The Los Angeles Business Journal reports that Jean Nouvel’s 45-story tower in LA’s Century City, 10000 Santa Monica Blvd. (pictured above), has been put on hold. The “Green Blade,” as it had been nicknamed, was to have an extremely thin 50-foot floorplate, permitting north and south glazing for all of its 177 units. Each unit was also to be wrapped outside with plants, resting on projecting podiums.
“We have been unable to obtain assurances of continued funding that would allow us to move forward with confidence at this point in time,” the building’s developer, SunCal, said in a statement.
According to the Journal’s story, vacancy rates have doubled in parts of Los Angeles, Class A office buildings are opening without tenants, and high-profile marquee projects are “being all but abandoned.” Yikes.
The opening yesterday in Father Duffy Square of the new TKTS booth—conceived 35 years before the current trend in pop-up venues—was attended by Mayor Bloomberg, Bernadette Peters, and loyal members of the 69th, if not the naked cowboy. Even the original designers of the red steps, Australians Tai Ropiha and John Choi, were on hand, although organizers were quick to call their competition winning design (best of 683 entries from 31 countries) of January 2000, just a concept.
We’ve followed the slow, sad demise of LA’s Ambassador Hotel until it came down to the final, last-ditch effort to save just the Cocoanut Grove. Of course that didn’t work out either, so look for a story in this month’s issue about the park planned for the space, which will reference the Ambassador’s history through an audio installation. Overall, though, it was an unhappy ending. But there was some solace knowing that, the whole time, Annie Hall was right there sobbing with us. Read More
The socially-reponsible design squad at Artecnica opened their first showroom in Los Angeles last night and designers, architects and artists thronged the simple white storefront in appreciation. Well, and for a glimpse of flower-power designer Tord Boontje during his second-ever visit to LA (even though he’s been working with Artecnica for ages). Gracious hostess Tahmineh Javanbakht greeted guests near the bar, her neck layered with chains, charms, beads and bangles to glamorous effect, while Rose Apodaca presided over a pop-up version of boutique A+R in the back. Read More
The young British designer Max Lamb, the subject of a solo show at Johnson Trading Gallery in Hudson Square that opens today, creates furniture with rugged natural materials—blocks of stone, molten metals, beach sand—and various methods of hand-working. The results reflect a distinctive and surprisingly contemporary sensibility. Read More
We’ve been tracking the AIA Architecture Billings Index ever since it took a dive last spring. But what about the rest of the design industry? Well, the American Society of Landscape Architects released its quarterly survey of member firms, and the numbers are no better than their brick-and-mortar friends.
In fact, the numbers are even worse, with only 16 percent of firms experiencing growth in their billings and 43 percent having stable or rising inquiries. Read More
On September 14, the Farnsworth House was engulfed by the Fox River, sustaining significant damage to its interiors and furnishings. The house, designed by Mies van der Rohe and now a National Trust Historic Site, is reopen for tours through October 29 to benefit the restoration. According to a new blog covering the effort, estimates for repairs are still being tallied.
While restoration work is proceeding, some suggest that the house should be moved to a more secure location.
As the economic crisis continues to reverberate across the globe, everyone is feeling uneasy. Architects are particularly susceptible because the downturn stems from the housing collapse, which has crept into most ever sector of the construction industry.
Few buildings have sparked as much architectural criticism as Two Columbus Circle, the new home of the Museum of Arts and Design (MAD). Brad Cloepfil’s firm Allied Works has designed the new museum, set within the bones of Edward Durrell Stone’s old building. Critical reaction has been split, though the MAD haters seem to outnumber the fans. Read More