Planetizen published an interesting piece over the weekend looking at the relative disconnect between sustainability and starchitecture, or how form may have gotten futuristic of late, but not with the future in mind. The article’s a little plodding at times, though the argument is valid and clear:
Many contemporary buildings embody the age-old conflict between individual expression and the common good, while some appear almost antagonistic towards the environment. Frank Gehry’s aluminum billows and Daniel Libeskind’s tilted spires are largely aesthetic accents that use computer-aided design to create forms unbuildable, if not unimaginable, even a decade ago. The sheer expense of iconic libraries, concert halls, and corporate headquarters contradicts environmentalism’s drive for efficiency.
National Trust for Historic Preservation president Richard Moe announced today that he will retire in the spring of 2010. Moe, 72, is the longest-serving president in the organization’s 60-year history. The legacy of his 17-year tenure will likely be his push to bring historic preservation into the mainstream by revitalizing urban historic districts and promoting the environmental importance of saving aging buildings and structures.
“It has been an enormous privilege to be associated with the National Trust over these years,” Moe said in a statement on the National Trust’s website. “It has been the most fulfilling professional experience I have ever had.” Moe went on to say that his departure will present an opportunity for the Trust to seek a generational change at a time when its financial base and its programming are on solid ground. Read More
Last week, we threw out some ideas for architectural-themed Halloween costumes, including a proposal for a New Museum costume. Well, we’ve been one-, make that twice-upped by this adorable trio, who were spotted Trick-or-Treating in Cobble Hill by a colleague. Marcel Breuer, Frank Lloyd Wright, and SANAA must be so proud.
Granted he’s won the Pritzker Prize and had a string of recent successes, but all the same we were more than surprised to get a forwarded White House press release from Morphosis today touting the appointment of Thom Mayne, one of the industry’s gruffer individuals, to the President’s Committee on the Arts and Humanities. He is the only practicing architect on the list. Created in 1982, the committee, according to its website, brings, well, the arts and humanities into the White House. Headed by the First Lady, activities under the previous administration included an “unprecedented” cultural exchange with China, a “bi-national cultural communique” with Mexico, and the creation of the Coming Up Taller awards to honor school-age artists. Read More
…Or so hope the creators of Architects Reaching Out, a series of panels sponsored by the A+D Museum and the AIA Los Angeles, in which journalists, PR experts, photographers and web designers will give architects the tools to improve their self-presentation skills. Lessons will include getting good pictures, pitching to media outlets, creating monographs, composing press releases, and even putting together virtual building tours. The panels, moderated by architecture writer Michael Webb, will take place at the A+D’s new location at 6032 Wilshire Blvd in LA on November 14 and 21. Panelists will include KCRW’s Frances Anderton, AN’s California Editor Sam Lubell, architect Lorcan O’Herlihy, photographer Benny Chan, PR maven Christine Anderson, and web designer Shannon Vincent-Brown.
The Object Design League, working with Pavilion Antiques, is opening a pop-up design store in Chicago’s Bucktown neighborhood. Opening the day after Thanksgiving, the shop, called Worth Your Salt, will feature pieces by 19 American designers, including lighting, accessories, jewelry, and household items. The designs explore themes of “industriousness and play” according to a statement from the league. Craighton Berman’s Coil Lamp, for examples, is made from a single electrical cord wrapped around a nearly invisible frame in the form of an everyday table-top light. Click through for a preview of a few of the objects that will be offered. Read More
Last week, the Department of Design and Construction (DDC) broke ground on a police station in Staten Island designed by Rafael Vinoly. This week, the agency announced the completion of another such project: a firehouse in Sunset Park, Brooklyn. Both projects were commissioned under the DDC’s Design and Construction Excellence program, which has raised the bar on design in public architecture. The firehouse—Engine Company 201—was designed by RKT&B Architecture, a local firm that has been around since the 1960s and has completed its fair share of city work. The building’s red glazed brick and backlighted Maltese Cross telegraph its function to the neighborhood, while the glass apparatus doors—a first for a firehouse in the city—maintain a close connection with the community. Look after the jump for more pictures. Read More
WIth Halloween just a day-and-a-half away, there’s not much time to come up with a costume if you haven’t already. Our pal Nate Berg over at Planetizen has a rather amusing listing of planning-themed costumes, including LEED certified—”don’t get your platinum certification mistaken for a silver”—and our personal favorite, FAR—”This costume illustrates the concept of floor area ratio over the course of the night. At first the ratio is low, as you’ll likely be standing and dispersing yourself over a relatively small land area. But by the end of the night when you’re passed out on the floor after the party, you’ll be taking up much more land area and will therefore represent a much higher FAR.” Still, everybody knows architects are more clever than planners, so we’ve come up with five of our own costumes, and we’d also love to hear yours, so leave suggestions in the comments. Read More
Shortly after the dramatic fire consumed much of the TVCC tower in Beijing earlier this year, we speculated on the building’s fate. Well, it’s taken eight months, but Archinect directed us to an AP story in which OMA’s Ole Scheeren finally addresses the rampant concerns that have been plaguing the burned out building, and the prognosis is good. Scheeren said that the building is indeed intact and will be replaced—at what cost, who knows, though this being state-run television, does it even really matter? The AP adds that construction scaffolding is already up on the site, and Scheeren goes to great lengths to dispel apparently rampant and, as far as we can understand, ridiculous rumors that were the TVCC building to be dismantled, it would drag down the better known CCTV building because the two shared a structural system. Read More