We’ve just learned thanks to the LA Times and Curbed that LA Community Redevelopment Agency (CRA/LA) CEO Cecilia Estolano is stepping down from her post at the end of this month. Estolano was widely-praised for her aggressive moves to promote affordable housing, turn around struggling neighborhoods, establish a Clean Tech corridor in Downtown LA, and bolster the agency’s funding, even in difficult economic times. We just ran a Q+A with Estolano in our last issue, which can be read here. Estolano is reportedly taking a job with Green For All, an Oakland-based environmental group focused on generating green jobs in underserved neighborhoods. We’re trying to get a follow-up with Estolano now, so stay tuned…
This week, the second World Architecture Festival is taking place in one of the most design-conscious cities in the world: Barcelona. Sadly, the festival is located in the Diagonal Mar district on the city’s waterfront, along with the hotel that WAF sponsor emap provided to jurors (I am here serving on the jury for the festival’s Civic and Community award). At first glance, this entirely new district of the city seems to have more in common with Grand Rapids than the Catalonian capital. I mentioned this to a British colleague, who replied, “Are American cities this nice?” He’s right: We can’t even do modern urbanism better than the Europeans. Read More
Planetizen published an interesting piece over the weekend looking at the relative disconnect between sustainability and starchitecture, or how form may have gotten futuristic of late, but not with the future in mind. The article’s a little plodding at times, though the argument is valid and clear:
Many contemporary buildings embody the age-old conflict between individual expression and the common good, while some appear almost antagonistic towards the environment. Frank Gehry’s aluminum billows and Daniel Libeskind’s tilted spires are largely aesthetic accents that use computer-aided design to create forms unbuildable, if not unimaginable, even a decade ago. The sheer expense of iconic libraries, concert halls, and corporate headquarters contradicts environmentalism’s drive for efficiency.
National Trust for Historic Preservation president Richard Moe announced today that he will retire in the spring of 2010. Moe, 72, is the longest-serving president in the organization’s 60-year history. The legacy of his 17-year tenure will likely be his push to bring historic preservation into the mainstream by revitalizing urban historic districts and promoting the environmental importance of saving aging buildings and structures.
“It has been an enormous privilege to be associated with the National Trust over these years,” Moe said in a statement on the National Trust’s website. “It has been the most fulfilling professional experience I have ever had.” Moe went on to say that his departure will present an opportunity for the Trust to seek a generational change at a time when its financial base and its programming are on solid ground. Read More
Last week, we threw out some ideas for architectural-themed Halloween costumes, including a proposal for a New Museum costume. Well, we’ve been one-, make that twice-upped by this adorable trio, who were spotted Trick-or-Treating in Cobble Hill by a colleague. Marcel Breuer, Frank Lloyd Wright, and SANAA must be so proud.
Granted he’s won the Pritzker Prize and had a string of recent successes, but all the same we were more than surprised to get a forwarded White House press release from Morphosis today touting the appointment of Thom Mayne, one of the industry’s gruffer individuals, to the President’s Committee on the Arts and Humanities. He is the only practicing architect on the list. Created in 1982, the committee, according to its website, brings, well, the arts and humanities into the White House. Headed by the First Lady, activities under the previous administration included an “unprecedented” cultural exchange with China, a “bi-national cultural communique” with Mexico, and the creation of the Coming Up Taller awards to honor school-age artists. Read More