The American Academy of Arts & Letters was formed in 1904 on the model of the French Academy. It operates today as a 250 member honor society, and, since 1955, has had an active yearly architecture awards program.
The Academy has just announced its awards for 2014 with its top award The Arnold W. Brunner Memorial Prize (of $20,000) going to the Italian artist and architect Massimo Scolari for his contribution to architect as art. Scolari had a retrospective of his drawings and models last year at Cooper Union and a pair of his iconic sculptural wings are still visible on Coopers second floor balcony.
The Academy also announced that two Arts & Letters Awards of $7,500 each would go to New York firms Christoff:Finio and Selldorf Architects under the leadership of Annabelle Selldorf for creating work which shows “strong personal direction.”
Finally the Academy gave well deserved awards to Michael Blackwood and Cynthia Davidson for their “exploration of ideas in architecture.”
An unusually vertical Frank Lloyd Wright building in Wisconsin will open its doors to the public for the first time since its construction in 1950. The Research Tower in Racine, Wisconsin has housed SC Johnson for 32 years, anchoring its 153-foot tall mass with a distinctive “taproot” foundation.
Each year eVolo Magazine hosts a competition soliciting new visions for vertical living. This year’s iteration of the nine-year-old Skyscraper Competition received 525 projects from 43 countries. Out of this vast field, three winners were announced with Yong Ju Lee of New York–based firm E/B Office taking first prize for his project Vernacular Versatility.
French designer Maison Edouard François has presented designs for The Gardens of Anfa, a project consisting of three residential towers, a low-rise office building, and several ancillary structures all situated within a large plot of parkland in Morroco. The four largest components of the design are clad in various flowers that pour down curved, irregular facades. The peripheral buildings are rectilinear and appear largely free of the organic attire found on their taller neighbors.
4 West Burton Place
Through April 5
Judy Ledgerwood’s Chromatic Patterns is a site-specific work that transforms the lower galleries of the Graham Foundation’s historic Madlener House in Chicago. The house was designed by Richard E. Schmidt and Hugh M. G. Garden and built in 1901–02. Judy Ledgerwood is a Chicago-based painter and educator. She is the recipient of numerous awards, including The Richard H. Driehaus Foundation Award, an Artadia Award, a Tiffany Award in the Visual Arts, a National Endowment for the Arts Award, and an Illinois Art Council Award. This exhibition surrounds the visitor in vibrant colors with a vibrant floral motif that almost mimics the house’s prairie style ornamentation. This installation examines the effect of paint on architecture, specifically the wall covering’s ability to produce new effects and feelings about a space. In this work, Ledgerwood uses ornamentation to change visitors’ perception of the ornamentation in the Madlener House’s lower galleries, highlighting the divergent ways that pattern, color, ornamentation, and surface have been coded, gendered, repressed, and embraced in art and architecture.
Social media was abuzz recently over the reports by eavesdrop, the WSJ, and other major papers about the biggest recession scab over Chicago: the failed Spire designed by Santiago Calatrava. That Irish pie in the sky developer apparently found someone to bail the project out of its foreclosure. Everyone was all, “It’s back on!” Dear readers, until they start pumping the water out of the big hole in the ground, Eavesdrop is betting against this one.
Elizabeth Duffy & Cheryl Yun: Apartment 2B
dm contemporary NYC
39 East 29th Street, 2nd Floor
Ended March 15, 2014
On the 2nd floor of a luxury 34-story highrise between Madison & Park avenues designed by architect H. Thomas O’Hara is a gallery called dm contemporary NYC. Although the gallery is located in an apartment, it is usually a white-walled exhibition space without the trappings of a domicile, save for the kitchen island. Artists Elizabeth Duffy and Cheryl Yun decided to transform the space back into a domestic environment with a twist for her recent exhibition Apartment 2B.
Following it’s opening in 2009, urban planners all over the world have been keen on acquiring their own versions of New York’s much-lauded High Line. Sydney is the latest city to enter the fray, selecting a 500-meter stretch of abandoned railway as a foundation for the Goods Line, an urban park and public space, replete with bike paths, study pods and outdoor workspaces catering to local students.
FOCUS: Fred Tomaselli
Modern Art Museum of Fort Worth
3200 Darnell Street, Fort Worth
Through March 23, 2014
FOCUS: Fred Tomaselli highlights works created by the artist in the past ten years, including his New York Times collages. Tomaselli is known for his work on wood panels where he combines unorthodox materials that are suspended in a thick layer of clear, epoxy resin. The materials used in these pieces range from field guides to marijuana leaves. In Tomaselli’s hands, they form a hybrid of subjects and cultural references. The artist tries to represent the transcendental and utopian capabilities available within art. His work comments on suburbia in the 1960s and 70s and the quest for escapism. The images that are depicted relate to his California upbringing during those decades. Of his work, Tomaselli said, “It is my ultimate aim to seduce and transport the viewer into the space of these pictures while simultaneously revealing the mechanics of that seduction.”