A proposal to turn the old Riverside-Figueroa Bridge into a High Line–style park appears to be dead after a Los Angeles County Superior Court judge declined to issue a temporary restraining order to demolition crews. Introduced by RAC Design Build and EnrichLA last fall, the Figueroa Landbridge would have preserved part of the 1939 bridge for use by pedestrians and cyclists while the replacement span for vehicular traffic was built upstream. Read More
It is well-known that Frank Lloyd Wright was an automobile enthusiast, both foreseeing the prominence that this form of personal mobility would occupy in American life and, indeed, laying much of the foundation of how architecture might be designed for and around the car. Less-known is the fact that in 1927 he designed a gas station for Buffalo, New York, which was never built—or never until very recently.
On June 26, London’s Serpentine Gallery opened its 14th annual Serpentine Pavilion in Kensington Gardens. Designed by Chilean architect Smiljan Radic, the pavilion is made up of an organically formed semi-transparent fiberglass shell structure perched atop giant boulders sourced from a local quarry. Over the next four months, visitors will be encouraged to interact with the 1,700-square-foot installation, which is occupied by a cafe and multi-purpose event space.
Inside the Palace of Fine Arts: Cosmopolitanism at the 1904 World’s Fair
Kemper Art Museum, Washington University
1 Brookings Drive, St. Louis, MO
Through August 3
As part of STL250, a region-wide celebration of the 250th anniversary of the founding of St. Louis, the Kemper Art Museum at Washington University presents Inside the Palace of Fine Arts: Cosmopolitanism at the 1904 World’s Fair. This exhibition brings together a selection of artworks from the Museum’s permanent collection that were on view at the 1904 Louisiana Purchase Exposition, along with related works, to explore the role of the World’s Fair in relation to local aspirations to turn the city into an international cultural center. The show features such artists as Jean Charles Cazin, Frederic Edwin Church, Charles François Daubigny, Narcisse Virgile Diaz de la Peña, and Jozef Israëls.
Two of the most talked about new technologies in our world today—3D printing and unmanned drones—are beginning to merge. A good example: Mobile 3D Printing, a research project in Gensler’s Los Angeles office attempting to create an Unmanned Aerial Vehicle (UAV) fully capable of digital fabrication—freeing the technology from the constraints of boxes, robotic arms, and X-Y-Z axes.
Despite coming in 3rd place in a design competition for a new Iraqi parliament center, Iraqi-British architect Zaha Hadid signed a deal last month with the Iraqi embassy to design a new parliament complex in Baghdad. According to Building Design, London firm Assemblage has confirmed they received the prize money of $250,000 for coming in first place, but will lose out on the billion dollar commission. Hadid was recently in Iraq to officially sign a contract for the project.
Among the AEC industry’s most powerful tools are digital technologies, from parametric modeler software to environmental analysis programs. Neil Thelen (Diller Scofidio + Renfro), Gordon Gill (Adrian Smith + Gordon Gill Architecture), Edward Peck (Thornton Tomasetti), and Doris Sung (dO/Su Studio) took time out from April’s facades+ NYC conference to talk to our partners at Enclos about how technology is shaping the future of envelope design.
At next month’s facades+ Chicago conference, a series of tech workshops will offer hands-on instruction in topics including facade panelization and optimization and collaborative design and analysis. For more information or to register, visit the conference website.
Are you heading to the AIA Convention? Come visit The Architect’s Newspaper at booth 4940. Meet executive editor Alan G. Brake and Midwest editor Chris Bentley from 10:30 a.m. to 12:30 p.m. on Thursday and Friday. Relax in design classics provided by Carl Hansen & Son. Recharge your phone. Have a coffee or water on us. Network with friends and colleagues. Or just wave! See you in Chicago!
ArtPlace America, a non-profit comprised of national and local foundations that provides placemaking grants, has awarded its latest round cash—nearly $15 million to implement projects in 79 communities around the country. This year, 31 percent of grants will go toward projects in rural communities, essentially doubling the amount allocated for similar projects last year.