The National Medal of Arts, conferred by the National Endowment for the Arts and presented by the President of the United States, is the highest honor an American artist or arts patron can receive. For twenty-seven years the prestigious award has recognized the importance of the arts and expressed the nations appreciation for the boundless creative expression of America’s artists. This year it was bestowed upon renowned landscape architect, Laurie Olin—most notably known for his 1988 transformation of New York City’s Bryant Park.
Engineering group ARUP and art and design studio Rebar have announced a design for a rainwater-harvesting, solar-powered, portable pop-up spa that receives every watt of energy it requires from the sun. The energy comes from heat exchangers and efficient equipment to heat and power the “healthy hedonist” experience called SOAK. The shipping container-spa conserves resources with thoughtful engineering and provides the core experience of the conventional bathhouse in a microcosm. The project, a prime example of tactical urbanism, joins personal wellness with social vitality while combining the most intelligent form of energy and alternative resources.
In an effort to expand its facilities without depriving residents of a view of the East River, Rockefeller University is proposing a series of changes to its Upper East Side campus.
Founded by John D. Rockefeller in 1901 to promote medical research, the school plans to construct three new buildings. As the university has done in the past, two of those buildings, a one-story conference center and a two-story research building boasting a green roof and rooftop pavilions, would be constructed atop a platform over FDR Drive. Extending approximately four blocks from East 64th Street to East 68th Street, the new platform would join two other Rockefeller buildings straddling the highway, stretching from 62nd Street to 64th Street. The third new building, an athletic center for students, would replace a faculty parking lot in the northwest corner of campus. Read More
With more than 23,000 seats, Rupp is the largest arena designed specifically for basketball in the United States. NBBJ, which will be working in collaboration with Lexington-based EOP, elected renovation over expansion or replacement after studying the 3-year-old arena. Renovation, they concluded, would save the city $215 million in construction costs.
Classically trained sculptors breath new life into four 20-foot angels with the help of Rhino.
When Old Structures Engineering engaged Boston Valley Terra Cotta in the restoration of the 1896 vintage Beaux-Arts building at 150 Nassau Street in New York—one of the city’s original steel frame structures—the four decorative angelic figures, or seraphs, that adorned the corners of the uppermost story were in serious decay. “Up close, they were in an appalling state,” said Andrew Evans, engineering project manager. “The biggest issue we had with the angels was understanding what happened with the originals.”
The seraphs were carved from stone by Spanish immigrant Ferdinand Miranda in 1895 and had suffered years of exposure and improper maintenance. By the time the facade was up for rehabilitation, the angels were haphazardly strapped to the building with steel bands and supported with bricks. Their state was such that repairs would not suffice and Boston Valley’s artisans began the task of recreating the 20-foot-tall Amazonian figures.
World-renowned designer Philippe Starck has earned yet another feather for his cap in a recent collaboration with Riko, a European manufacturer of sustainable wooden buildings. Stemming from a drive to develop industrially manufactured homes that fulfill housing needs across the globe, the pair created P.A.T.H. (Prefabricated Accessible Technological Homes), a line of 34 turnkey homes merging timeless design, advanced technology, functionality, and sustainability. P.A.T.H. can be customized from layout and interior finishes to distinctive facades and roofing.
For 1475 years, the colossal dome and four minarets of the Hagia Sofia have remained the focus of Istanbul’s historic silhouette. That is, until three hulking towers known as the OnaltiDokuz Residences interrupted the scene last summer, sparking another battle over development in the Turkish capital. In late May, the Hurriyet Daily News reported that the city’s 4th Administrative Court ordered the demolition of the skyscrapers, claiming that their construction was illegal because it “negatively affected the world heritage site that the Turkish government was obliged to protect.” To guard against future infractions, this Wednesday the Turkish Parliament passed legislation calling for additional safeguards nationwide to protect historic areas from rapid urbanization.
Los Angeles-based firm Synthesis Design + Architecture (SDA) has won the “Switch to Pure Volvo” competition to design a portable pavilion showing off the Swedish car company’s V60 plug-in electric hybrid. The 13-foot-tall, 16-foot-wide project’s sinuous form is composed of a moiré-patterned, vinyl-coated polyster fabric imbedded with flexible photovoltaic panels tensioned over CNC-bent aluminum rods. The display’s three sections echo the three modes of the car—hybrid, gas, and all-electric—and its curving form is also practical—its torqued compression between frame and skin enables the structure to stand without any extra support.
Miami’s development scene has been heating up in the past year with starchitects lining up for a chance to build in the Magic City. Zaha Hadid has been equally as hot with several irons in the fire since the last series of renderings for her first U.S. skyscraper, the residential One Thousand Museum tower on the city’s waterfront, were unveiled in April. Along with designing a stadium for the 2022 World Cup and the New National Stadium in Japan, she managed to find time to make plans for the already dramatic tower even more extraordinary. New details have recently surfaced on the project’s website about the fanciful sculptural structure, detailing the building’s sky lounge, aquatic center, and curvy-furniture-stocked lobby, not to mention Miami’s first private helipad placed on a residential complex.
In August the Columbus Museum of Art will break ground on the third and final phase of its renovation and expansion project: a new 50,000-square-foot wing that will bring the facility up to par with other major art museums in Ohio.
“In 1931, when we owned 500 pieces of art, we had 10 gallery spaces,” reads a statement on the museum’s website. “Today our collection numbers more than 10,000, yet those same 10 galleries remain.”
Columbus-based architecture firm DesignGroup is heading the $37.6 million project, which also includes renovations to the nearly 40-year-old Ross Wing and lobby area.