Tight spaces shouldn’t dictate a sacrifice in style or function, particularly when it comes to outfitting the kitchen. Our round-up of sleek and compact kitchen products below proves good things do come in small packages.
G925 Door in Moka Glass
Small kitchens and baths call for innovative wall surfaces. Porcelanosa’s semi-custom kitchen includes the G-925 (above), a flat surface door finish with the company’s Moka Glass and walnut veneer. The cabinets come in a choice of nine colors and feature integrated handles, which give them a seamless look that can be re-configured to fit any space.
Much has been brewing at Brooklyn Bridge Park (BBP) over the last six months starting with the opening of Pier 5 to the completion of Squibb Park Pedestrian Bridge. And now, according to DUMBO NYC, the Park, along with Michael Van Valkenburgh Associates, recently unveiled plans at a community meeting to overhaul the Main Street section of its 1.3-mile waterfront stretch at the foot of the Manhattan Bridge.
Valerie Hegarty: Alternative Histories
The Brooklyn Museum
200 Eastern Parkway
Valerie Hegarty: Alternative Histories is part of a series at the Brooklyn Museum that asks artists to stage the museum’s Period Rooms with site-specific art. In Hegarty’s work, featured in the Cupola House parlor and the dining room, she explores themes of colonization, Manifest Destiny, and repressed histories. Her display in the Cupola House includes a Native American patterned rug and portraits of George Washington and an anonymous Native American Chief. The rug looks to be tattered with unkempt plants and roots growing over it and the portraits appear to be engaged with one another. In the dining room, 19th-century still-life paintings come to life with fruit overflowing from their frames and being attacked by black three-dimensional crows, referencing Alfred Hitchcock and segregation, among other cultural themes.
While Santiago Calatrava’s soon-to-bo-soaring transportation hub at the World Trade Center is just not starting to rise from the ground, the Port Authority of New York and New Jersey has given us a glimpse of what’s been going on underground, complete with the classic articulated ribs that make Calatrava’s train stations so dynamic. And look at all that marble! Sure beats your standard New York City subway stop. This view is actually part of the east-west connector that will eventually be lined with retail shops.
Frank Gehry, who is currently working on Facebook’s new Silicon Valley campus in Menlo Park, California, will design a new office for the company’s New York-based engineering team at 770 Broadway in Manhattan. The move will nearly double the company’s current workspace.
In a note from Serkan Piantino, Facebook New York’s engineering team site director, the new offices will share many of the same features of Facebook’s California headquarters, but with a twist that is uniquely New York. Approximately 100,000 square feet across two floors will be updated with open, collaborative spaces, conference rooms, cozy and casual work areas, writeable surfaces, and integrated video conferencing equipment. There are also plans to build out a full service kitchen for Facebook employees.
At 770 Broadway, Facebook will join tenants AOL/Huffington Post, Adweek, JCrew, and Structure Tone. The move from their current offices at 335 Madison Avenue is scheduled for early 2014 under a 10-year lease with building owners Vornado Realty Trust.
A. Quincy Jones: Building for Better Living
The Hammer Museum
10899 Wilshire Boulevard
Through September 8
Archibald Quincy Jones (1913–1979) was a Los Angeles–based architect known both for the glamorous homes he designed for actors like Gary Cooper, as well as his dedication to the redevelopment of middle-class housing using effective, innovative, and sustainable building methods during the 1950s and 60s. His 5,000 built projects were centered on the premise of “better living” and “greenbelt planning.” He experimented with materials like plywood, steel, and masonry block construction and intentionally built in locations where his buildings would have access to natural light, air, ventilation, and views. This exhibition is presented as a part of Pacific Standard Time Presents: Modern Architecture in L.A. The documentation on view—including original architectural drawings taken from the architect’s personal and professional archive, a case study house model, and vintage photographs—highlights a variety of Jones’s projects, including community developments, churches, libraries, restaurants, residential homes, work spaces, and schools.
The Graham Foundation for Advanced Studies in the Fine Arts announced the recipients of their 2013 Grants to Individuals Friday. Half of the 60 international grantees were present for the awards ceremony in Chicago May 29, and were congratulated by Stanley Tigerman, a former recipient himself.
[ Editor's Note: Peter Murray, of the New London Architecture center, together with a dozen architects and planners, is biking from Portland, Oregon to Portland Place in London, studying how cities are responding to the demand for better cycling infrastructure. He reports from the start of his ride. The Architect’s Newspaper is USA media sponsor of the trip and will post periodic updates of these architects on bicycles. ]
We liked Minneapolis—it ended our sojourn in the wilderness of South Dakota, we saw some nice things, met a lot of cool people and the biking there is great!
On our journey plan we had highlighted the fact that the city was host to a bevy of starchitects—Herzog and de Meuron with the 2005 Walker Art Gallery extension, Jean Nouvel with the Guthrie Theater of 2006, and Frank Gehry at the Weisman Museum which opened in 2011.
In May, Ronald O. Perelman, Chairman and CEO of MacAndrews & Forbes Holdings and a member of the School’s Board of Overseers, pledged a milestone donation of $100 million to Columbia Business School, which could help jumpstart the construction of two new facilities to be built on Columbia’s Manhattanville campus. Designed by Diller Scofidio + Renfro, the structures will incorporate zig-zag cutaway facades akin to the design seen in Columbia’s Washington Heights medial center plans, also by the firm.
The rumor-mill has been churning non-stop over LACMA director Michael Govan’s and architect Peter Zumthor’s plans for the museum. Basically it looks like they are planning to take LACMA apart and start over; an effort that failed when attempted by Rem Koolhaas and OMA back in the early 2000s. The full scope of the plans will be unveiled in June, with LACMA’s exhibition The Presence of the Past: Peter Zumthor Reconsiders LACMA. But for now we’ve gleaned that under Zumthor’s plan, not only would there be a new indoor/outdoor art park, but four of the museum’s midcentury structures would be replaced by “curvaceous modern glass structures.” That basically includes everything but the Bruce Goff pavilion and Renzo Piano’s new structures. Let’s see if the second time’s the charm.