Reminding us that ski season is upon us, Portland-based architecture and design studio Rhiza A+D on October 3 opened the Entrance Tunnel of the Timberline Lodge on Mt. Hood in Oregon. Its undulating parabolic outer frame is more than a formal exercise – it translates to the interior’s parabolic frame that will carry the load for the eventual 20 feet of snow resting on top of it. The design, made of a dozen waterjet cut, half inch aluminum plate arches, will be constructed every year in October and taken down and stored every May. Read More
On Friday, the Speed Art Museum in Louisville, Kentucky announced the selection of Watertown, MA-based Reed Hilderbrand as the landscape architect for its planned
renovation and expansion, led by LA-based wHY Architecture. The encyclopedic museum sits on the campus of the University of Louisville, and across from a park designed by the Olmsted firm. The museum has put a special emphasis the landscape strategy of the project, which they hope will help open up the museum to the campus and the community at large. The museum expects to release designs in Spring 2010. Read More
WE SMELL RATS
Really? The British tabloids (all of them) are reporting that architectural fetishist and actor, Brad Pitt, has built a gerbil “Neverland” for his six children’s herd on his and Angelina’s estate in the South of France. If you believe what they’re reporting, Pitt paid somewhere between $50,000 and $80,000 on an “elaborate gerbil run [that] has a maze of tunnels, seesaws, and platforms for the pets to live in,” according to ever-present anonymous sources. Pets? Gerbils are rodents. Besides, what do gerbils know about architecture? Eavesdrop wants to see the Rodentia brief, renderings, reflected-ceiling and sprinkler plans, specs, etc. Read More
Yesterday was press day at the 2009 U.S. Department of Energy Solar Decathlon in Washington, D.C. The student teams were still scrambling to finish up their installations when Team Archpaper arrived on the scene, but we still managed to talk our way into a hand full of the 20 solar houses that will go head-to-head in open competition. As in past years, the students will be go about the work of every day living—doing laundry, washing dishes, cooking—and will be judged based upon the energy efficiency, as well as architecture, engineering, comfort, and marketability of their houses. While each of the entries evoked aspects of their respective regions, they fell to either side of a line that ran between off-the-shelf affordability and high-tech über-design. Read More
Increasingly becoming home to Boston’s architectural community, pinkcomma gallery opened its third Fall season on with two exhibitions: Heroic and Publishing Practices. Heroic takes a closer look at the material that re-shaped Boston, concrete, and the idealistic architects that used it from 1957-1976. The exhibit consists of a selection of local concrete buildings intertwined with essays by some of the architects who built them, material experts, historians, and voices from a new architectural generation who seek to put this work in context. Heroic, however, boasts a larger and weighty agenda: to educate the public at large on the innovations and ideals of Boston’s concrete architectural legacy to save endangered buildings.
For those of you Silver Lake architects looking for new offices, may we recommend a great, and ironically cool spot. The Haven of Rest, once the 1970’s offices for a radio ministry of the same name (where you could “take the good ship Grace to Jesus with Captain Bill as your guide,”) is now a haven for creative workers. The spot, which opened in September (it sits next to the Haven’s original recording studio, which looks not unlike a giant boat) currently rents out workspaces and cubicles to filmmakers, writers, editors, a dancer, and a record company, among others. It was renovated back in the late 90’s by architect Barbara Bestor for record company Dust Bro’s, so it includes much of her brightly colored modern aesthetic. There are three or four offices left; contact Dirty Robber, the production company who leases the spaces, if you’re interested. Read More
The MAK Center‘s Silver Lake/ Los Feliz house tour yesterday helped once again put to rest the fallacy that Modernist homes have to be cold boxes with no regard for their contexts. On the contrary, the homes by Schindler, Ain, Ellwood, Soriano, and Harris focus on natural materials and highlight their landscapes: framing fantastic views, incorporating secluded gardens, and opening up with cross breezes, open courtyards, and double-height windows. Our favorite houses, Schindler’s Howe House (1926, just painstakingly restored by preservationist Michael LaFetra) and Ellwood’s Moore House (1965), induced zen-like contemplative states with their breathtaking landscapes, light-filled interlocking spaces, and warm wood cladding. And who knew that Soriano’s Schrage House (1952) had a waterfall and a killer model train setup in its garden? Read More
On September 28, the first round in a series of debates on the future of computational design kicked off at Columbia University’s GSAPP. Under the heading Post-Parametric, the first debate was co-chaired by David Benjamin, partner at The Living design studio and director of GSAPP’s Living Architecture Lab, and Michael K. Reed of Columbia’s Department of Computer Science and Blue Sky Studios. Focusing on the subject of data, the event brought Casey Reas to the table with Chuck Eastman, and the result, one might say, was a technical knockout. Read More
This innovative British firm is on the shortlist for the 2010 Stirling Prize. The building they’re brainstorming is the firm’s first U.S. commission. The site is somewhere on Cooper Square. Morphosis is the architect of record.
Their work is the focus of a new book, Feasibility: The New Polemic (The Too Little Too Late Press, 2009).