With the current rise of smartphones and tablet technology, it is easy for coin-operated payphones to be cast aside as archaic tools of urban communication, but with over 11,000 functioning payphones dotted across New York City alone, these sidewalk staples have become ubiquitous in the urban landscape. And as was a lesson during Hurricane Sandy and other disasters, the payphone can serve as a reliable back-up when cell phone batteries die.
But can the payphone be updated to thrive in the 21st century? New York City is enlisting designers to rethink the role of payphones in today’s New York City, with Mayor Michael Bloomberg officially announcing the “Reinvent Payphones” competition last week.
Even after it was lopped off in 2009, Jean Nouvel’s Tower Verre, aka the MoMA Tower, still remains one of New York City’s tallest planned residential towers, sited adjacent to MoMA’s headquarters on West 53rd Street. After fights with the neighbors, Nouvel’s tower has been keeping a low profile, but Curbed (via NY YIMBY) has spotted a few new renderings of the tower at Adamson Associates Architects, the architects of record for the project. While the exterior changes are minor, fans of Tod Williams and Billie Tsien’s now empty American Folk Art Museum can breathe a sigh of relief, for now, as the small, bronze-clad structure remains standing in the rendered views. Also of interest are a couple new renderings of the building’s interior spaces.
It’s no secret that China continues on a trajectory of continued urbanization, placing strain on already-overcrowded cities. To help alleviate this congestion, Kohn Pedersen Fox Associates (KPF) has designed a 120 million-square-foot master-planned new city in China’s Hunan Province called Meixi Lake. The new city is centered around a large, 2.4-mile-long lake and will one day be home to some 180,000 residents.
(Editor’s Note: FXFOWLE Architect’s PR head, Karen Bookatz, offers a brief, Instagrammed account of architecture and design highlights at Art Basel Miami Beach 2012.)
Don’t get me wrong: I love art and I love attending art fairs. They provide one a unique opportunity to see what’s fresh and new in the art and design industries—or whatever trade is being rep’d—every few months. For me, however, a booth is a booth is a booth. Art fairs must continue to find new ways of further distinguishing themselves or otherwise run the risk of conventionality.
What Frieze did last May with SO-IL’s tent design (and to a lesser extent, Bade Stageberg and Cox’s environmental design effort for The Armory Show 2012) was a major step in the right direction. Likewise, custom installations and collaborative efforts, while public relations/marketing ventures more than anything else, have proven to be undeniably effective in creating buzz and increasing visibility for the respective firm, artist, or collaborative. (This is why I was personally so adamant about my own firm’s presence—with an architectural installation/lounge project at the Miami Project art fair—at this year’s Basel.)
Edgeless School: Design for Learning
Center for Architecture
536 LaGuardia Place
Through January 19, 2013
Edgeless School investigates how technology is changing education and how architecture itself is changing as a result. The exhibition takes a look at 19 newly completed schools throughout the country (eight are in New York City and the majority of the rest are in the Pacific Northwest) and sorts them by their degree of “edgelessness.” The Ethical Culture Fieldston Middle School in the Bronx, for example, softens the distinction between the built environment and nature by embracing outdoor space and using a connection with nature as an educational tool. The L.B. Landry High School in New Orleans, LA, on the other hand, blurs conventional distinctions between constituencies by encouraging students, educators, parents, and architects to work together to create a building that is designed to further the school’s pedagogical goals.
Add another medal to Thom Mayne‘s trophy case. Thursday the American Institute of Architects announced that it was awarding him the 2013 AIA Gold Medal. He’ll pick it up at next year’s AIA convention in Denver, becoming the 69th AIA Gold Medalist. The list of works from his firm Morphosis is way too long to include here, but it includes the diamond Ranch High School in Pomona, California; the California Department of Transportation District 7 Headquarters in Los Angeles; and 41 Cooper Square in New York City.
Meanwhile Tod Williams Billie Tsien Architects have been awarded the AIA Firm Award. The architects, who opened the new Barnes Foundation in Philadelphia this year, have also designed (among other heralded work) the former American Folk Art Museum in New York; the C.V. Starr East Asian Library at the University of California, Berkeley; and the David Rubenstein Atrium at Lincoln Center.
The end of the year is nigh, and the season of awards and lists is at hand. In addition to the AIA Chicago awards to be presented tonight, the Chicago Architecture Foundation this week announced their Patron of the Year Awards.
“Good buildings only happen with good clients,” read a statement presented by Williams + Tsien at the ceremony. Great buildings, however, only happen when clients are “unreasonable” in their commitment to good design, the David & Reva Logan Center for the Arts architects said.
Just in time for the holiday season, and perhaps taking its cue from Christmas palette, the color wizards at Pantone have announced the 2013 color of the year. Drum roll please … Emerald, or color code 17-5641 to be exact. If you’re wondering why emerald, and not say, forest green, here’s what Pantone has to say: “Lively. Radiant. Lush… A color of elegance and beauty that enhances our sense of well-being, balance and harmony.”
“The most abundant hue in nature, the human eye sees more green than any other color in the spectrum,” said Leatrice Eiseman, executive director of the Pantone Color Institute, in a statement. “As it has throughout history, multifaceted Emerald continues to sparkle and fascinate. Symbolically, Emerald brings a sense of clarity, renewal and rejuvenation, which is so important in today’s complex world. This powerful and universally-appealing tone translates easily to both fashion and home interiors.”
Last year’s Tangerine Tango popped up everywhere, so keep your eyes peeled for Emerald.
Cities matter. In the Midwest recent headlines have read like an urban planning syllabus: post-industrial rebirth attracts a new generation of urbanites downtown, the roll-out of high-speed rail begins to pick up pace, and while innovative solutions to the region’s well-documented problems abound, a lingering fiscal crisis and unfunded pension liabilities threaten to squash even the most attainable aspirations.
Those topics and more made the agenda at University of Illinois Chicago’s annual Urban Forum held Thursday, whose lineup included the mayors of Columbus and Pittsburgh, as well as U.S. Secretary of Transportation Ray LaHood. “Metropolitan Resilience in a Time of Economic Turmoil” was the topic at hand.
Global architecture and design practice Populous, designer of the London 2012 Olympic Stadium, has been selected as architect for a large new stadium in the compact town of Rostov-on-Don, Russia, a city of just over 1 million people about 650 miles south of Moscow. Designed to host the FIFA World Cup in 2018, the stadium is Populous’ fourth design for a sports venue in Russia and will contain an anticipated 45,000 seats under a cloud-like, seemingly-floating canopy. Read More
Last week during the annual American Society of Landscape Architects’ New York Chapter’s President’s Dinner, The Architect’s Newspaper was honored for its continued coverage of landscape architecture. In tandem with the award, AN published our first issue devoted entirely to landscape architecture and urban design, in recognition of the discipline’s expanding civic role.