Taking the podium at Pier 6 in Brooklyn Bridge Park, New York City Representative Nydia M. Velázquez introduced new legislation, called the “Waterfront of Tomorrow Act,” to protect and fortify New York City’s 538-miles of coastline. The bill would instruct the Army Corps of Engineers to come up with an in-depth plan to stimulate economic growth and job creation, update the ports, and implement flood protection measures. Sandwiched between Red Hook Container Terminal and One Brooklyn Bridge Park, a large residential development, the pier was an appropriate place for the Congresswoman to announce legislation that addresses the city’s needs to bolster its shipping industry while also taking steps to mitigate flooding and ensure the resiliency and sustainability of its residential neighborhoods, parkland, and businesses.
The Northeast Ohio Sustainable Communities Consortium is striking back against a wide-ranging problem that has scarred few regions more than this corner of the Midwest: sprawl.
The non-profit is a collaboration between city, county, and regional government entities, as well as private foundations and academic institutions. It is funded by a $4.25 million grant from the federal Department of Housing and Urban Development, along with $2.4 million in local matching funds.
Writer Anne Taylor Fleming recently interviewed Frank Gehry for Los Angeles Magazine, getting a glimpse into what the architect thinks about Los Angeles and the meaning of his work there. Gehry tells Fleming about some of the missed planning and architectural opportunities that continue to challenge the city, including the push to make a bona fide downtown, which he believes stems from clinging to old ideas about what a city should be.
Barry Bergdoll is stepping down as Philip Johnson Chief Curator of Architecture and Design at the Museum of Modern Art, a position he has held since 2007. He will return to teaching at Columbia University and will take up an endowed chair in the Department of Art History and Archaeology. He will stay on part-time at MoMA to continue working on a major exhibition on Latin American architecture currently scheduled for 2015. He will also advise on the use and development of the Frank Lloyd Wright archive, which is jointly owned by Columbia and MoMA.
While at the Modern, Bergdoll has curated a wide variety of shows, addressing topics ranging from prefabricated housing to the Bauhaus to rising sea levels. His recent exhibitions have included a widely praised show on the french architect Henri LaBrouste, and Le Courbusier: An Atlas of Modern Landscapes (co-curated with Jean-Louis Cohen), which is currently on view.
Bergdoll’s tenure as chair has been marked both by a deepening of the historical and scholarly quality of the exhibitions and programming as well as greater engagement with social issues, such as affordable housing and climate change. In an email to AN, Bergdoll wrote, “I look forward to…continuing to be associated not only with the world’s oldest curatorial department of architecture and design, but I think its most vibrant and finest.”
MoMA will begin a search for his successor at the end of August.
An aging water tank plummeted nine stories from a Chicago building Wednesday, releasing “a tidal wave” of water and debris, one witness said, that injured three people and poured water into a nearby day care center. Of the three victims taken to the hospital one was critically injured, the Sun-Times reported, when the wooden tower, 8 feet across and 12 feet high, fell from the top of 2800 N. Pine Grove Ave.
The City of Austin Parks and Recreation Department recently hosted a competition (ended July 12) to attract concepts for the adaptive reuse of the Seaholm Intake Facility, the pump house of the decommissioned Seaholm Power Plant (the turbine hall of which is undergoing another adaptive reuse project). The Seaholm complex is located prominently on Lady Bird Lake in downtown, not far from Waller Creek, whose landscape is being redesigned by Michael Van Valkenburgh, and adjacent to the Ann and Roy Butler Hike and Bike Trail.
Some of its buildings, including the intake, are solid examples of the heroic period of American cast-in-place concrete Art-Deco municipal architecture and stand as civic icons in Austin. Competition entrants were asked to envision a new use for the structure and the surrounding land that would engage park users, the trail, and the water.
Austin Parks received 76 proposals and is displaying its favorite 10 entries at Austin City Hall from now until August 2. The top three will be announced on August 9. The ideas from the top three proposals will “help inspire subsequent design phases of the project,” according to Austin Parks’ website. Following this competition, Austin Parks will release a request for proposals for public-private partnerships with ideas of how to reuse the facility.
In the wake of Hurricane Sandy, architects have been called to arms to both engage in the immediate recovery efforts and to come up with design solutions that will make New York City’s buildings more resilient and sustainable in the long-term. The latest in a flood of new Sandy-inspired design initiatives was launched yesterday by New York Restoration Project (NYRP), dubbed “EDGE/ucation Pavillion Design Competition,” asking a group of hand-picked, up-and-coming architecture firms to create a storm-resistant pavilion in Sherman Creek Park right on the Harlem River.
Twelve years after the Chicago Housing Administration announced its intention to overhaul the 1930s housing projects, the fate of the site remains unclear. Lathrop Community Partners—a team counting among its partners Related Midwest, Studio Gang Architects, Wolff Landscape Associates, Farr Associates, bKL, and Bauer Latoza Studio— revealed a draft master plan [PDF] this month that aimed for compromise between restoration and scaling up.
Originally named for its once thick forests and lush meadows, the former industrial neighborhood of Greenpoint, Brooklyn now has a real shortage of green space. The Brooklyn Paper reported that parkland will only grow scarcer with the pending closure of Sgt. William Dougherty Park, located on the corner of Cherry Street and Vandervoort Avenue, as soon as the state begins its four-year construction project to replace the Kosciuszko Bridge.
Greenpointers have expressed concern about the temporary loss of the park, and Assemblyman Joe Lentol has asked the lawmakers in Albany to allocate a portion of the funding reserved for the bridge construction to building a new park. One local resident has already scouted out a possible location at an empty five-acre parcel on Kingsland Avenue between Greenpoint and Norman avenues.
A woman sits alone and thinks to herself.
A painting converses with a room. The room talks back.
So says Barbara Bloom, whose installation of selections from the Jewish Museum’s collection, create a dialogue with architect C.P.H. Gilbert’s French Renaissance Warburg mansion—the building that houses the museum—real and imagined visitors, and the objects themselves. Architect Ken Saylor, who worked closely with Bloom on the spatialization and design of the exhibition, said, “we tried to ask ourselves ‘What does it mean to inhabit an exhibition?’ where things are simultaneously absent and present, masked and revealed, teased and assaulted, subject and context, museum and house.”
Inspired by the design of the Talmud, the central text of Rabbinic Judaism, where the original text is framed by annotated scholarly debates across generations, the exhibition is entitled As it were…So to speak. That suggests “what you are about to hear … Is not exactly what it appears to be.” The exhibition is a narrative but without beginning, middle, and end, which harmoniously surfs the practices of art, architecture, and design.