Museum of Contemporary Art Detroit
4454 Woodward Avenue
Before his passing at the young age of 57, Los-Angeles based artist Mike Kelley created an exact duplicate of his childhood home in the Westland area of Detroit, on-wheels. The artist intended to use the mobile-home as a community center, it’s rooms dedicated to hosting local events and providing community services and education programs, save for the two-story basement, which he would close to the public and use as his private underground studio. Kelley was never able to use his studio. He tragically committed suicide before he could ever see his vision come to life, but his artistic legacy lives on. The mobile home, which provides a solid example of the architecture of working-class neighborhoods in the American Midwest, was wheeled to The Museum of Contemporary Art Detroit where it has been transformed into a center for community programs, just as Kelley intended.
The World Trade Center Transportation Hub by Santiago Calatrava is the architect tells us “the image of a bird in flight.” Yesterday we took a look at the interior retail corridor that will connect with the soaring transit hub oculus, but the structure has now just appeared above the scaffolding surrounding the entire Trade Center site and its looks nothing like a soaring bird but the bare bones of a beached carcass. It can only get better!
On May 30, Schmidt Hammer Lassen Architects, the East China Architecture and Design Institute (ECADI), and the Shanghai Expo Construction Development Company announced the start of construction for a new 164,000-square-foot mixed-use development on the 2010 Shanghai Expo site. The project, known as Green Valley, will transform the former industrial dockyard into a commercial district of shops, restaurants, and offices. The design features two main buildings positioned on either side of a central courtyard. Each incorporates hanging gardens in glass-enclosed atria that will be visible from the street.
The Urban Land Institute (ULI) has announced five finalists for the Urban Open Space Award, a competition identifying exceptional examples of flourishing public open spaces that have encouraged economic and social rejuvenation within their neighborhoods. To qualify for the competition, projects must have been open to the public for a minimum of one year and a maximum of fifteen years. The open spaces must also be situated predominately outside, offer ample and diverse seating, sun and shade, and plantings, among other specific requirements.
Tight spaces shouldn’t dictate a sacrifice in style or function, particularly when it comes to outfitting the kitchen. Our round-up of sleek and compact kitchen products below proves good things do come in small packages.
G925 Door in Moka Glass
Small kitchens and baths call for innovative wall surfaces. Porcelanosa’s semi-custom kitchen includes the G-925 (above), a flat surface door finish with the company’s Moka Glass and walnut veneer. The cabinets come in a choice of nine colors and feature integrated handles, which give them a seamless look that can be re-configured to fit any space.
Much has been brewing at Brooklyn Bridge Park (BBP) over the last six months starting with the opening of Pier 5 to the completion of Squibb Park Pedestrian Bridge. And now, according to DUMBO NYC, the Park, along with Michael Van Valkenburgh Associates, recently unveiled plans at a community meeting to overhaul the Main Street section of its 1.3-mile waterfront stretch at the foot of the Manhattan Bridge.
Valerie Hegarty: Alternative Histories
The Brooklyn Museum
200 Eastern Parkway
Valerie Hegarty: Alternative Histories is part of a series at the Brooklyn Museum that asks artists to stage the museum’s Period Rooms with site-specific art. In Hegarty’s work, featured in the Cupola House parlor and the dining room, she explores themes of colonization, Manifest Destiny, and repressed histories. Her display in the Cupola House includes a Native American patterned rug and portraits of George Washington and an anonymous Native American Chief. The rug looks to be tattered with unkempt plants and roots growing over it and the portraits appear to be engaged with one another. In the dining room, 19th-century still-life paintings come to life with fruit overflowing from their frames and being attacked by black three-dimensional crows, referencing Alfred Hitchcock and segregation, among other cultural themes.
While Santiago Calatrava’s soon-to-bo-soaring transportation hub at the World Trade Center is just not starting to rise from the ground, the Port Authority of New York and New Jersey has given us a glimpse of what’s been going on underground, complete with the classic articulated ribs that make Calatrava’s train stations so dynamic. And look at all that marble! Sure beats your standard New York City subway stop. This view is actually part of the east-west connector that will eventually be lined with retail shops.
Frank Gehry, who is currently working on Facebook’s new Silicon Valley campus in Menlo Park, California, will design a new office for the company’s New York-based engineering team at 770 Broadway in Manhattan. The move will nearly double the company’s current workspace.
In a note from Serkan Piantino, Facebook New York’s engineering team site director, the new offices will share many of the same features of Facebook’s California headquarters, but with a twist that is uniquely New York. Approximately 100,000 square feet across two floors will be updated with open, collaborative spaces, conference rooms, cozy and casual work areas, writeable surfaces, and integrated video conferencing equipment. There are also plans to build out a full service kitchen for Facebook employees.
At 770 Broadway, Facebook will join tenants AOL/Huffington Post, Adweek, JCrew, and Structure Tone. The move from their current offices at 335 Madison Avenue is scheduled for early 2014 under a 10-year lease with building owners Vornado Realty Trust.