AN’s Eavesdrop Makes A Mark on Chicago Nightlife
Left to right: Thomas Demand, Marina Fine Arts #23, 2011; Thomas Demand, Beyer #15, 2011; Thomas Demand, Segel #25, 2011. (Courtesy Graham Foundation)
Get Out Your Scotch Guard—Eavesdrop Is Coming! If the hors d’ouevres make a party, Luminaire threw quite the fête last month. The huge design showroom in Chicago’s River North staged the top floor with more affordable items from their inventory, alongside of pop-ups from local artisans, including European bike-lifestyle guru J.C. Lind Bike Co. This was our first stop of several that evening, so the substantial hors d’oeuvres—a.k.a. Prosecco sponges—were fully appreciated. What didn’t appreciate them?
On View> OVERDRIVE: LA Constructs the Future, 1940-1990
OVERDRIVE: LA Constructs the Future, 1940-1990
The J. Paul Getty Museum
Los Angeles
Through July 21
Gleaming cars speeding down an intricate freeway system, flashy movie theatres, quirky coffee shops, sleek corporate towers and residential spaces, drive-in churches, the infamous Hollywood sign, LAX Airport (above), and a lucrative petroleum industry are just some of the many impressive characteristics associated with the rich culture of Los Angeles. This exhibition at The J. Paul Getty Museum explores a metropolis that remained in “overdrive” throughout the 20th century, implementing cutting-edge architectural design to effectively respond to civic, environmental, and socioeconomic challenges that plagued the city. In just 50 years, the city rapidly evolved into one the most influential industrial, creative, and economic capitals in the world. Through drawings, photographs, models, animations, oral histories, and ephemera, the exhibition celebrates the notable transformation of the city of Los Angeles from 1940–1990.
On View> Parsons Festival 2013 in New York City
(Courtesy Parsons)
New York City will be hit by a design storm this May. Along with the International Contemporary Furniture Fair (ICFF) taking place May 18 through 21 at the Javits Center, The New School is throwing its annual Parsons Festival, May 5 through 24, at locations across the city. Both events feature cutting edge design establishing NYC as a major design capital.
NYC Department of Design and Construction Announces New Roster for City Projects
New York City Department of Design and Construction Commissioned Steven Holl Architects to design new Hunters Point Community Library in Queens for a prior Design + Construction Excellence Program
All too often public buildings can fall short on creativity, but with the launch of the Design + Construction Excellence Program in 2004, the Bloomberg administration has raised the ante and tapped a number of top architecture firms from around the world to work on a slew of new city projects. The New York City Department of Design and Construction (DDC) announced today that they have selected 26 emerging and leading architecture firms out of pool of 264 applicants to participate in the next wave of the program, including the likes of BIG-Bjarke Ingels Group, nArchitects, and TEN Arquitectos. Read More
On View> Low Rise High Density at the Center for Architecture
(Craig Hodgetts)
Low Rise High Density
The Center for Architecture
536 LaGuardia Place
New York, NY
Through June 29
The 1960’s saw a transformation of the architectural landscape of urban and suburban neighborhoods across the United States. The introduction of a new kind of low-rise, high-density public housing type diverged from the conventional high-rise buildings that had previously characterized American cities. These new, low-rise living spaces increased suburban and urban connectivity by eliminating the need for elevators. Also, as more and more of these buildings continued to rise in suburban neighborhoods, distant from the hustle and bustle of the city, people were increasingly encouraged to use public transportation.
A Global Bicycle Trek from Portland, Oregon to London’s Portland Place.
(Grant Smith)
Peter Murray, of the New London Architecture center, together with a dozen architects and planners, is biking from Portland, Oregon to Portland Place in London, studying how cities are responding to the demand for better cycling infrastructure. He reports from the start of his ride. The Architect’s Newspaper is USA media sponsor of the trip and will post periodic updates of these architects on bicycles.
Portland is to America what Copenhagen is to Europe: everyone looks to it as an exemplar cycling city, and it has been continually improving its cycling infrastructure for more than 40 years – the first Bicycle Masterplan was published in 1973. As a result, 6 per cent of Portland commuters now bike to work and the Active Transport Alliance’s annual Bike Commute Challenge attracts over 700 participant companies. Cycling is undoubtably a part of Portland’s culture with its Neighbourhood Greenways, bicycle boulevards, routes across key bridges, safe routes to school and the Eastbank Esplanade – a wide path shared with walkers and joggers overlooking the Willamette river. The city was awarded platinum status by the League of American Bicyclists and acclaimed by Bicycling magazine as number one for cycle-friendliness.
Tiled Topography from e+i studio
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e+i Studio designed a modular, 50- by 60-foot pavilion surfaced entirely in Italian tile. (courtesy Ceramics of Italy)
e+i studio of New York won a design competition for their concept of a trade show pavilion made entirely from Italian tile.
Crafting a memorable and intimate environment within voluminous convention halls can be a daunting challenge. To establish a meaningful presence in such environs, Ceramics of Italy tapped into the A&D community with a competition in 2012 for unique booth designs to showcase the products of its manufacturers. Piazza Ceramica, designed by e+i Studio and fabricated by A&M Production, won the competition. Its proposal was installed at the Coverings Tile and Stone trade show in 2012 and 2013. Inspired by Italy’s social culture, architects Ian Gordon and Eva Perez de Vega used the idea of a public space to showcase tiles produced in Italy for a bespoke, modular pavilion that houses a multi-function program of a café, information kiosk, and restaurant.
The design utilizes a topographical approach to build up the pavilion’s perimeter with seating and display installed product. “From the beginning, we started to look at the topography in a series of parametric studies to determine the optimal stair/riser ratio to integrate the substructure of the two mounds,” said Perez de Vega. “From there, we wanted color to be an important component to showcase the qualities of the tile to transition smoothly from intense greens to reds to whites.” Read More
Where’s the Money, MOCA? Questions surround the possible cancellation of A New Sculpturalism
Frank Gehry’s Walt Disney Concert Hall. (Courtesy Gehry Partners)
The intrigue continues at MOCA, whose upcoming show A New Sculpturalism: Contemporary Architecture in Southern California, is close to being cancelled, according to multiple sources. The show’s curator Christopher Mount has told AN that Frank Gehry’s withdrawal is not the cause for the exhibition’s possible demise, as was suggested yesterday in the Los Angeles Times. The real reason, he said: MOCA director Jeffrey Deitch, who halted installation of the show a few weeks ago, claiming that money for the undertaking had run out. Mount, however, says there is plenty of money left in the show’s budget. Read More
Turning NYC Inside Out: JR’s Photo Booth Truck in Times Square
INSIDE OUT NEW YORK CITY IN TIMES SQUARE. (INSTAGRAM/NEWYORKERMAG)
Inside Out New York City
Where: Times Square
When: Through May 10, 2013
The world’s first photo booth was stationed in Times Square nearly a century ago. Now, New Yorkers and visitors are invited back to snap some black and white self-portraits in a photo booth truck hosted by Inside Out’s French street artist JR. The artist has launched Inside Out New York City, taking place from April 22 to May 10, 2013, to provide community members the opportunity to make a statement and participate in creating works of art out of messages of individual identity. The digitally uploaded photographs are printed as posters and displayed on Duffy Square or publicly in the subjects’ home communities.
3D Printing Helps Visualize Harmony In New Ways
The Harmonic Series (Courtesy The Harmonic Series)
In the 1800s, a French mathematician named Jules Lissajous began using parametric equations, beams of light, mirrors, and vibrating tuning forks to investigate harmonic motion creating what is known as the Lissajous curve. More than a century later at NYU’s Interactive Telecommunications Program, students Manuela Donoso and Luisa Pereira began using the Lissajous’ curve to further explore ways to visually represent musical harmony, using 3D printing technology to produce harmonic sculptures. Last fall, the pair also started using speakers, mirrors, and lasers to create devices and software that make prints and sculptures. They call their project The Harmonic Series. But they aren’t the only ones 3D printing music these days. Richard Dahlstrand of Sweden hacked a Lulzbot 3D printer to play and print classical pieces of music.
Orly Genger’s “Red, Yellow and Blue” Adds Bands of Color to Madison Square Park
Installation view of Orly Genger’s Red, Yellow and Blue in Madison Square Park. (The Architect’s Newspaper)
Yesterday, brilliant sunshine, a gentle spring breeze, and 65 degree weather set the scene for the inauguration ceremony of Orly Genger’s remarkable new art installation, titled Red, Yellow and Blue, in Madison Square Park. As you navigate your way through the park you will find yourself surrounded by a fanciful scene, as vibrant undulating walls arch into blossoming trees, spill onto lush lawns, and unfurl all around you.
“Orly Genger has woven her magic throughout the park,” said Mayor Bloomberg, who spoke at the inauguration ceremony. The large-scale project was installed as the latest chapter of Mad. Sq. Art, a public contemporary arts program presented by Madison Square Park Conservancy that aims to revitalize the park as well as the surrounding community. “[Red Yellow and Blue] is both innovative and environmentally sustainable. It is projects like this that are a big part of what gives New York City our identity and attracts visitors to our city,” said Bloomberg.
On View> Sacrilege Stonehenge Inflatable Bounces Into Hong Kong
(Jeremy Deller)
Mobile M+: INFLATION!
Tues – Thurs: 12pm to 7pm
Fri – Sun: 11am to 8pm
During Art Basel Hong Kong: May 23 to 26, 10am to 8pm
Venue: West Kowloon Cultural District Promenade
The basic bouncy-house concept has officially been brought to an entirely new level. Turner Prize-winning British artist Jeremy Deller created Sacrilege, an interactive work on which visitors may bounce to their hearts’ content. As a co-commission between the Glasgow International Festival of Visual Art and the Mayor of London, the work is a full-size inflatable replica of the world-famous monument Stonehenge. Sacrilege initially appeared in Glasgow to tour as part of the London 2012 Festival and was unveiled last week at Hong Kong’s Mobile M+: Inflation!.
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