Last Thursday in his keynote address to the Transit Oriented Los Angeles conference, Los Angeles Mayor Eric Garcetti announced the creation of the “Great Streets Initiative.” In an executive directive—his first since taking office on June 30—Garcetti outlined a program that “will focus on developing streets that activate the public realm, provide economic revitalization, and support great neighborhoods.” Continue reading after the jump.
Jennifer Steinkamp: Street Views
Contemporary Art Museum St. Louis
3750 Washington Blvd, St. Louis, MO
Through December 23
The Contemporary Art Museum of St. Louis has inaugurated Street Views, an exhibition featuring a series of works by digital installation media artist Jennifer Steinkamp. As part of the 10th anniversary of CAM’s building, the museum will be turned inside out, as its exterior will be transformed into a gallery with large-scale video art being projected onto its facade.
London-based Weston Williamson won first prize in an international competition to design the Brasilia Athletics Stadium, an innovative skeletal structure inspired by the wings of a bird in flight. The huge, feather-like formations that create the structure’s undulating roof canopy will be constructed from lightweight concrete and steel connections. This feather-like roof will be in a constant state of flux, as the individual sections respond to environmental fluctuations, such as wind and sunlight.
Facades+ PERFORMANCE is only ten days away! Space is filling up fast, so don’t miss your chance to be part of this groundbreaking, two-day convergence of the industry’s leading innovators. Register today to take advantage of our exclusive educational opportunities, including a day-long symposium examining new perspectives on building skins and sustainable practices, and hands-on technical workshops in the latest design and analysis technologies that are revolutionizing contemporary architecture. And don’t forget about our in-depth, seminar-style dialog workshops, in which leading professionals from across the AEC industry sit down with you to discuss their most innovative recent projects.
Space is limited, and some sessions are already SOLD OUT, so sign up today to reserve you seat! Join the movement that is changing the face of the built environment, only at Facades+ PERFORMANCE – Chicago, Oct. 24-25th!
Despite the economic freeze gripping much of Italy, more than 100,000 attendees—50 percent of whom came from outside the country—converged on Bologna for the 2013 edition of Cersaie, the world’s largest ceramic tile fair. In addition to daily educational sessions and a keynote from Pritzker Prize winner Rafael Moneo, 900 product exhibitors filled the halls with the newest iterations of stone and tile looks on porcelain and ceramic. Textile-influenced surfaces were particularly prevalent, as were recreations of hand-crafted, custom-made tiles thanks to more affordable production methods.
Though nearly every company exhibiting at Cersaie 2013 boasted some kind of wood look, Cerim’s (above) stood out for its realistic color and graining, and authentically placed embossing. Available in five tones on three differently sized planks, the collection also comes in two finishes for indoor and outdoor flooring applications.
The AIA Los Angeles has awarded its 2013 Gold Medal to Frederick Fisher. Founder and principal at Frederick Fisher & Partner Architects, Fisher has been practicing architecture in LA for more than 30 years. During the late 1970s he was part of the “L.A. School,” a group of architects including Thom Mayne, Frank Gehry, and Eric Owen Moss who staged exhibitions at Mayne’s in-home architecture gallery.Fisher worked in Gehry’s practice for several years, yet in his own designs Fisher eschews the mind-bending geometry for which Gehry and some of his other contemporaries are known. Instead, Fisher’s work is characterized by a combination of lightness and restraint.
New York City Housing Authority (NYCHA) just faced another hurdle in its controversial plan, known as its “infill strategy,” to lease swathes of land in public housing developments to private developers. The deal would allow for the construction of new market-rate apartment buildings, along with a handfull of affordable housing units, in eight projects throughout Manhattan. But New York City Council and a group of tenants filed a lawsuit on Thursday to prevent the plan from moving forward. This past spring, the struggling agency issued a Request for Proposal seeking ideas from developers. The lawsuit slips in right before NYCHA’s November 18th deadline for proposals. The New York Times reported that the plaintiffs said that the agency failed to include City Council on the “decision-making regarding the plan to build on public housing grounds.” And moreover, government officials pointed out that the Bloomberg administration didn’t follow the standard protocol, which requires that agency officials go through City Council for approval.
In a statement to Times, NYCHA said: “It’s unfortunate that the City Council is attempting to block a proposal that would generate significant revenue for the New York City Housing Authority — money that would go directly into developments and repairs for residents.”
Walking along the farthest block of West 34th Street, navigating past queues waiting for MegaBuses going to Boston, Philadelphia, and other cities, is a small white tent behind a chain-link fence. There begins another journey to a world that will exist only until next May. It is the High Line at the Rail Yards, the last stretch of the beloved park between West 30 and 34th streets, still raw before it joins the two completed sections running to Gansevoort Street.
You are first greeted by a dense, green self-seeded landscape, including a tree ripe with green apples. As you gingerly step over battered wooden rail ties and metal tracks, the vista opens up to the portion called the Spur, which runs parallel to the Hudson River with only the West Side Highway in between. Ships pass by, helicopters land, the Javits Center, the Starrett Lehigh Building, and the new Hudson Yards construction site surround you—and then you encounter the first of seven sculptures by Carol Bove sited along the tracks. Read More
Placed within Tokyo’s Daikanayama district, architect Arthur Casas has designed a flagship store to appear completely as an opaque box. As fashion trends change, so does the store’s appearance. The exterior walls boast a bold graphic design that will surely be swapped out for the next season’s trends.