Earlier this year, the Washington, D.C. Public Library announced that Martinez+Johnson and Mecanoo had won their competition to design the next phase of the city’s Martin Luther King Jr. Memorial Library. Check out AN‘s coverage of the winning design here. The firm beat out two other finalists to revamp van der Rohe‘s iconic work. Here’s AN’s guide to the competition and the runners-up.
As most AEC professionals know, technology can be either a help or a hindrance when it comes to the design of high-performance building envelopes. Software programs like Grasshopper and Autodesk Vasari offer powerful tools for generating, modeling, and analyzing facades. But there’s a catch. Without a firm grasp of the programs’ capabilities, users can lose data, overlook important features, or otherwise negate the advantages inherent to digital design. Read More
In early April, the ten finalists in the Rebuild By Design competition unveiled their proposals to protect the Tri-state region from the next Sandy. And in the near future, a jury will select a winner—or winners—to receive federal funding to pursue their plans. But before that final announcement is made, AN is taking a closer look at each of the final ten proposals. Here’s how Waggonner and Ball, unabridged and Yale ARCADIS’ team plans to create a more resilient Bridgeport, Connecticut.
With the plethora of contemporary art on view in New York during Armory Arts week, it has been instructive to note the contribution by architects to the design of these temporary exhibition spaces, and the use of interesting architectural spaces. The fairs are often held in structures originally used for other purposes — piers, parking facilities, drill halls — so the task has been to not only carve out space for display, but to move viewers (and buyers) with flexibility and ease and to provide an enticing environment. Fair organizers have turned to young architects for these interior layouts, or have chosen compelling venues.
The MoMA PS 1 jury process that selected the “100 percent organic pavilion Hy-Fi” for its 2014 pavilion may have been a contentious group. The museum announced last month that David Benjamin, the principal of Brooklyn-based firm The Living, would design the temporary structure. But several sources have told Eavesdrop that one of the short listed firms (Collective-LOK, PARA-Project, WOJR, over,under, Fake Industries Architectural Agonism, LAMAS, Pita + Bloom) was in fact told that it—not Benjamin—had won the design competition.
In early April, the ten finalists in the Rebuild By Design competition unveiled their proposals to protect the Tri-state region from the next Sandy. And in the near future, a jury will select a winner—or winners—to receive federal funding to pursue their plans. But before that final announcement is made, AN is taking a closer look at each of the final ten proposals. Here’s how the team led by HR&A/Cooper Robertson plans to bring resiliency to the East Coast from the Rockaways to Red Hook.
On April 11, Los Angeles–based firm B+U will open their latest installation, called Apertures, at SCI-Arc Gallery. The structure, already assembled inside the space, is 16-feet-tall and made up of 233 1/8-inch-thick plastic panels. Its warped shape resembles a natural organ or organism (a heart? a strange alien plant?), and in many ways it acts like one.
The Center for Active Design has announced its first annual Excellence Awards, which recognizes the “role design plays in addressing the ongoing obesity and chronic disease epidemic.” The jury—which included AN’s William Menking—has selected winners out of more than 40 plans for buildings and public spaces that encourage healthy lifestyles. The Center, which was created under Mayor Bloomberg’s Obesity Task Force, will present the awards in New York City on May 19th. For more information on the winners and for tickets to the event, visit the Center’s website.
Apex: Tip Toland
Portland Art Museum
1219 SW Park Avenue
Through May 11
Washington-based artist Tip Toland creates larger than life figures with painfully accurate details that highlight her subjects’ imperfections: wrinkles, sunspots, and other blemishes. Toland’s work has always dealt with figurative subject matter, though her approach has ranged from the surreal to the super-real. This exhibition focuses on the plight of albino children in Africa, many of whom face a never-ending nightmare of bigoted, superstitious persecution at the hand of the communities into which they are born. Deeply rooted in psychology, Toland’s carefully crafted portraits seek to disturb viewers, teasing out their deepest human sympathies only to clobber them with the cudgel of political subtext. The artist has said that her work “softens our hearts to what we are afraid of.” Unflinching in the face of terrible realities, it is certainly provocative.