Aviv’s White City could not be more a poignant modernist image.
The exhibition is accompanied by a catalogue published by German publisher Hatje Cantz and edited by the curators, which contextualizes the phenomena in larger transformative processes. The book include texts by Milton Friedman, Justin Fowler, and Eeva-Liisa Pelkonen and visual works by participating artists Florian Holzherr, Nira Pereg, Jan Tichy, Assaf Evron, and Fernando Guerra.
Exhibition Opening: March 7, 2013, 7PM
Exhibition: March 7 – April, 29 2013
Another skyscraper is rising in Midtown Manhattan. Developers Hines and Pacolet Milliken broke ground this week on Pei Cobb Freed’s 7 Bryant Park tower (aka 1045 Avenue of the Americas) that was unveiled in 2011. The 28-story, 470,000-square-foot tower sits at the southwest corner of Bryant Park and features a distinctive hourglass-shaped cutout on its corner. “The hourglass facade detail will be a lens through which building occupants can view the park with dramatic and alluring immediacy,” architect Henry N. Cobb told AN in 2011. A 46-foot-diameter stainless steel disc will hover above the entrance. The building hopes to achieve LEED Gold status and is expected to be complete in early 2015.