Los Angeles architect Arshia Mahmoodi, founder of the firm VOID, has launched an online petition to try to help save the troubled exhibition, A New Sculpturalism: Contemporary Architecture in Southern California at MOCA. The show, scheduled for a June 2nd opening, is currently in a holding pattern, and its curator Christopher Mount told AN he feared it would be cancelled. Mount blames mismanagement at MOCA, while several news reports have pointed to general apprehension about the show, and the recent withdrawal of Frank Gehry. Mahmoodi released the petition—directed to MOCA director Jeffrey Deitch—yesterday.
An 18-foot, bright red “B” plucked from St. Louis’ Anheuser-Busch brewery will find a permanent home in the beer conglomerate’s first U.S. “biergarten.” The “B” is a relic of the neon Budweiser sign replaced by LEDs in February.
Located adjacent to the brewery’s tour center at 12th and Lynch streets, the beer garden joins what is already one of the region’s largest tourist attractions, drawing 350,000 visitors annually. Five of the dozen U.S. breweries are owned by A-B, which itself is a wholly-owned subsidiary of Belgium-based A-B InBev, but the St. Louis location is so far the only one with a beer garden on tap.
A big one hasn’t hit California for a little while, which means it’s the perfect time to enact more stringent retrofit legislation. Just in case, you know… Near the end of last month San Francisco Mayor Ed Lee signed into law the city’s new mandatory soft-story retrofit program, which calls for retrofits to buildings with large openings for storefronts or garages. There are quite a few in the city: 2,800, home to about 58,000 people and 2,000 businesses, according to the Mayor’s office.
Starting Memorial Day, Chicago’s Millennium Park will host the U.S. debut of a bright array of public design projects, many of which appeared at the 2012 Venice Biennale. Spontaneous Interventions: Design Actions for the Common Good will feature 84 works, including more than a dozen for Chicago and several that also appeared in Venice.
What: Tracey Emin’s Roman Standard
Where: Petrosino Square (Spring and Lafayette Streets, NYC)
When: May 10 to September 8, 2013
This summer, Nolita’s Petrosino Square in New York will feature Roman Standard, a thirteen-foot-tall pole with a solitary bronze bird perched at the top. From the ground, the towering sculpture by Tracey Emin, sponsored by Art Production Fund, White Cube, and Lehmann Maupin in collaboration with NYC Parks & Recreation, is so lifelike that onlookers may mistake it for a real bird. According to the artist, the figure is a sign of “hope, faith, and spirituality” that should serve as a source of reflection. The showcase will be on view from May 10 to September 8, 2013.
After nearly two years of intense debate and student protests, Cooper Union has announced that it will end its 155-year tradition of tuition-free education—a hallmark of the prestigious institution. The school’s board of trustees said in a statement that budget-cutting measures could not relieve the $12 million annual deficit it has on its hands. The new policy will cut the full tuition-free scholarship to 50 percent for the undergraduate class beginning in fall 2014. Depending on financial need, a student could pay nothing or up to $20,000. Industrialist Peter Cooper founded the school in 1859 on the premise of providing a first-rate, free education to the working classes.
Los Angeles-based landscape architect and indie filmmaker Evan Mather is crowd-funding his to way to his first feature-length film. After having produced a series of experimental time-lapse videos about the built environment—including 12 minutes to Vegas— he’s launching a Kickstarter campaign to help fund From Sea to Shining Sea, a 105-minute documentary celebrating the diverse American landscape. Moviegoers will be able to cruise the Interstate Highway System from coast to coast through the extensive video collage, which Mather hopes to complete some time next year.
The exhibit, The Vienna Model: Housing for the 21st Century City, currently on view at the Austrian Cultural Forum, is meant to provoke a discussion with housing advocates in this country. The Forum will host weekly tours of the exhibit by a variety of housing experts from various academic and professional fields. This Wednesday, the tour will be led by Srdjan Weiss, a Serbian-born architect and theorist based in New York City, with broad knowledge of the subject of housing in this country and Eastern Europe. The tour will be based on Weiss’ parallel living experience and expertise in housing design from former socialist countries of Eastern Europe and Yugoslavia.