As we’ve noted before, sculptor Cliff Garten is one of the lucky artists who gets to remake the urban landscape. His latest work is the Baldwin Hills Gateway, a 150-foot-long bridge that marks the entry into the Baldwin Hills Parklands, part of the sprawling Kenneth Han State Recreation Area. The eight-foot-high rail, made of water jet cut and rolled anodized aluminum, is perforated by a rippling pattern inspired by the artist’s survey of the entire park, creating interesting patterns of light and shadow on the bridge’s surface. The project, funded by a grant from the Baldwin Hills Conservancy to the Los Angeles Neighborhood Initiative, just opened last week.
Reimagining traditional Chinese gardens with parametric geometry
For MoCA Shanghai’s exhibition MoCA Mock-ups: The Architecture of Spatial Art, USC American Academy of China (AAC) Summer Studio 2012 spent six weeks designing, fabricating and constructing “Minimal Relaxation,” a parametric canopy and undulating, LED-lit landscape that creates prime skyline viewing locations on the museum’s rooftop terrace. Inspired by Frei Otto, an architect and structural engineer famous for his complex canopy structures, “Minimal Relaxation” extends his body of design research into physical and digital form-finding processes for minimal surface structure through “dynamic relaxation techniques.”
Architect Richard Meier is stamping downtown Tel Aviv with another luxury landmark, “Meier on Rothschild,” a mix-use residential, commercial and office complex towering 39-stories over Tel Aviv’s White City. Located on Rothschild Boulevard, the tower is Meier’s modern take on Bauhaus architecture that characterizes the city, where two- and three-story buildings defined by minimalist and functional architecture and marked by smooth white curved exteriors are common.
Las Vegas’ most interesting cultural attraction is not on The Strip. It’s the Neon Museum, which finally opened its new visitors center last weekend inside the lobby of the former La Concha Motel, a Googie masterpiece designed by Paul Williams. The Downtown Vegas museum, which opened in 1996, includes a boneyard containing over 150 neon signs from hotels, motels, roadside attractions, and businesses, dating back to the 1930s. Some of our favorites include the Atomic Age Stardust Hotel sign and a freestanding sign of a man known as the “Mullet Man.” The museum has also installed some of its signs along Las Vegas Boulevard and on Fremont Street. More pix from the boneyard below. Read More
The sun has set on the east coast and trick-or-treaters are beginning to fill the streets, but keep your eyes peeled for starchitects lurking in the shadows. Building Satire has imagined five of our favorite international stars as vampires, witches, mimes, scary clowns, and Frankenstein. Spooky! But what starchitect could pull off a pirate or headless horseman? Share your suggestions in the comments. [Via Curbed.]
Yesterday, AN got a first hand look at the Space Shuttle Endeavor resting inside its new home, the 18,000 square foot Samuel Oschin Pavilion at LA’s California Science Center. The verdict: go see it. No piece of architecture in recent memory has been as breathtaking as the shuttle.
Friday marked Designight 2012—AIA Chicago’s annual awards gala—which brought nearly 1,000 members of the area’s design community together at Navy Pier to recognize 39 projects in four awards categories: Distinguished Building, Interior Architecture, Divine Detail, and Sustainability Leadership.
John Ronan’s Poetry Foundation; Perkins+Will’s Universidade Agostinho Neto in Luanda, Angola; Sheehan Partners’ Facebook Data Center in Prineville, Ore.; and David Woodhouse Architects’ Richard J. Daley Library IDEA Commons in Chicago (featured in the October Midwest issue of AN Midwest) were among the repeat winners of the night.
Helmut Jahn accepted a lifetime achievement award, calling on the designers present to imagine a better future and then “make that future happen.” On behalf of his firm, Jahn also formally adopted the changes reported earlier—a new name, JAHN, and the ascension of Francisco Gonzalez-Pulido to share design leadership with Jahn.
Amid the chaos following Hurricane Sandy, including the blackout and closure of The Architect’s Newspaper offices in Lower Manhattan, we were shocked and saddened to hear about the passing of the visionary architect and educator Lebbeus Woods. Known as one of the most provocative thinkers in architecture, Woods was also unrivaled in his generation as a producer of architectural images, especially his darkly rendered drawings.
A long time professor at the Cooper Union, Woods’ work extended well beyond the academy, inspiring other architects and even Hollywood (he sued the makers of 12 Monkeys for stealing his ideas and won, and he consulted on the opening sequence of Alien 3). The winner of a Chrysler Design Award, his drawings are included in the collections of numerous museums, including MoMA. A full obituary by Sir Peter Cook will follow in an upcoming edition of AN.