Soto: The Houston Penetrable
Museum of Fine Arts, Houston
Through September 1, 2014
The final installation in Jesús Rafael Soto’s Penetrables series—Houston Penetrable—will be on view at The Museum of Fine Arts, Houston, as of May 8. An interactive display of 24,000 PVC tubes, each hand painted and tied, will hang from the second story of the museum’s Cullinan Hall.
This month, Chicago’s Plan Commission approved plans for a new skatepark at the south end of Grant Park. Plans were released last fall, showing curvy paved pathways and sculptural landscape features courtesy of the Chicago Park District and North Center urban design studio Altamanu. Read More
As Brooklyn Bridge Park opens two new piers, a planned green space five miles south continues to sit empty. Work began on Bush Terminals Piers Park in Sunset Park in 2009—just months after Brooklyn Bridge Park got started—but has been behind construction fencing ever since. The park was slated to start opening last fall, but that did not happen. And it’s still not clear when it will.
Massimo Vignelli—the world-renowned graphic designer and creative mind behind one of New York City‘s iconic past subway maps—has passed away at the age of 83. Earlier this month, it was reported that Vignelli was leaving the hospital to spend his final days at home with his family. At that time, Vignelli’s son, Luca, asked all those who were inspired by his father to send him a letter. Those letters quickly came pouring in from designers around the world. AN has compiled a few of these letters below and many more can be found on Twitter under #dearMassimo. Vignelli was truly a giant in the field and he will be missed.
For the past 15 years, the Divine Lorraine Hotel in Philadelphia has been sitting vacant at the corner of Broad and Fairmount. The 10-story building, which opened in 1894 as luxury apartments, was once a towering symbol of wealth. Today, it is a graffiti-covered shell of its former self—but that could soon change. A local developer is finalizing plans to bring the building back to life. Before that happens, AN was allowed inside—and on top of—the Divine Lorraine to see the space in all its tagged and gutted glory.
The Center for Active Design celebrated its first annual Awards Monday night with gathering at the “WeWork” space, The Lounge, on Lafayette Street. The celebration followed the “Fit City 9” conference earlier in the day at the New School.
Founded in 2013, the Center for Active Design (CfAD) continues the work started under the Bloomberg administration to effect change in the built environment that promotes public health. In addition to its work promoting the Active Design Guidelines, the Center this year gave several awards to built projects that exemplify the principles espoused in the guidelines. A jury including the Center board chair (and former DDC Commissioner) David Burney, Signe Neilson (landscape architect and chair of the NYC Public Design Commission), Christine Johnson Curtis (Assistant Commissioner at the NYC Department of Health andf a CfAD board member) and AN‘s editor-in-chief William Menking, selected 4 projects for awards, with two honorable mentions.
The Glasgow School of Art—considered Charles Rennie Mackintosh’s masterwork—has caught fire, and early reports indicate that a large section of the building has been destroyed. Considered a “total work of art,” Mackintosh fused arts and crafts elements with a robust, almost industrial structure, which, in many ways, presaged the development of modernism. Steven Holl Architects recently completed an addition to the building, which AN just reviewed. Holl and design partner Chris McVoy released the following statements.
Eighty-five year old Frank Gehry has been named the laureate of the prestigious Prince of Asturias Award for the Arts for his design for the Guggenheim Bilbao. He beat out thirty-six other candidates to become the sixth architect to win this illustrious honor. Gehry’s titanium design for the Guggenheim opened in 1997 and helped to breath new life into the industrial city. According to the jury, “His buildings are characterized by a virtuoso play of complex shapes, the use of unusual materials, such as titanium, and their technological innovation, which has also had an impact on other arts. An example of this open, playful and organic style of architecture is the Guggenheim Museum in Bilbao, which, in addition to its architectural and aesthetic excellence, has had an enormous economic, social and urban impact on its surroundings as a whole.”
According to the Los Angeles Conservancy, yet another John Lautner building is in imminent danger. This time it’s the architect’s Crippled Children’s Society Rehabilitation Center, now known as the AbilityFirst Paul Weston Work Center, in Woodland Hills. Current owner AbilityFirst and Oakmont Senior Living, the potential buyer, submitted for a demolition and new construction permit in February, hoping to build a new Eldercare facility on the site, and the project was presented at a city Zoning Administration public hearing this week.
The opening of a new pier and beach at Michael Van Valkenburgh’s Brooklyn Bridge Park this week marks the halfway point in the transformation of the celebrated 85-acre site. Local elected officials and community leaders—including Deputy Mayor Alicia Glen and Parks Commissioner Mitchell Silver—appeared on the new Pier 2 to mark the occasion. They used words like “amazing” and “unbelievable” to describe the new six acres of space, but didn’t need much help selling the project.