Following it’s opening in 2009, urban planners all over the world have been keen on acquiring their own versions of New York’s much-lauded High Line. Sydney is the latest city to enter the fray, selecting a 500-meter stretch of abandoned railway as a foundation for the Goods Line, an urban park and public space, replete with bike paths, study pods and outdoor workspaces catering to local students.
FOCUS: Fred Tomaselli
Modern Art Museum of Fort Worth
3200 Darnell Street, Fort Worth
Through March 23, 2014
FOCUS: Fred Tomaselli highlights works created by the artist in the past ten years, including his New York Times collages. Tomaselli is known for his work on wood panels where he combines unorthodox materials that are suspended in a thick layer of clear, epoxy resin. The materials used in these pieces range from field guides to marijuana leaves. In Tomaselli’s hands, they form a hybrid of subjects and cultural references. The artist tries to represent the transcendental and utopian capabilities available within art. His work comments on suburbia in the 1960s and 70s and the quest for escapism. The images that are depicted relate to his California upbringing during those decades. Of his work, Tomaselli said, “It is my ultimate aim to seduce and transport the viewer into the space of these pictures while simultaneously revealing the mechanics of that seduction.”
In a story that’s equal parts Spy Kids and Man On Wire, a New Jersey teenager climbed to the top of World Trade Center on Sunday because… YOLO? The New York Post reported that the 16-year-old climbed through a construction gate a Ground Zero and got into an elevator at the World Trade Center where a friendly (confused?) construction worker took him up 88 flights. He then got out, climbed up the remaining 16 flights, snuck past a sleeping security guard, and hung out for two hours atop the tallest tower in America.
Manhattan has a traffic problem. But, as of now, New York City has only taken marginal steps to fix it. To some, charging tolls on certain bridges and tunnels leading to the island, but not on others is uneven or unfair. To former New York traffic commissioner, “Gridlock” Sam Schwartz, however, it’s “a cockamamie system of charging people that makes absolutely no sense.” And today, Schwartz and Move NY are launching a campaign against that “cockamamie system” as they call for new strategies to ease congestion.
New York City Mayor Bill de Blasio is expected to announce that Mitchell Silver—chief planning and development director in Raleigh, NC—will be New York’s next Parks Commissioner. According to the New York Times, “While Mr. Silver has worked in North Carolina since 2005, he has deep roots in New York. He went to high school in Brooklyn and earned a bachelor’s degree from Pratt Institute and a master’s degree in urban planning from Hunter College.”
Wilson recently served as the president of the American Planning Association, and in the 1980s worked in the New York City Planning Department. With Wilson’s extensive planning experience, he would seem to be a natural fit to lead City Planning rather than parks—and he reportedly was considered for that post before Carl Weisbrod was selected. This has been a much-anticipated announcement, as the Parks Department as been without a head since de Blasio took office nearly three months ago.
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A room-filling parametric design makes its way from the classroom to Austin’s famous music festival.
When Kory Bieg and his students at The University of Texas at Austin School of Architecture began working on Caret 6, they had no idea that it would wind up at this year’s South by Southwest (SXSW) music and arts festival. But the rippling, room-filling installation soon took on a life of its own. Within months, Bieg’s undergraduates—who had little previous exposure to digital design—had designed and fabricated Caret 6, and assembled and disassembled it twice, first at the TEX-FAB SKIN: Digital Assemblies Symposium in February, and then at Austin’s most famous annual gathering in March. Read More
Since 2010, New York–based artists and theorists Gregory Sholette and Olga Kopenkina have invited people around the world to imagine “a past whose future never arrived.” Through their ambitious installation, Imaginary Archive, participants can interact with both real and fictional “printed matter, small objects, artist’s books and self-published narratives” to envision alternative political and cultural histories.