Wiels Arets Architects recently won a competition to design the “Europaallee site D” building in Zurich. The building is a pivotal component in the emerging mixed use district of “Europaallee,” a major infrastructure project which will incorporate 6,000 workplaces, 1,800 study spaces, 400 flats, one hotel, shops, restaurants, and other leisure activities. The winning entry accommodates retail activities and circulation spaces on the lower floors, while the upper volumes contain flexible office space. The building has been designed with scope for a residential component in the future.
Marina Abramović owes 4,765 hugs to the supporters of her successfully funded $600,000 Kickstarter. Last month, the artist launched the online campaign to fund her own Marina Abramović Institute (MAI) in upstate New York, a performance center conceptualized as a laboratory that will be dedicated to the practice of long-durational performance art and the “Marina Abramović Method.” Project donations ranged from $1 to $10,000 and all donors are invited to receive a personal hug from the artist in a future performance event called “The Embrace.” With help from social media, celebrity interest, and a few encouragements from Abramović herself, the center surpassed its goal by more than $60,000 before the end of its month-long funding period this past Sunday.
Earlier this week, Manhattan Borough President and City Controller candidate Scott Stringer announced his $1 million pledge to restore a historic Harlem fire watchtower at the heart of Marcus Garvey Park. In the 19th century, the 47-foot tower served as a lookout point and the bell was raised in case of imminent danger. Today, the tower no longer protects the community but threatens it, showing substantial signs of decay and neglect.
Running a tight race against Eliot Spitzer, Stringer lags behind the former governor in terms of African American votes and is thus seeking to salvage one of the community’s most valued landmarks. The past few days, he has generated good publicity from his ability and desire to fund this restoration project.The $1 million provided by Stringer, along with the $1.75 million contributed by Councilmember Inez Dickens and $1.25 million by Mayor Bloomberg will be used to preserve the tower. The project includes a full restoration of the tower’s cast-iron structure, the removal of deficient parts, and the additional construction of a stainless steel support system.
This year marks the 50th anniversary of the construction of the Carpenter Center for the Visual Arts. Completed in 1963, it is Le Corbusier’s only major building in the United States, and one of his final commissions before his death in 1965. The renowned modernist architect envisaged a “synthesis of the arts,” the union of architecture with sculpture, painting, and other arts. In the spirit of Corbusier’s unique style, the building stands out among the more traditional architectural prototypes of the Harvard campus. This is evident right from his initial concept sketch of the building, where Corbusier utilized bold colors to denote the new building, while shading the surrounding Harvard campus in dark brown—a color not typically part of his visual palette.
[ Editor's Note: The following is a reader-submitted comment from the AN Blog in response to the post, “Gehry Lets Loose on Los Angeles, Downtown Ambitions,” which cites an interview Frank Gehry did with Los Angeles Magazine. It appeared as a letter to the editor in a recent print edition, AN07_08.14.2013. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ]
The only thing that makes Los Angeles unique is that so much of it was built during the auto era (albeit on an infrastructural framework established during the interurban rail era). Different parts of Los Angeles were developed in a manner that was identical to how other cities across North America were being developed at the same time. The same succession of transportation, construction, and development technologies created a downtown in Los Angeles that is nearly indistinguishable from portions of San Francisco, Chicago, and Manhattan.
Finally. Los Angeles’ City Council on Wednesday passed a new mural ordinance, legalizing murals on private buildings after a decade of banning them. Of course would-be public artists still have to go through an extensive permitting process, and pay a$60 fee, but if they’re persistent they can finally go crazy. That is, as long as their murals don’t contain commercial messages.
“It’s a big victory and we’re thrilled,” said Isabel Rojas-Williams, executive director of the Mural Conservancy of Los Angeles. The group has been protecting the city’s murals and muralists since 1987. “Despite the recent restrictions, the city has remained one of the country’s mural capitals.”
Don’t believe us? Behold a selection below of our favorite (finally-sanctioned) murals from around the City of Angels, courtesy of the Mural Conservancy. They range from political to historical to street art / graffiti, to, well…the undefinable. Read More
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Students use parametric design to fashion a porous architectural screen that draws from contemporary marble sculpture.
In the third edition of Mark Foster Gage’s Disheveled Geometries seminar at the Yale School of Architecture, students Mary Burr and Katie Stranix began their exploration of extreme surface textures with marble. Inspired by the sculptural work of Tara Donovan and Elizabeth Turk, the student duo set out to design a delicate yet porous screen that transformed a two dimensional panel into a rhythmic and dynamic 3D structure.
According to Stranix, the first design emerged as an aggregation of several different parts and wasn’t intended for parametric processes. “We wanted to maintain delicacy in our design but add porosity,” she told AN, referencing Herzog & de Meuron’s ground level screen at 40 Bond Street in Manhattan. Working in Maya, the students added elliptical apertures in varying diameters to transform the two-dimensional form in a wavy, 3D screen that departed significantly from a standard panel format. Read More
On Tuesday, Los Angeles County’s Board of Supervisors voted to approve Disney’s huge new TV and film production facility on the Golden Oak Ranch near Santa Clarita. The project is being master planned by LA-based firm, Johnson Fain, and the 58-acre “Studios at the Ranch” will include more than 500,000 square feet of studios, sound stages, offices, writers and producers “bungalows” and other developments.
To launch the forthcoming Southwest edition of the Architect’s Newspaper, and to kick-off YKK AP‘s expansion into the region, AN and YKK AP have teamed up to host Reimagine The Astrodome, an Astrodome Reuse Design Ideas Competition. The competition is open to anyone who wishes to participate, whether it be professional architects and engineers or students and artists. Registration opened yesterday afternoon and will close on September 17. Entrants who register by September 6 will get $10 off the registration fee, which is $50 for professionals and $20 for students. The top five proposals, which will be selected by a jury of prominent architects and educators in Houston on October 4, will receive cash prizes and be published in the first issue of AN Southwest, cover date November 6, which will be distributed at the Texas Society of Architect’s 2013 design expo and convention in Fort Worth. Register today!
Earlier this year, AN assembled a list of the most prominent projects rising in Miami. One of the developments, the Herzog & de Meuron–designed Pérez Art Museum (PAMM, formerly the Miami Art Museum), is nearing completion and is scheduled to open to the public by the end of the year. At The Architects Forum Glass+Performance on September 11th in Atlanta, key participants, including Peter Arbour of seele, Vinu Abraham of Architectural Testing, and Emil Hoogendoorn of John Moriarty & Associates will present on the ambitious design and construction process of the Miami Art Museum facade, calling the endeavor The Biggest Glass in Miami Dade County.
While pathways and parks are springing up near the Los Angeles River, plans to redevelop and green the concrete stretch still need the support of the Army Corps of Engineers and the federal government. In the meantime, students from landscape architecture firm SWA’s Summer Student Program have developed these mind bending proposals for the concrete expanse. Most not only remove the concrete, which was put in place in the 1930s, but provide walkable spaces, take down walls and other barriers, and add housing and additional program.
OMA has been selected to design the Bogotá Centro Administrativo Nacional (CAN) new civic center, situated at the heart of the city’s main axis, Calle 26. Steered by partner-in-charge Shohei Shigematsu, the 680-acre mixed-use design occupies a footprint as large as Washington, D.C.’s National Mall and will operate as the city’s government headquarters with intermixed residential, educational, retail, and cultural developments, all which encourage continuous activity within separate districts. The design intends to integrate civic and public life while connecting to local destinations.