Los Angeles has for years been working to change its fire code to allow for skyscrapers without boring flat tops. It looks like there’s been a breakthrough. LA Councilman Jose Huizar recently announced that his office and the LA Fire Department have issued “Policy No. 10,” a step to reform the department’s decades-old policy calling for flat rooflines for helicopter rescue.
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Austin’s Circuit of the Americas gets an iconic observation tower using 350 tons of steel.
The Circuit of the Americas (COTA) in Austin, Texas, will host the United States Grand Prix from 2012 to 2021. While German Formula 1 specialist Hermann Tilke designed the racecourse and technical facilities, COTA’s owners hired local firm Miró Rivera Architects to turn out a main grandstand and amenities for the 9,000 fans expected to attend the races. In addition to imbuing the project with a variety of programmatic functions that go beyond racing, Miró Rivera created a sleek observation tower that gives spectators unrestricted views across the racetrack’s twisting expanse.
“Our idea for the tower was to be able to go way up and see the track from one focal point in a structure that was an iconographic symbol for the track,” said Miguel Rivera, founder and principal of the architecture firm. “Our inspiration came from Formula 1 cars, where speed and efficiency are so important.” Just like the track’s feature attractions, the tower’s design didn’t feature any excesses. Structural engineers at Walter P Moore helped ensure every piece of steel did some kind of work so the tower was as efficient as possible. Read More
The recently concluded Lisbon Triennale announced that it has selected Kenneth Frampton to receive its Lifetime Achievement Award for 2013. The award has previously been given to Vittorio Gregotti (2007) and Álvaro Siza Vieira (2010). This third Lisbon exhibition, Close, Closer, was dynamically curated and presented by Beatrice Galilee and is in some ways unimaginable without the critical thinking and architectural activism of someone like Frampton. It is also exciting to see someone so critical to architecture culture who is not primarily a builder be given an international award. He is the author of Modern Architecture and the Critical Present (1980), Studies in Tectonic Culture (1995), American Masterworks (1995), Le Corbusier (2001), Labour, Work & Architecture (2005), and an updated fourth edition of Modern Architecture: A Critical History (2007).
A Christmas tree ornament designed by Zaha Hadid currently on display in London restaurant aqua shard will be auctioned off for charity at the end of the year. The object hangs amongst 19 other ornaments designed by the “celebrity friends” of Matthew Williamson, a British fashion designer responsible for curating the tree. The proceeds generated by the subsequent sale of the items will go towards British charity Kids Company.
Now that we’re well into this winter’s snow season in New York and elsewhere, Chicago-based designers Natalya Egon and Noel Turgeon offer up some inspiration for alternative means of dealing with the wintery accumulation. The duo calls for an approach to snow clearance more deliberate in nature than the hastily-formed soot-grey masses so often seen lining city streets. Their Second Hinterlands project advocates reshaping snow over outright removal, treating the snow as a material that can be used in the creation of interactive landscapes within designated urban areas.
Fans of John Johansen‘s legendary Mummers Theater in Oklahoma City have yet another reason to shake their heads in amazement. Not only is the idiosyncratic modern masterpiece set for a date with the wrecking ball, there is now a proposal for the building that may replace it.
Kestrel Investments has filed an application with the Oklahoma City Planning Department to demolish Mummers—now known as Stage Center—and put in its place a 14- to 16-story tower that would become the headquarters of OGE Energy Corp. Designed by local architectural practice ADG, the $100 million proposal master plan also includes a second tower of eight-to-12 stories that would be developed separately.
Fourth and fifth-year landscape architecture students at Penn State’s College of Art and Architecture recently presented their proposals for reshaping a Pittsburgh neighborhood. The twelve participants in the school’s Pittsburgh Studio spent most of the semester focusing on Hazelwood, a neighborhood set to host a new site for a historic branch of the city’s Carnegie Library.
Fernand Léger is famous for his colorful paintings, many of which feature machine-like forms. He was also at the center of Paris’ avant-garde in the 1920s, not only in painting, but also in graphics, set and costume design, film-making, and architecture.
That is the thesis of Anna Vallye, curator of this fall’s major exhibition at the Philadelphia Museum of Art, Léger: Modern Art and the Metropolis, inspired by the museum’s Léger masterpiece, the monumental 1919 painting, “The City.”